“The Originals quickly distinguishes itself from The Vampire Diaries by leaning into operatic family drama and New Orleans gothic atmosphere.”
Caroline Framke
AV Club


United States"Always and forever."
User Score
3577 votes
The Originals follows the ancient Mikaelson family as they return to New Orleans, the city they helped build centuries ago. This Vampire Diaries spin-off mixes gothic horror, family loyalty, and supernatural politics. At its center stands Klaus Mikaelson, the original vampire-werewolf hybrid, whose volatile nature drives much of the drama across five seasons.
The series explores the fractured bond between Klaus, his brother Elijah, and their sister Rebekah. Their vow of always and forever faces constant tests from old enemies, shifting alliances among vampires, witches, and werewolves, and the complications of new family ties. New Orleans itself becomes a character, with its haunted streets and hidden supernatural communities shaping every power struggle.
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Set in the richly haunted French Quarter of New Orleans, The Originals centers on the Mikaelsons. They are the first vampires in history, known as the Originals. The family is led by Niklaus Klaus Mikaelson, a volatile and charismatic vampire werewolf hybrid, his noble disciplined brother Elijah, and their fierce free spirited sister Rebekah. For over a thousand years their mantra has been always and forever, a vow to put family above all else. Time, betrayal, and power struggles have fractured that vow. The series explores whether such an immortal damaged family can ever truly heal.
The story begins when Klaus learns that a plot is brewing against him in New Orleans, the city the Mikaelsons helped build centuries earlier. He returns to find his former protege Marcel Gerard now ruling the city as a self styled king of the vampires. Marcel enforces strict rules over witches and keeps werewolves marginalized and exiled. The supernatural power balance is precarious. Vampires control the streets, witches practice magic under surveillance, and werewolves are largely driven out or cursed into hiding.
Klaus discovers that Hayley Marshall, a strong willed werewolf with whom he had a brief encounter, is in the hands of local witches and is miraculously pregnant with his child. This miracle baby becomes the emotional and political fulcrum of the series. The witches want to use the child and the Mikaelsons to break the oppressive vampire rule and reclaim their autonomy.
Season 1 broadly follows Klauss attempt to reclaim New Orleans from Marcel while Elijah tries to hold the family together and protect Hayley and the unborn child. Alliances shift among vampires, witches, and werewolves as the Mikaelsons attempt to out maneuver Marcels loyal inner circle. The season mixes supernatural politics, family drama, and the question of whether Klaus can evolve into some form of protector rather than a tyrant.
In Season 2 the Mikaelsons face threats from within their own bloodline as long lost family members and ancient enemies re enter the picture. New Orleans fragile political order is disrupted by the newly empowered werewolves linked to Klauss lineage. Hayley now transformed struggles with rage grief and leadership among her people. Elijah tries to mediate between factions while Klaus wrestles with his own weaknesses and paranoia. The season focuses on the consequences of centuries old family sins resurfacing.
Season 3 picks up with Klaus and Elijah estranged despite living under the same roof. Their powerful sister Freya a witch rescued from a tragic past becomes a central figure. The show introduces the notion that the Original familys sire lines may be turning against them. Meanwhile Marcel and the witch Davina hold significant power in the city and human psychologist Cami along with warlock Vincent are drawn into a mystery surrounding a new and ominous presence in New Orleans.
Season 4 jumps forward in time. A dark prophecy foretelling doom for the Mikaelsons and their city forces them to confront the cumulative fallout of their ruthless choices. Klauss daughter Hope Mikaelson now a child with burgeoning magical potential becomes central to both the familys future and the fate of New Orleans. The city faces a supernatural threat that is less political and more existential requiring old enemies to cooperate.
Season 5 the final season moves further ahead to explore a more mature Hope and a fractured Mikaelson family that has deliberately scattered for the greater good. Each sibling has built a separate life but new menaces lingering magical side effects and Hopes growing power pull them back into one anothers orbit. Themes of legacy parenthood and whether the Mikaelsons can break their cycles of violence and codependency shape the last run of episodes.
Across all five seasons The Originals blends courtly politics gothic horror and family tragedy. It consistently returns to a core question. Can a family capable of immense love and extreme cruelty transcend its own history or are they doomed to repeat it always and forever?
The Originals Season 1 Trailer
Critical Consensus
Critics generally regard The Originals as a richer darker and more emotionally complex companion to The Vampire Diaries. Strong performances especially Joseph Morgan and Daniel Gillies anchor a series that balances pulpy supernatural politics with serious family drama. While mythology heavy and occasionally melodramatic its New Orleans setting morally gray characters and long running arc about legacy and redemption earned a loyal fanbase.
“The Originals quickly distinguishes itself from The Vampire Diaries by leaning into operatic family drama and New Orleans gothic atmosphere.”
Caroline Framke
AV Club
“Anchored by Joseph Morgans volatile charm the series turns a potentially gimmicky spinoff into a surprisingly gripping tale of damaged immortals.”
Matt Roush
TV Guide
“There is something irresistibly Shakespearean about a clan of ancient vampires scheming and bleeding over the same city they built and betrayed.”
Mary McNamara
Los Angeles Times
Writers
Julie Plec, Michael Narducci
Producers
Julie Plec, Leslie Morgenstein
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