“It's a movie that seems to think that wrestling is funny because it involves people hitting each other, which is a very narrow view of what makes wrestling entertaining.”
Roger Ebert
Chicago Sun-Times

United States"They're heading to the big time...face first."
Two inseparable friends working in sanitation spend their days cleaning portable toilets and their nights dreaming of wrestling glory. When their idol Jimmy King gets fired by a ruthless promoter, Gordie Boggs and Sean Dawkins decide to take matters into their own hands. This 2000 comedy from director Brian Robbins stars David Arquette and Scott Caan as the duo who try to save the career of Oliver Platt's character.
The film dives into the chaotic world of WCW during its final years. It features real-life wrestlers like Bill Goldberg and Diamond Dallas Page playing themselves alongside the scripted drama. Despite a budget of $24 million, the movie struggled at the box office, grossing only about $12.3 million domestically.
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Gordie Boggs and Sean Dawkins live in Los Angeles where they work for a company that maintains portable toilets. Their lives revolve around three things: their day jobs, their friendship, and their obsession with professional wrestling. They are huge fans of Jimmy King, a veteran wrestler known for his technical skill and good heart. The two men treat every match like a religious experience, analyzing moves and cheering for King with more intensity than anyone else.
Their routine changes when they travel to Atlanta for a live WCW event. There, they witness the sudden firing of Jimmy King by Titus Sinclair, a slick new owner who views wrestlers as disposable commodities. Sinclair wants to replace the aging star with a younger, flashier but less skilled character called The Diamond. Gordie and Sean cannot accept this injustice and decide they must help King get his job back.
Without a license or contract, the duo realizes they cannot simply walk into the ring. They learn that King needs a backup plan because his scheduled opponent is injured. In a desperate move, they convince King to let them step in as his makeshift tag team partners for the upcoming Great American Bash pay-per-view. Their journey takes them deep into the corporate politics of WCW headquarters where they face constant threats from Sinclair's security and hired thugs.
The boys navigate a chaotic environment filled with eccentric characters including Sasha, a WCW model who becomes an ally, and the legendary Bill Goldberg who provides comic relief and physical protection. As the pay-per-view approaches, the stakes rise dramatically. The narrative focuses on themes of loyalty and friendship as the underdog sewage workers train in secret while dealing with the threat of being arrested.
The story builds toward a climax where Gordie and Sean must overcome the entire might of the wrestling establishment. They use their unique skills as port-a-potty maintenance men to create distractions and turn the tables on the villainous champion. The film combines slapstick comedy with wrestling stunts to tell a classic David versus Goliath story where passion triumphs over corporate greed.
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Critical Consensus
Critics found the plot predictable and the jokes dated. Many noted that the film fails to capture the excitement of professional wrestling, offering a tedious buddy comedy instead. The movie relies heavily on slapstick humor and cameos rather than a coherent script.
“It's a movie that seems to think that wrestling is funny because it involves people hitting each other, which is a very narrow view of what makes wrestling entertaining.”
Roger Ebert
Chicago Sun-Times
“A clumsy, unfunny mess that wastes its talented cast on a script that lacks any real heart or humor, relying entirely on the novelty of wrestling cameos to carry the weight.”
Variety Staff
Variety
“The movie is a bore, a waste of time, and a disappointment for anyone hoping for a fun, action-packed comedy based on wrestling.”
Lisa Schwarzbaum
Entertainment Weekly
Director
Brian Robbins
Writer
Steven Brill
Composer
George S. Clinton
Cinematographer
Clark Mathis
Producers
Herb Gains, John Gatins, Robert Newmyer, Susan E. Novick, Jeffrey Silver
MTV Movie Awards (2001)
Best Fight: Nominated
Kids' Choice Awards (2001)
Favorite Movie Actor: Nominated
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