“It's a better movie than I expected, with a sense of humor and a pace that keeps you moving.”
Roger Ebert
Chicago Sun-Times
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Conan the Barbarian Collection
Arnold Schwarzenegger returns to the sword-and-sorcery arena in Conan the Destroyer, a 1984 sequel that trades the grim survivalism of the first film for a faster-paced quest. Richard Fleischer directs this adventure, which follows the barbarian warrior as he accepts a dangerous commission from the evil Queen Taramis. Her goal involves transporting a young princess and her bodyguard Zula to a distant castle to retrieve the legendary Horn of Dagoth. The queen hides a darker agenda: she intends to sacrifice the girl once the artifact is secured while relying on her own wizard to eliminate Conan.
The production shifted tone significantly from its predecessor due to budget constraints and creative differences. Filming took place primarily at Churubusco Studios in Mexico City with exterior shots near the ancient ruins of Teotihuacan. Renowned cinematographer Jack Cardiff brought a painterly quality to the visuals, using lighting and color to enhance the fantasy elements. Basil Poledouris composed a sweeping orchestral score that became iconic for the franchise, defining the sound of 1980s fantasy films.
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In the mythic past following his first great adventure, the barbarian Conan wanders with his loyal but clumsy companion Malak. Their path crosses with Queen Taramis, a sorceress ruling Xaltotun with an iron fist. She approaches Conan with a proposition that seems straightforward but hides a sinister agenda: she needs him to escort her young niece, Princess Jehnna, and the princess's formidable bodyguard, Zula, to the Castle of Dagoth. Taramis claims she requires the Horn of Dagoth, a magical artifact said to grant immortality or immense power, to save her kingdom from a plague. Her true motives remain obscured by layers of deception until the group sets out on a perilous quest across treacherous landscapes.
The journey tests the strength and resolve of the travelers as they face various obstacles. Among the dangers they encounter are the Man-Apes, a race of savage, ape-like creatures led by the terrifying Toth-Amon, who serve as guardians of the land and pose a significant physical threat. As the party travels, the dynamic between the characters shifts. Conan, initially skeptical of the Queen's motives, finds himself drawn into the political intrigue of the court. Zula, a fierce warrior woman, proves to be an equal match for Conan in combat, creating a bond of mutual respect amidst the danger. Princess Jehnna carries a secret that becomes increasingly apparent as the journey progresses.
The narrative builds tension as the group approaches the Castle of Dagoth, a place shrouded in mystery and ancient curses. Along the way, they must navigate treacherous terrain, battle supernatural foes, and confront the growing realization that Taramis may have plans for them that go far beyond a simple retrieval mission. The central conflict revolves around the race against time and the moral ambiguity of the quest. Conan must decide whether to trust the Queen's word or follow his instincts, which suggest that something is amiss. The presence of Akiro, the Wizard, adds another layer of complexity, as he appears to be working in tandem with Taramis, though his loyalties remain unclear. As the group nears their destination, the stakes rise, and the line between ally and enemy blurs. The story is driven by themes of power, betrayal, and the struggle between good and evil, all set against a backdrop of high fantasy and epic action. The journey is filled with suspense as the characters face challenges that will determine not only their fate but the future of the kingdoms they inhabit. The climax approaches as the group finally reaches the Castle of Dagoth, where the true nature of the Horn of Dagoth and Taramis's ultimate plan are about to be revealed.
Conan the Destroyer (1984) Original Trailer [HD]
Critical Consensus
While Conan the Destroyer lacks the grim intensity of its predecessor, it offers a more lighthearted, adventure-filled experience. Critics generally agree that the film succeeds as a fun, if somewhat formulaic, sequel, bolstered by strong performances from Arnold Schwarzenegger and Grace Jones, though some found the plot thin and the pacing uneven.
“It's a better movie than I expected, with a sense of humor and a pace that keeps you moving.”
Roger Ebert
Chicago Sun-Times
“Schwarzenegger is in fine form, and Grace Jones brings a unique energy to the role of Zula, making this a worthwhile watch for fans of the genre.”
Janet Maslin
The New York Times
“The film is a visual feast, with impressive sets and costumes, but the script leaves much to be desired in terms of depth and character development.”
Charles Champlin
Los Angeles Times
Director
Richard Fleischer
Writers
Stanley Mann, Roy Thomas, Robert E. Howard, Gerry Conway
Composer
Basil Poledouris
Cinematographer
Jack Cardiff
Producers
Raffaella De Laurentiis, Edward R. Pressman, Dino De Laurentiis
Saturn Awards (1985)
Best Fantasy Film: Nominated
Saturn Awards (1985)
Best Supporting Actor: Nominated
Hugo Awards (1985)
Best Dramatic Presentation: Nominated
Young Artist Awards (1985)
Best Family Feature Film - Adventure: Nominated
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