“A dazzling, hyper-kinetic, and utterly unique vision of the future.”
Lisa Schwarzbaum
Entertainment Weekly

France"There is no future without it."
User Score
11,928 votes
In 1997, Luc Besson unleashed a vision of the future that looked like nothing else on screen. The Fifth Element drops you into a 23rd-century New York where flying cars weave between skyscrapers and a fast-food chain still serves its famous burgers. The film cost around $90 million to make, making it the priciest European production of its time, and it paid off with a worldwide haul of over $263 million. Its blend of comic-book energy, operatic spectacle, and off-kilter humor turned it into a cult favorite that still draws new fans decades later.
The plot kicks off when a cab driver named Korben Dallas, played by Bruce Willis, picks up a mysterious woman who falls from the sky. She turns out to be Leeloo, the human embodiment of the Fifth Element, and the only force that can stop a malevolent cosmic entity from wiping out Earth. Alongside a bumbling priest, Vito Cornelius, and a manic radio host, Ruby Rhod, Dallas races across the galaxy to gather four elemental stones before the Great Evil arrives. It's a wild ride that mixes high-stakes action with Besson's signature visual flair and a surprisingly tender love story at its core.
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In the 23rd century, a massive, malevolent cosmic entity known as the Great Evil returns to Earth every 5,000 years. To fight it, an ancient alien race called the Mondoshawans entrusted four elemental stones, representing fire, water, earth, and air, to a secret order of priests in Egypt. The stones are meant to be combined with the Fifth Element, a supreme being who embodies the essence of life, to create a weapon of pure light that can repel the darkness.
When the Great Evil reappears, the Mondoshawans retrieve the stones from the temple, but their ship is attacked and destroyed by the Mangalores, a fierce alien race working for the arms dealer Jean-Baptiste Emanuel Zorg. The stones are lost, and only a fragment of the Fifth Element survives. Scientists reconstruct the remains into a young woman named Leeloo, who escapes from the laboratory and lands in the flying taxi of Korben Dallas, a former special forces major now scraping by as a cabbie in a sprawling, chaotic New York City.
Leeloo's sudden appearance pulls Dallas into a mission he didn't ask for. She is the key to saving humanity, but she needs the four elemental stones to activate her power. With the help of Vito Cornelius, the current guardian of the priestly order, and his eager assistant David, Dallas agrees to help Leeloo. Their search leads them to the luxury space liner Fhloston Paradise, where the stones are rumored to be hidden. To get there, they must navigate a galaxy teeming with danger, including Zorg's relentless pursuit and the unpredictable antics of Ruby Rhod, a flamboyant celebrity host whose show they hijack for passage.
On Fhloston Paradise, the diva Plavalaguna, an opera singer with a voice that can shatter glass, is secretly carrying the stones within her body. The Mangalores attack the ship, hoping to steal the stones for themselves, and a chaotic firefight erupts. Dallas and Leeloo must retrieve the stones while fending off the aliens and Zorg's forces. The mission is complicated by the fact that Leeloo is growing increasingly disillusioned with humanity, having witnessed their history of war and violence through the genetic memory embedded in her DNA. She begins to doubt whether humanity is worth saving at all.
As the Great Evil draws closer to Earth, the race against time intensifies. Dallas, Leeloo, Cornelius, and David manage to escape Fhloston Paradise with the stones, but their problems are far from over. Zorg, desperate to stop them, has his own plans, and the Mangalores are still hunting for the relics. The group must return to Earth and reach the ancient temple in Egypt, where the stones were originally kept, to perform the ritual that will activate the Fifth Element. But with Leeloo's faith in humanity crumbling, the fate of the world hangs on whether she can find a reason to believe in the people she's been sent to protect.
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Critical Consensus
Visually inventive and gleefully over the top, Luc Besson's The Fifth Element is a fantastic piece of pop sci-fi that never takes itself too seriously.
“A dazzling, hyper-kinetic, and utterly unique vision of the future.”
Lisa Schwarzbaum
Entertainment Weekly
“It's a film that throws everything at the screen, and surprisingly, most of it sticks.”
Roger Ebert
Chicago Sun-Times
“Besson's film is a glorious, overstuffed, and endlessly inventive spectacle.”
David Stratton
Variety
“A visually stunning and wildly entertaining sci-fi adventure.”
Edward Guthmann
San Francisco Chronicle
“Pure, unadulterated, and utterly bonkers fun.”
Peter Travers
Rolling Stone
Director
Luc Besson
Writers
Luc Besson, Robert Mark Kamen
Composer
Éric Serra
Cinematographer
Thierry Arbogast
Producer
Patrice Ledoux
BAFTA Award (1998)
Best Production Design: Won
BAFTA Award (1998)
Best Visual Effects: Nominated
BAFTA Award (1998)
Best Costume Design: Nominated
César Award (1998)
Best Director: Won
César Award (1998)
Best Film: Nominated
César Award (1998)
Best Cinematography: Nominated
César Award (1998)
Best Editing: Nominated
César Award (1998)
Best Sound: Nominated
Cannes Film Festival (1997)
Grand Prix International Critics' Award: Won
Lumière Award (1998)
Best Director: Won
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