“Sandler's Zohan could have been the basis for a truly funny movie, but the film never finds its tone, lurching between slapstick and satire without committing to either.”
Roger Ebert
RogerEbert.com

United States"Lather. Rinse. Save the world."
Adam Sandler plays Zohan Dvir, an Israeli special forces soldier who fakes his death to chase a dream: cutting hair in New York City. Directed by Dennis Dugan, this 2008 comedy from Happy Madison Productions pairs Sandler with Emmanuelle Chriqui, John Turturro, and Rob Schneider. Shot on a $90 million budget, it grossed over $204 million worldwide. Critics gave it a 62% on Rotten Tomatoes and a 5.7 on IMDb, but audiences packed theaters for its absurd take on Middle East tensions.
The film's real-life inspiration came from Nezi Arbib, a hairstylist and former Israeli soldier in Solana Beach, California. Arbib taught Sandler cutting techniques, and the actor adapted his mannerisms for the role. Sandler performed many stunts himself, training in martial arts and wirework. The cast includes cameos from Chris Rock, Kevin James, Mariah Carey, Dave Matthews, and John McEnroe. Sandler's family members also appear.
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Zohan Dvir is Israel's greatest counter-terrorism commando. He catches bullets in his nostril, performs impossible acrobatics, and defeats any enemy with ease. His pickup line: "You can mess with me, but you can't mess with the Zohan." But Zohan is tired of the endless conflict. His secret passion, hidden from everyone, is hairstyling. He carries a 1987 Paul Mitchell book everywhere and dreams of moving to America to work for John Paul Mitchell Systems. His parents disapprove, seeing it as abandoning his duty.
During a mission against his nemesis, Fatoush "The Phantom" Hakbarah, Zohan fakes his own death in an explosion. Disguised and smuggled to New York City, he adopts the alias "Scrappy Coco." He tries to get a job at the Paul Mitchell salon but is rejected for his outdated hairstyle and lack of credentials. Dejected, he wanders into a neighborhood where Israeli and Palestinian communities live side by side. He finds work as a cleaner at a small salon owned by Dalia Hakbarah, a beautiful young Palestinian woman who doesn't know his true identity.
Zohan proves to be a gifted hairstylist, specializing in elaborate 1980s styles for older women. His services include an unusual extra in the back room: sexual gratification for elderly clients, which becomes a major draw. He befriends Michael Klayman, a nerdy electronics store employee, and moves in with Michael and his mother Gail. Zohan falls for Dalia, but she is wary because of his Israeli background. Meanwhile, the Phantom survives the explosion, discovers Zohan is alive, and travels to America for revenge, aided by a bitter Arab cab driver named Salim. A ruthless real estate developer, Kevin, threatens to buy the entire block to build a mall. Zohan must protect his new friends, win Dalia's heart, and keep his secret hidden while the Phantom closes in.
Watch the "You Don't Mess With the Zohan" Trailer
Critical Consensus
The film's ambitious satire of Middle Eastern tensions is undermined by uneven execution and juvenile humor. While some moments land, the comedy often devolves into gross-out gags and ethnic stereotypes. Sandler's character has charm, but the film never commits to its better ideas.
“Sandler's Zohan could have been the basis for a truly funny movie, but the film never finds its tone, lurching between slapstick and satire without committing to either.”
Roger Ebert
RogerEbert.com
“The film's best moments come when it leans into its absurd premise, but too often it settles for easy, offensive stereotypes and juvenile sexual humor.”
Variety Staff
Variety
“Sandler and company deserve credit for attempting a comedy about the Israeli-Palestinian conflict, but the result is a mess of competing tones and half-baked ideas.”
Kirk Honeycutt
The Hollywood Reporter
“Sandler has an innate ability to create characters who are completely adorable even when they are losers, oddballs, killers, or loners. It's that genuine affection that shines through.”
Richard Propes
The Independent Critic
“A sporadically funny but ultimately exhausting comedy that mistakes shock value for wit and length for substance.”
Manohla Dargis
The New York Times
Director
Dennis Dugan
Writers
Judd Apatow, Adam Sandler, Robert Smigel
Composer
Rupert Gregson-Williams
Cinematographer
Michael Barrett
Producers
Jack Giarraputo, Adam Sandler
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