Yeule

Yeule (stylized in lowercase) is the musical project of Nat Ćmiel, a Singaporean singer-songwriter, producer, and performance artist. Born on December 16, 1997, in Singapore, they began the project in 2012, blending ambient textures, glitchy electronics, and what they call Asian post-pop. The name Yeule comes from Paddra Nsu-Yeul, a character in the Final Fantasy video game series, reflecting their fascination with digital worlds and emotional dissonance.

Over the past decade, Ćmiel has released a string of critically praised albums, including Serotonin II (2019), Glitch Princess (2022), and the 2023 record softscars, which earned a spot on several year-end lists. Their music often explores themes of identity, technology, and the blur between human and machine, delivered through a voice that can shift from whispery fragility to harsh, processed distortion. Beyond solo work, they have collaborated with artists like Danny Harle and produced remixes for others, while also gaining a devoted following through striking visuals and immersive live shows.

In 2026, Yeule became the first Singaporean to perform on NPR Music's Tiny Desk Concerts, and they released their fourth album, Evangelic Girl is a Gun, on May 30 of that year. With a growing catalog spanning multiple EPs and four full-length albums, Yeule has become one of the most distinctive voices in experimental pop, pushing the boundaries of what a singer-songwriter can be in the digital age. [edit]

Nat Ćmiel grew up in Singapore, where they were drawn to video games and digital culture from an early age. The name Yeule came from Paddra Nsu-Yeul, a tragic character in the Final Fantasy XIII series, whose story of repeated cycles and memory loss resonated with them. That connection to game lore shaped how they thought about identity and emotion long before they ever released music.

They started the Yeule project in 2012, initially posting experimental tracks online while still a teenager. Those early uploads were raw and lo-fi, mixing ambient drones with glitchy beats and whispered vocals. Ćmiel also studied coding and painting, interests that would later feed into their visual art and stage design.

By the mid-2010s, they had self-released several EPs and singles, quietly building a small but dedicated online following. The turning point came in 2019 with the release of their debut album Serotonin II on Bayonet Records. That record pulled together their scattered experiments into a cohesive sound, earning critical praise from outlets like Pitchfork and The Fader, and setting the stage for everything that followed. [edit]

Serotonin II marked Yeule's proper arrival in 2019, and it quickly became a touchstone for fans of experimental pop. The album's blend of dreamy melodies and digital noise caught the attention of producer Danny Harle, who would go on to collaborate with them on later projects.

In 2022, Yeule released Glitch Princess on Ninja Tune, a more abrasive and confrontational record that pushed their sound into harsher territory. It was followed in September 2023 by softscars, which leaned into shoegaze and noise pop while keeping their signature glitchy edge. The album landed on several year-end lists and expanded their audience significantly.

Live performances became a key part of Yeule's identity, with shows known for striking visuals and an almost theatrical intensity. In January 2026, they became the first Singaporean to perform on NPR Music's Tiny Desk Concerts, delivering a stripped-back set that included the song "sulky baby" from softscars. That performance brought them to a wider mainstream audience.

Later in 2026, Yeule released a performance art film titled Axel's Portal, which featured a cover of Nancy Sinatra and involved them writhing in paint. Their fourth album, Evangelic Girl is a Gun, arrived on May 30, 2026, continuing their exploration of identity, technology, and emotional extremes. [edit]

Yeule's public image is built on a fusion of digital aesthetics and raw emotional vulnerability. They often present themselves with an androgynous, almost alien quality, using makeup, fashion, and visual effects to blur the line between human and machine.

Media coverage tends to highlight their role as a boundary-pushing voice in experimental pop, with critics praising their ability to make harsh, glitchy sounds feel deeply personal. Their fanbase, often called "yeuleheads," is known for being fiercely devoted, and they engage with them through cryptic social media posts and interactive art projects.

