“The movie is a carnival of wisecracks and bloodshed, a celebration of the idea that nothing matters except the fun of making fun of everything.”
A.O. Scott
The New York Times
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United States"The Merc with a Mouth is back. And he's not alone."
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Deadpool Collection
The Merc with a Mouth returns in a sequel that doubles down on the irreverent humor and over-the-top action that made the first film a surprise hit. Director David Leitch, known for his work on John Wick and Atomic Blonde, takes the reins, bringing a slicker visual style to the chaos. Ryan Reynolds reprises his role as Wade Wilson, the foul-mouthed, fourth-wall-breaking antihero, and also voices the hulking Juggernaut. He's joined by Josh Brolin as Cable, a time-traveling cyborg soldier with a grim mission, and Zazie Beetz as Domino, a lucky mutant with a cool demeanor. The story follows Deadpool as he tries to protect a troubled young mutant, Firefist (Julian Dennison), from Cable's deadly pursuit. Budgeted at $110 million, the film grossed over $785 million worldwide, proving the franchise's staying power. It's a raucous blend of action and comedy that leans heavily into meta humor, with a mid-credits scene that pokes fun at the entire superhero genre.
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Wade Wilson, the Merc with a Mouth, has hung up his katanas. He's living a quiet life with Vanessa, his fiancée, and things are good. That shatters on their anniversary when a group of thugs attacks them. A stray bullet kills Vanessa, and Wade is left hollow. He spirals into suicidal depression, attempting to blow himself up with a gas-soaked teddy bear. The explosion kills him, but his mutant healing factor kicks in, leaving him scarred and angry.
Six weeks later, Wade tries to find purpose by joining the X-Men. He's assigned to a junior squad led by Colossus, alongside Negasonic Teenage Warhead and her girlfriend Yukio. Their first mission takes them to the Essex House for Mutant Reclamation, a facility that's more prison than school. There, Wade meets Russell Collins, a teenage mutant with pyrokinetic powers. Russell is being abused by the headmaster, and Wade, seeing his own pain in the kid, tries to protect him. Things go sideways when Wade accidentally causes an explosion that lands both of them in a mutant prison.
Behind bars, Wade and Russell are targeted by Cable, a time-traveling cyborg soldier from a dystopian future. Cable's mission is simple: kill Russell before he grows up to become a murderous villain who destroys Cable's family. Cable is a stone-cold warrior with a cybernetic arm and a time-travel device, and he's not interested in arguments. Wade, despite his initial reluctance, decides to protect Russell. He sees a scared kid, not a future monster, and he's not about to let him die.
Wade escapes prison with Russell's help, but Cable is always on their tail. To fight back, Wade assembles his own team: X-Force. He recruits Domino, a mutant with probability manipulation (she calls it luck), and a ragtag group including Bedlam, Zeitgeist, Shatterstar, Vanisher, and Peter, a regular guy who answered an ad. Their first mission is a comedy of errors. The parachute drop goes horribly wrong, killing most of the team before they even hit the ground. Only Domino, Peter, and Wade survive.
The conflict escalates when Russell, feeling betrayed by Wade's refusal to kill the abusive headmaster, teams up with the Juggernaut, an unstoppable mutant brute also imprisoned at the facility. The Juggernaut sees Russell as a kindred spirit and helps him plan to burn down Essex House. Meanwhile, Cable closes in, and Wade is torn between protecting Russell and understanding Cable's tragic motivation. The film builds to a confrontation at Essex House, where all parties converge. Wade must decide what kind of hero he wants to be, while grappling with his own grief and the weight of a future that might be changed.
The Final Trailer
The Trailer
Critical Consensus
Deadpool 2 delivers the same irreverent humor and meta-commentary that made the first film a hit, but with a slightly darker emotional core and more polished action sequences. While it doesn't break new ground, it's a consistently entertaining sequel that gives fans exactly what they want.
“The movie is a carnival of wisecracks and bloodshed, a celebration of the idea that nothing matters except the fun of making fun of everything.”
A.O. Scott
The New York Times
“The movie is a nonstop meta-gag machine, a comic-book movie that's also a parody of comic-book movies, and it works because Reynolds delivers every line with a blend of smarm and sincerity.”
Owen Gleiberman
Variety
“It's a sequel that doubles down on the elements that made the first film a phenomenon, but it also feels more scattered and less focused, as if the filmmakers are throwing everything at the wall to see what sticks.”
Todd McCarthy
The Hollywood Reporter
“The film is so self-aware that it becomes a commentary on the very idea of a sequel, but it also manages to be genuinely funny and surprisingly heartfelt in its examination of grief and found family.”
Brian Tallerico
RogerEbert.com
“It's a high-energy, foul-mouthed romp that knows exactly what it is and doesn't pretend to be anything else. Reynolds is the perfect vessel for this character's anarchic spirit.”
Peter Bradshaw
The Guardian
Director
David Leitch
Writers
Paul Wernick, Rhett Reese, Ryan Reynolds, Doug Lefler, Rob Liefeld
Composer
Tyler Bates
Cinematographer
Jonathan Sela
Producers
Simon Kinberg, Lauren Shuler Donner, Ryan Reynolds
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