“Ms. Streep’s exquisitely calibrated performance, so different from anything she has done before, is the film’s greatest treat.”
Manohla Dargis
The New York Times

United States"Meet Andy Sachs. A million girls would kill for this job."
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The Devil Wears Prada Collection
The Devil Wears Prada follows a young woman who lands a dream job at a top fashion magazine only to discover her boss is a tyrannical editor who demands perfection. Directed by David Frankel and released in 2006, the film stars Meryl Streep as the fearsome Miranda Priestly and Anne Hathaway as her eager assistant Andy Sachs. Based on Lauren Weisberger's novel, it mixes sharp comedy with pointed observations about ambition, identity, and the price of success in a glamorous but cutthroat industry.
The movie struck a chord with audiences by showing the realities behind the glossy facade of high fashion. Streep's layered performance as Miranda earned widespread praise, while the film's costumes and New York settings became cultural touchstones. It grossed over 326 million dollars worldwide on a budget of around 35 to 41 million, proving that smart writing and strong acting could turn a story about office life into a box office hit.
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Recent Northwestern graduate Andrea Sachs, who goes by Andy, moves to New York with plans to become a journalist. She knows nothing about the fashion world but somehow lands the job as junior assistant to Miranda Priestly, the powerful editor-in-chief of Runway magazine. Everyone at the magazine is shocked. The position usually goes to someone obsessed with style and labels, yet Andy gets it after a less-than-stellar interview.
From day one, Andy realizes this job will test every limit. Miranda issues demands that seem impossible. She expects her coffee at an exact temperature, impossible-to-get items delivered instantly, and complete anticipation of her every need. The office runs on fear and precision. Andy's senior co-assistant Emily lives and breathes the Runway culture and treats the newcomer with open disdain. Art director Nigel becomes Andy's unlikely guide, teaching her the language and rituals of fashion.
At home, things start to fray. Andy's boyfriend Nate works as a chef and grows tired of her constant availability for Miranda. Her friend Lily shares similar frustrations as birthdays and dinners get canceled. The job begins to swallow Andy's entire life. Then comes the makeover. Nigel and the magazine's endless closet of designer clothes transform her appearance. Suddenly Andy fits in. She masters the art of scoring impossible reservations and navigating Fashion Week politics.
The once-closed world of couture opens up to her. She attends glamorous parties, travels for shoots, and tastes real power. For the first time she feels the addictive pull of success in such an exclusive environment. Her ability to deliver under pressure improves dramatically. Miranda starts to rely on her more than on Emily. Yet every promotion in status at Runway seems to cost Andy something in her personal relationships. She faces constant choices between loyalty to her boss and the people who mattered before the job took over.
The story follows Andy as she learns the hidden rules of this universe. She witnesses the backstabbing, the impossible standards, and the way appearance shapes every interaction. Miranda remains an enigma, equal parts brilliant and brutal. The film balances laughs with real questions about what people sacrifice for career advancement. It shows how quickly someone can lose sight of their own values when surrounded by glamour and high stakes. Andy's transformation forms the heart of the narrative, raising the question of how much of herself she is willing to change to survive in Miranda's world.
Official Trailer
Critical Consensus
Though the film is uneven and the central conflict thin, The Devil Wears Prada is saved by its sharp script, funny performances (particularly Streep’s masterful turn), and the guilty pleasure of gazing at fabulous clothes.
“Ms. Streep’s exquisitely calibrated performance, so different from anything she has done before, is the film’s greatest treat.”
Manohla Dargis
The New York Times
“Streep is gloriously entertaining as the imperious Miranda, delivering bon mots and withering put-downs with surgical precision.”
Todd McCarthy
Variety
“Streep gives a comic performance of grand diva proportions. She’s a terrifying delight.”
Peter Travers
Rolling Stone
Director
David Frankel
Writer
Aline Brosh McKenna
Composer
Theodore Shapiro
Cinematographer
Florian Ballhaus
Producers
Wendy Finerman, John Palermo, Karen Rosenfelt
Academy Awards (2007)
Best Actress: Nominated
Academy Awards (2007)
Best Costume Design: Nominated
Golden Globe Awards (2007)
Best Actress – Musical or Comedy: Won
BAFTA Awards (2007)
Best Actress: Nominated
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