Yeule's live shows are immersive experiences, combining elaborate lighting, projections, and performance art elements. They have also been vocal about their non-binary identity, becoming a touchstone for LGBTQ+ fans in the electronic music scene. [edit]

The audience surrounding Yeule operates in the shadows of the mainstream, a dedicated collective drawn to the artist's glitchy electronics and Asian post-pop rather than chart-topping pop anthems. Unlike the organized legions of traditional superstars, there is no official name for this group, no wiki-edited campaigns, or subway ads funded by fans. The connection remains digital-first and intimate, centered on platforms like Bandcamp and Instagram where cryptic imagery and exclusive performance art films foster a sense of shared discovery. Fans engage with the mythology of the project through specific milestones, such as the historic 2026 Tiny Desk Concert that marked a shift from underground noise to vulnerable storytelling. This era also saw the release of the performance art film "axel's portal," where the artist writhed in paint, deepening the lore without relying on chaotic viral moments or street shutdowns. The fanbase is defined by its appreciation for the boundary-pushing nature of Nat Ćmiel's work, supporting niche releases like *Evangelic Girl is a Gun* through steady streaming numbers and merchandise purchases. While the community lacks the formal structure of a global phenomenon, their loyalty sustains an independent career built on artistic integrity. Despite this dedicated following, Yeule does not currently hold a placement in the published iFANN Global Top 1,000 rankings or any Top-100 scope list. The iFANN Global Fame Engine has evaluated the artist, but the data confirms no current numeric rank or score exists for this profile.[edit]

Yeule's stage name is taken from Paddra Nsu-Yeul, a character in the Final Fantasy XIII series, a nod to their lifelong love of video games. They are also a skilled coder and painter, often creating their own album artwork and visual installations. During their Tiny Desk Concert, the band included guitarist Chris Greatti, bassist Topaz Faerie, and drummer Ryan Bernardo. Yeule has described their own music as "Asian post-pop," a term they coined to capture the blend of influences in their sound. They are known for their distinctive fashion sense, often wearing oversized silhouettes and cyberpunk-inspired accessories. In interviews, they have spoken about the influence of internet culture and virtual worlds on their songwriting. A defining moment in their career occurred in February 2026 when they became the first-ever Singaporean artist to perform on NPR Music's Tiny Desk Concerts, joining a roster of global giants like Taylor Swift. Later that year, in April, the artist released a performance art film titled "axel's portal," featuring a cover of Nancy Sinatra and a raw display of physical movement that blended music with visual chaos. Their discography continues to expand, with the album *Evangelic Girl is a Gun* scheduled for release in May 2026, further cementing their legacy in experimental pop.[edit]

Details about Yeule's family are scarce, as they tend to keep their personal life private. They have mentioned in interviews that their parents were supportive of their artistic pursuits, though they have not shared their names or occupations publicly.

As of 2026, Yeule splits their time between Brooklyn, New York, and Los Angeles, California, according to their social media profiles. They have not publicly discussed having a partner or children, and they appear to be focused on their music and art. [edit]

Yeule has collaborated with producer Danny Harle, who co-produced tracks on Glitch Princess and other projects. Their band for the Tiny Desk Concert included guitarist Chris Greatti, bassist Topaz Faerie, and drummer Ryan Bernardo. [edit]

Yeule has not publicly documented any romantic relationships. They tend to keep their personal life out of the spotlight, and there are no credible reports of them dating anyone as of 2026.

Their social media presence focuses almost entirely on music, art, and collaborations. In interviews, they have spoken about the emotional intensity of their work but have not discussed a partner.

As of 2026, Yeule appears to be single, with their energy devoted to their career and creative projects. [edit]

As of 2026, iFANN currently estimates Yeule's net worth at $5 Million. Their income comes from multiple streams: album sales and streaming royalties, live performances, merchandise, and collaborations with brands and other artists. Streaming platforms like Spotify and Apple Music contribute a steady baseline, with their catalog accumulating tens of millions of plays. Touring has been a significant earner, especially their headline shows in the US, Europe, and Asia. They have also partnered with fashion and tech brands for sponsored content and limited-edition merchandise. In recent years, their net worth has grown steadily as their audience expands, particularly after the Tiny Desk Concert and the release of Evangelic Girl is a Gun. While they are not yet a mainstream superstar, their niche appeal and dedicated fanbase make them a commercially viable artist in the independent music world.[edit]