“James Cameron has done it again. 'Avatar: The Way of Water' is a transporting spectacle of oceanic wonder, a film that makes you feel like you're breathing underwater.”
Owen Gleiberman
Variety
United States"Return to Pandora."
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Thirteen years after James Cameron's original shattered box office records, he returned to Pandora with a sequel that doubled down on everything that made the first film a phenomenon. The Way of Water plunges audiences into the vast oceans of this alien world, introducing the Metkayina, a reef-dwelling Na'vi clan whose culture revolves around the sea and its majestic creatures, the tulkun. At a reported budget of $460 million, it became one of the most expensive films ever produced, and every dollar is visible on screen in the form of groundbreaking underwater performance capture and photorealistic CGI that pushes the boundaries of what digital filmmaking can achieve.
The story picks up more than a decade after the original, with Jake Sully fully integrated into Na'vi life as the leader of the Omaticaya, raising a family with Neytiri. But the return of the Resources Development Administration, armed with a new weapon in the form of recombinant soldiers carrying the memories of Colonel Quaritch, forces Jake to uproot his family and seek refuge with the Metkayina. This isn't just a retread of the first film's conflict; Cameron shifts the focus from a war over resources to a more intimate story about a father trying to protect his children, while also expanding the lore of Pandora in fascinating ways.
The film grossed over $2.3 billion worldwide, becoming the third highest-grossing film of all time, and earned four Academy Award nominations, winning for Best Visual Effects. While critical reception was somewhat more muted than the original's near-universal acclaim, audience scores remained sky-high, and the film's immersive underwater sequences and emotional family drama won over millions. It's a rare blockbuster that prioritizes world-building and character over constant action, trusting audiences to invest in a slow-burn narrative that pays off in a devastating climax.
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Jake Sully has been living as a Na'vi for over fifteen years, his consciousness permanently transferred into his avatar body. He and Neytiri have built a life together, raising four children: Neteyam, their responsible eldest son who carries the weight of expectation; Lo'ak, the rebellious middle child who constantly feels like an outsider; Tuk, their youngest daughter, full of curiosity; and Kiri, their adopted daughter born from the avatar of Dr. Grace Augustine, who possesses an inexplicable and powerful connection to Eywa, Pandora's global spiritual network. The family lives among the Omaticaya in the floating Hallelujah Mountains, but their peace is shattered when the RDA returns with a renewed military presence.
Leading the RDA's ground forces is Colonel Miles Quaritch, resurrected as a recombinant: a Na'vi body implanted with the memories and consciousness of the deceased human colonel. He leads a squad of similar recombinants, all driven by a personal vendetta against Jake, viewing him as a traitor to humanity. Quaritch learns Na'vi customs, bonds with a direhorse, and proves himself a formidable hunter, tracking Jake relentlessly. Realizing that his presence endangers the entire Omaticaya clan, Jake makes the painful decision to leave. He takes his family to the eastern coast of Pandora, seeking refuge with the Metkayina, a reef-dwelling clan led by chief Tonowari and his mate Ronal.
The Metkayina live in harmony with the ocean, their bodies adapted for swimming with larger lungs and streamlined limbs. They have a deep spiritual bond with the tulkun, whale-like beings of immense intelligence and emotional depth. The Sully family arrives as outsiders, struggling to adapt to a new culture and environment. They must learn to hold their breath for extended periods, ride on the backs of ilu (smaller aquatic creatures), and earn the trust of the Metkayina. Lo'ak, feeling like a failure in his father's eyes, forms a forbidden bond with Payakan, a young tulkun who was cast out from his pod for breaking their sacred law against violence. Kiri, meanwhile, finds her connection to Eywa deepening underwater, where she experiences visions and demonstrates an almost supernatural affinity for the ocean's life.
Quaritch and his recombinants track Jake to the reef, aided by the RDA's marine operations led by Captain Mick Scoresby, who hunts tulkun for a valuable anti-aging enzyme called amrita, extracted from their brains. Scoresby's whaling ship, the SeaDragon, represents the industrial exploitation that threatens the Metkayina's way of life. Tensions escalate when Quaritch captures Spider, a human teenager who grew up on Pandora and is Quaritch's biological son, using him to gain information about Jake's family. The Sully children, particularly Lo'ak and Kiri, become increasingly entangled in the conflict, leading to a series of confrontations that force Jake to choose between hiding and fighting.
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Critical Consensus
Avatar: The Way of Water expands the world of Pandora with stunning visual effects and immersive underwater sequences, though its familiar story and lengthy runtime prevent it from reaching the same groundbreaking heights as its predecessor.
“James Cameron has done it again. 'Avatar: The Way of Water' is a transporting spectacle of oceanic wonder, a film that makes you feel like you're breathing underwater.”
Owen Gleiberman
Variety
“The visual effects are nothing short of miraculous, with the underwater sequences achieving a liquid realism that sets a new benchmark for digital filmmaking.”
David Rooney
The Hollywood Reporter
“It's a lumbering, self-important, and often breathtakingly beautiful epic that's simultaneously awe-inspiring and exhausting, like being trapped in a 3D screensaver for three hours.”
Peter Bradshaw
The Guardian
“Cameron remains a master of visual storytelling, and the film's emotional core, the relationship between parents and children, gives the spectacle genuine weight.”
Brian Tallerico
RogerEbert.com
“The Way of Water is a film of stunning, often overwhelming beauty that's so committed to its environmental message it sometimes forgets to be fun.”
David Ehrlich
IndieWire
Director
James Cameron
Writers
James Cameron, Rick Jaffa, Amanda Silver, Josh Friedman, Shane Salerno
Composer
Simon Franglen
Cinematographer
Russell Carpenter
Producers
James Cameron, Jon Landau
Academy Awards (2023)
Best Visual Effects: Won
Academy Awards (2023)
Best Picture: Nominated
Academy Awards (2023)
Best Production Design: Nominated
Academy Awards (2023)
Best Sound: Nominated
Golden Globe Awards (2023)
Best Motion Picture – Drama: Nominated
Golden Globe Awards (2023)
Best Director: Nominated
BAFTA Awards (2023)
Best Special Visual Effects: Won
BAFTA Awards (2023)
Best Cinematography: Nominated
BAFTA Awards (2023)
Best Sound: Nominated
Critics' Choice Movie Awards (2023)
Best Visual Effects: Won
Critics' Choice Movie Awards (2023)
Best Picture: Nominated
Critics' Choice Movie Awards (2023)
Best Director: Nominated
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