“A kooky, enthralling romantic fantasy that uses its high-concept premise to explore the raw, messy reality of love. Hawke and Pullman are magnetic, turning a bizarre scenario into a deeply human story.”
Peter Debruge
Variety


United States"Their love shakes the world."
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Maya Hawke and Lewis Pullman lead the cast of Wishful Thinking, a genre-bending rom-com from writer-director Graham Parkes that treats relationship therapy with a literal twist. The film opens in 2027, introducing Julia as a driven game designer and Charlie as a musician struggling to find his footing. Their volatile dynamic creates a unique problem: their arguments trigger physical earthquakes while their make-up sessions boost global stock markets.
This premise sets the stage for a high-stakes comedy where personal emotional stability directly impacts national security. As government agencies begin monitoring their every move, the couple must navigate the pressure of having their private lives dictate economic outcomes. The story balances high-concept sci-fi elements with grounded character drama, using the supernatural metaphor to examine themes of vulnerability and communication.
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The year is 2027 when Julia, a meticulous video game designer who thrives on logic and control, crosses paths with Charlie, a talented but chaotic musician operating on a different frequency entirely. Their initial meeting sparks an intense connection that quickly evolves into a romance defying conventional dynamics. Early in their relationship, they discover a bizarre phenomenon: their emotional states manifest physically in the real world. When they engage in heated arguments or experience deep conflict, their anger triggers localized earthquakes capable of causing structural damage. Conversely, moments of profound intimacy generate a ripple effect that stabilizes financial systems and boosts global markets.
As their bond deepens, the stakes rise dramatically. Government agencies and financial institutions view the pair not just as lovers but as living assets or potential liabilities. They face intense scrutiny regarding whether their bond is sustainable or if their combined volatility poses too great a risk to ignore. The narrative explores the pressure of having intimate moments broadcast through seismic activity and market fluctuations. Julia struggles with the loss of autonomy, feeling her career overshadowed by her role as a human economic stabilizer. Meanwhile, Charlie grapples with guilt over knowing his moods can cause destruction, leading him to withdraw emotionally to protect others.
Attempts to maintain a normal life become increasingly difficult as the world demands more from them. The couple must choose between personal desires and the greater good while balancing high-concept sci-fi elements with grounded character drama. The film uses this supernatural metaphor to examine themes of vulnerability, communication, and the weight of expectation in relationships. As pressure mounts, Julia and Charlie must decide if their love is strong enough to withstand the literal tremors it creates or if they must sacrifice individual needs for global peace.
Their journey takes them through various urban settings across the United States, including Austin, Texas, where the film premiered at SXSW. Principal photography utilized practical effects and CGI to create realistic earthquake sequences, with some scenes filmed on unstable terrain to capture genuine actor reactions. Composer Oliver Lewin incorporated live orchestral recordings manipulated in post-production to sound like they were reacting to the characters' emotional states. A significant portion of the dialogue, particularly the arguments between Julia and Charlie, was improvised by Maya Hawke and Lewis Pullman to capture the natural rhythm of their conflicts. The film features licensed tracks from indie artists including Phoebe Bridgers and Bon Iver to highlight internal monologues.
Julia's struggle with losing her identity as a professional becomes a central conflict as she feels reduced to a tool for economic stability. Charlie's withdrawal creates a dangerous distance that threatens to escalate their situation further. The government's involvement intensifies as they realize the couple's emotional volatility could either save or destroy the economy depending on how they handle their differences. This forces both characters to confront the reality of their situation and the implications of their powers on the wider world.
The narrative builds tension as the couple faces increasing demands from authorities who want to control their emotions for the sake of global stability. They are forced to question whether their love is truly sustainable or if the cost of their relationship is too high. The film explores the fine line between personal happiness and public responsibility, showing how intimate choices can have far-reaching consequences. As the pressure reaches a breaking point, Julia and Charlie must find a way to be authentic without destroying the world around them.
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Critical Consensus
Critics universally praise Wishful Thinking as a refreshing and inventive take on the romantic comedy genre. Reviewers highlight the film's unique blend of science fiction and romance, noting how the supernatural premise serves as a clever metaphor for the volatility of modern relationships. Maya Hawke and Lewis Pullman receive particular acclaim for their chemistry and comedic timing, delivering performances that balance humor with genuine emotional depth.
“A kooky, enthralling romantic fantasy that uses its high-concept premise to explore the raw, messy reality of love. Hawke and Pullman are magnetic, turning a bizarre scenario into a deeply human story.”
Peter Debruge
Variety
“Graham Parkes has crafted a monumental debut that feels like a lost classic from the golden age of romantic comedies, updated for a digital age where our emotions literally shake the world.”
David Ehrlich
IndieWire
“A delightful surprise that manages to be both a smart sci-fi concept and a tender love story. The chemistry between the leads is electric, making every earthquake feel earned and every reconciliation a triumph.”
Stephanie Zacharek
Time Magazine
Director
Graham Parkes
Writer
Graham Parkes
Composer
Oliver Lewin
Cinematographer
Christopher Ripley
Producers
Matt Smith, Dan Gedman, Kara Durrett, Lewis Pullman
SXSW Film Festival (2026)
Grand Jury Prize – Narrative Feature: Won
SXSW Film Festival (2026)
Audience Award – Narrative Feature: Won
Independent Spirit Awards (2027)
Best First Feature: Nominated
Critics' Choice Movie Awards (2027)
Best Comedy: Nominated
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