“Wes Anderson has made a film that feels both deeply personal and universally resonant.”
Manohla Dargis
The New York Times
Set in a dystopian near-future Japan, Isle of Dogs imagines a world where a canine flu epidemic prompts the authoritarian Mayor Kobayashi to exile all dogs to Trash Island, a floating garbage dump. When 12-year-old Atari Kobayashi crash-lands on the island in a homemade plane, he enlists a pack of scrappy stray dogs, led by the gruff Chief (voiced by Bryan Cranston), to help find his missing pet Spots. Directed by Wes Anderson, this stop-motion adventure blends his signature symmetrical compositions and deadpan humor with a love letter to Japanese cinema, complete with a score by Alexandre Desplat. The voice cast is a who's-who of Anderson regulars: Bill Murray, Edward Norton, Jeff Goldblum, and Bob Balaban play the loyal pack, while Scarlett Johansson voices a show dog named Nutmeg. Produced on a $35 million budget, the film grossed over $72 million worldwide and earned a 7.8/10 rating on IMDb. Though rated PG-13 for thematic elements and some violent imagery, its witty script and meticulous animation appeal to audiences of all ages.
The narrative focuses on Atari's determined search for his beloved dog, Spots, who was among the first to be banished. His journey to the desolate island is fraught with peril, but his resolve to reunite with his companion is unwavering. This quest brings him into contact with a pack of five alpha dogs, each with their own distinct personality and backstory, who reluctantly agree to aid him. Their odyssey across Trash Island becomes a microcosm of the larger political machinations unfolding in Megasaki City, where a group of foreign exchange students, led by Tracy Walker, begin to question the official narrative surrounding the dog exile.
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In a future Japan plagued by a canine virus, Mayor Kenji Kobayashi enacts a decree banishing all dogs to Trash Island. Twelve-year-old Atari Kobayashi, nephew of the mayor, is devastated when his dog, Spots, is exiled. Determined to find him, Atari steals a plane and flies to Trash Island.
Upon arrival, Atari is injured by feral dogs but is rescued by a pack of five strays: Chief, Rex, King, Duke, and Boss. Chief, a former guard dog, is initially wary but is persuaded by Atari's plea and a dog biscuit to help in the search for Spots. Their journey across the garbage-strewn island is perilous, marked by harsh conditions and the constant threat of capture by authorities.
Meanwhile, in Megasaki City, student activist Tracy Walker and her peers grow suspicious of Mayor Kobayashi's agenda. They begin an investigation, uncovering a conspiracy that suggests the dog exile is driven by a deeper, personal vendetta rather than public health concerns, linked to the Kobayashi family's past.
Atari and his canine companions face numerous challenges, including navigating treacherous terrain and evading dog catchers. Their bond strengthens as they rely on each other for survival. The pack's diverse personalities create both conflict and camaraderie, highlighting themes of loyalty and found family.
As Atari and the dogs close in on Spots's location, they also uncover more about the mayor's true motives. The investigation by Tracy's group provides crucial context, revealing a history of betrayal that fuels the mayor's actions against the dog population. The fate of all dogs hangs in the balance as Atari's bravery and Tracy's pursuit of truth converge.
Official Trailer
Critical Consensus
Wes Anderson's 'Isle of Dogs' is a visually stunning and meticulously crafted stop-motion adventure that is both charmingly idiosyncratic and thematically rich, earning praise for its unique style and heartfelt story.
“Wes Anderson has made a film that feels both deeply personal and universally resonant.”
Manohla Dargis
The New York Times
“A breathtakingly beautiful, intricately detailed, and surprisingly moving stop-motion animation.”
Peter Debruge
Variety
“It’s a film that rewards patience and close attention, a testament to Anderson’s singular vision.”
David Ehrlich
IndieWire
“Anderson crafts a world that is both alien and familiar, a poignant fable about loyalty, loss, and the enduring bond between humans and animals.”
Todd McCarthy
The Hollywood Reporter
Director
Wes Anderson
Writers
Wes Anderson, Roman Coppola, Jason Schwartzman, Kunichi Nomura
Composer
Alexandre Desplat
Cinematographer
Tristan Oliver
Producers
Wes Anderson, Scott Rudin, Steven M. Rales, Jeremy Dawson
Academy Awards (2019)
Best Animated Feature: Nominated
Golden Globe Awards (2019)
Best Motion Picture – Animated: Nominated
British Academy Film Awards (2019)
Best Animated Film: Nominated
Critics' Choice Movie Awards (2019)
Best Animated Feature: Nominated
Annie Awards (2019)
Outstanding Achievement for Music in an Animated Feature Production: Won
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