“The Help is a crowd-pleasing film that manages to be both funny and poignant.”
Claudia Puig
USA Today

United States"Change begins with a whisper."
User Score
9,159 votes
The Help, released in 2011, is a period drama directed by Tate Taylor, adapted from Kathryn Stockett's bestselling 2009 novel. Set in Jackson, Mississippi, during the early 1960s, the film explores racial tensions and social injustices through the lives of Black maids and the white families they serve. The story is anchored by three central characters: Aibileen Clark (Viola Davis), a patient maid who has raised seventeen white children; Minny Jackson (Octavia Spencer), a sharp-tongued cook whose outspokenness often costs her jobs; and Eugenia "Skeeter" Phelan (Emma Stone), a recent college graduate who aspires to be a writer. Disturbed by the segregationist attitudes of her social circle, Skeeter secretly interviews the maids to document their experiences, risking her standing in the community to give voice to their stories.
The film was produced on a $25 million budget and grossed over $216 million worldwide, becoming a commercial success. It received positive reviews, with particular praise for the performances of Davis, Spencer, and Stone. The movie also sparked conversations about race and representation, with some critics questioning its focus on a white protagonist's journey. Nonetheless, it resonated with audiences, earning a strong audience rating and multiple award nominations, including an Academy Award win for Octavia Spencer as Best Supporting Actress.
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The Help opens in Jackson, Mississippi, in 1963, where Aibileen Clark works as a maid for the Leefolt family, caring for their young daughter Mae Mobley. Aibileen's own son died in a workplace accident, and she finds solace in nurturing the child, offering the affection that the mother, Elizabeth, fails to provide. Aibileen's best friend, Minny Jackson, is known for her exceptional cooking but also for her inability to hold her tongue, which has led to a series of firings. Minny's latest employer, Hilly Holbrook, is a prominent socialite who champions a campaign for separate bathrooms for Black domestic workers, a policy she sees as hygienic but which is clearly discriminatory.
Meanwhile, Skeeter Phelan returns home after graduating from Ole Miss, hoping to become a writer. She reunites with her friends, including Hilly, but feels increasingly out of place as they focus on marriage and domesticity. Skeeter's mother, Charlotte, pressures her to find a husband, but Skeeter is more interested in a job at the local newspaper. She is assigned an advice column, which she dislikes, but an editor suggests she could write something more meaningful. Inspired by the maids she grew up with, particularly her beloved former maid Constantine, who has mysteriously disappeared, Skeeter conceives of a book that would tell the maids' stories from their own perspectives.
Skeeter approaches Aibileen first, who is hesitant due to the risks involved. After Skeeter reveals her friendship with Constantine and her genuine desire to change things, Aibileen agrees to share her story. Minny, initially reluctant, eventually joins after being fired by Hilly for using a bathroom inside the house, an act that enrages Hilly. Minny also reveals a secret about Hilly that she has kept, which becomes central to the plot. As Skeeter interviews more maids, including Yule May, who is arrested for stealing a ring to pay for her twins' college tuition, the project grows riskier. Hilly becomes suspicious and tries to uncover the source of the book, while Skeeter's relationship with her mother becomes strained over her refusal to conform.
The narrative weaves together the maids' daily struggles, their resilience, and their friendships. Aibileen finds strength in the project, while Minny lands a job with Celia Foote, a kind but socially ostracized woman who treats Minny with respect. Skeeter's book, titled "Help," is eventually published anonymously, and its release causes a stir in Jackson. The maids fear retribution, but the book's success and the exposure of Hilly's hypocrisy lead to a shift in the community's dynamics. The film builds to a resolution where Skeeter leaves for New York, Aibileen finds a new purpose, and Minny stands up to Hilly, symbolizing a quiet but significant change.
Official Trailer
Critical Consensus
The Help is a crowd-pleasing, albeit occasionally heavy-handed, adaptation that benefits from strong performances and a compelling, important story.
“The Help is a crowd-pleasing film that manages to be both funny and poignant.”
Claudia Puig
USA Today
“The movie is a powerful and moving testament to the courage and resilience of ordinary people.”
Roger Ebert
Chicago Sun-Times
“The Help is a beautifully crafted film with a timely message about racial injustice and the power of speaking out.”
Manohla Dargis
The New York Times
“With its stellar cast and heartfelt story, The Help is a film that will stay with you long after the credits roll.”
Peter Travers
Rolling Stone
Director
Tate Taylor
Writers
Tate Taylor, Kathryn Stockett, Damon Thomas
Composer
Thomas Newman
Cinematographer
Stephen Goldblatt
Producers
Chris Columbus, Michael Barnathan, Brunson Green
Academy Awards (2012)
Best Picture: Nominated
Academy Awards (2012)
Best Actress: Nominated
Academy Awards (2012)
Best Supporting Actress: Won
Golden Globe Awards (2012)
Best Motion Picture – Drama: Nominated
Golden Globe Awards (2012)
Best Actress – Motion Picture Drama: Nominated
Golden Globe Awards (2012)
Best Supporting Actress – Motion Picture: Nominated
Screen Actors Guild Awards (2012)
Outstanding Performance by a Female Actor in a Leading Role: Nominated
Screen Actors Guild Awards (2012)
Outstanding Performance by a Female Actor in a Supporting Role: Won
Screen Actors Guild Awards (2012)
Outstanding Performance by a Cast in a Motion Picture: Nominated
BAFTA Awards (2012)
Best Actress in a Leading Role: Nominated
BAFTA Awards (2012)
Best Actress in a Supporting Role: Nominated
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