“The Talented Mr. Ripley is a movie of great beauty and great sadness, a thriller that is less concerned with suspense than with the slow, deliberate corruption of a soul.”
Roger Ebert
Chicago Sun-Times

United States"How far would you go to become someone else."
Released on Christmas Day 1999, The Talented Mr. Ripley is a psychological thriller that takes Patricia Highsmith's 1955 novel and turns it into a sun-drenched nightmare. Directed by Anthony Minghella, fresh off The English Patient, the film stars Matt Damon as Tom Ripley, a young New Yorker with a gift for imitation and forgery. When a wealthy shipbuilder mistakes him for a Princeton classmate and sends him to Italy to retrieve his wayward son, Tom sees a chance to escape his mediocre life. What follows is a slow, seductive descent into obsession, lies, and murder, set against the glittering coasts of postwar Italy.
The film is as much about atmosphere as it is about plot. Minghella and cinematographer John Seale bathe the Italian locations in golden light, capturing the hedonistic glamour of the era with a jazz-heavy soundtrack featuring Chet Baker's haunting rendition of "My Funny Valentine." The cast is impeccable: Jude Law's Dickie Greenleaf is a magnetic, careless golden boy, Gwyneth Paltrow is sharp and suspicious as his girlfriend Marge, and Cate Blanchett and Philip Seymour Hoffman add layers of complication. The film earned five Academy Award nominations, including a supporting nod for Law, and has since become a touchstone for thrillers about identity and envy.
But beneath its beauty, The Talented Mr. Ripley is a chilling study of a man who would erase himself to become someone else. Damon's performance walks a tightrope between sympathy and horror, making Tom's desperation palpable. The film's tagline poses the question that lingers long after the credits roll: How far would you go to become someone else?
Availability and pricing can change. Confirm on the provider's site before purchasing.
Tom Ripley is a young man of modest means in late-1950s New York, scraping by as a piano tuner and occasionally borrowing a Princeton blazer to pass as an alumnus. His life takes a turn when Herbert Greenleaf, a wealthy shipbuilding magnate, mistakes him for a classmate of his son, Dickie, and hires Tom to travel to Italy. The mission: persuade Dickie, a charming but aimless playboy, to come home and take over the family business. Tom, desperate to escape his own mediocrity, accepts eagerly.
Arriving in the sun-drenched village of Mongibello on the Italian coast, Tom finds Dickie and his sharp-witted American girlfriend, Marge Sherwood. He ingratiates himself into their world of jazz clubs, beach parties, and careless luxury. Dickie is initially charmed by Tom's attentiveness and the stories of a shared past that Tom invents. Marge, however, grows suspicious of Tom's intense, almost obsessive attachment to Dickie. Tom himself becomes enamored with Dickie's lifestyle, and with Dickie, developing a romantic fixation he can barely articulate in an era of sexual repression.
Tom's talents for lying and mimicry allow him to pass as someone he is not, but his insecurity and jealousy simmer beneath the surface. When Dickie's boorish friend Freddie Miles arrives and immediately sees through Tom's pretensions, the tension escalates. Freddie's contempt threatens to expose Tom's entire charade. Meanwhile, Dickie grows bored with Tom's clinginess and begins to suspect his motives.
As the story progresses, Tom begins borrowing Dickie's identity, wearing his clothes, using his name, and forging his signature. He also develops a parallel romantic subplot with Meredith Logue, a wealthy, lonely American socialite he meets in Rome who believes he is Dickie. This dual identity allows Tom to experience the wealth and adoration he craves, but it creates a precarious balancing act. As Marge's suspicions mount and Freddie becomes more openly hostile, Tom's carefully constructed fantasy begins to unravel.
The first act ends with Tom, Dickie, and Marge planning a trip to San Remo, a journey that will prove fateful. The central dramatic question is how far Tom will go to protect the life he has fabricated, and what he is willing to sacrifice or destroy to keep it.
The Talented Mr. Ripley - Trailer
Critical Consensus
A sumptuous, psychologically rich thriller elevated by Anthony Minghella's elegant direction and a career-best ensemble. Matt Damon's chilling portrayal of the duplicitous Tom Ripley, matched by Jude Law's magnetic turn, creates a tense, beautiful meditation on identity, envy, and the corrosive cost of living a lie.
“The Talented Mr. Ripley is a movie of great beauty and great sadness, a thriller that is less concerned with suspense than with the slow, deliberate corruption of a soul.”
Roger Ebert
Chicago Sun-Times
“Mr. Damon's performance is a marvel of quiet, insinuating menace, and the film's lush European settings only intensify its portrait of a man who would kill to live the life he covets.”
Janet Maslin
The New York Times
“Minghella's elegant adaptation captures the novel's dark, obsessive undercurrents while creating a visually ravishing portrait of postwar Italy, anchored by a magnetic, unnerving performance from Damon.”
Todd McCarthy
Variety
“A luxuriant, sinister pleasure, with Jude Law's dazzling, doomed Dickie Greenleaf and Matt Damon's creepy, fascinating Ripley making this one of the most memorable thrillers of its era.”
Peter Bradshaw
The Guardian
“The film's true subject is the terrifying emptiness of a man who has erased himself, and Damon's performance gets under your skin in ways that linger long after the credits roll.”
Owen Gleiberman
Entertainment Weekly
Director
Anthony Minghella
Writers
Anthony Minghella, Patricia Highsmith
Composer
Gabriel Yared
Cinematographer
John Seale
Producers
William Horberg, Tom Sternberg
Academy Awards (2000)
Best Supporting Actor: Nominated
Academy Awards (2000)
Best Adapted Screenplay: Nominated
Academy Awards (2000)
Best Original Score: Nominated
Academy Awards (2000)
Best Art Direction: Nominated
Academy Awards (2000)
Best Costume Design: Nominated
BAFTA Awards (2000)
Best Supporting Actor: Won
BAFTA Awards (2000)
Best Cinematography: Won
BAFTA Awards (2000)
Best Film: Nominated
BAFTA Awards (2000)
Best Director: Nominated
BAFTA Awards (2000)
Best Adapted Screenplay: Nominated
BAFTA Awards (2000)
Best Actor: Nominated
BAFTA Awards (2000)
Best Actress: Nominated
BAFTA Awards (2000)
Best Editing: Nominated
Golden Globe Awards (2000)
Best Motion Picture – Drama: Nominated
Golden Globe Awards (2000)
Best Director: Nominated
Golden Globe Awards (2000)
Best Supporting Actor: Nominated
Golden Globe Awards (2000)
Best Original Score: Nominated
Screen Actors Guild Awards (2000)
Outstanding Performance by a Male Actor in a Supporting Role: Nominated
Screen Actors Guild Awards (2000)
Outstanding Performance by a Female Actor in a Supporting Role: Nominated
Join the community
fans discussing