“The film's one-joke premise is stretched to the breaking point, but Mr. Kotcheff and his cast manage to extract a surprising number of laughs from the situation.”
Janet Maslin
The New York Times

United States"He's dead, but he's still the life of the party."
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In the sweltering summer of 1989, two low-level insurance clerks stumble upon a $2 million fraud scheme at their company. Eager to impress their charismatic CEO, they bring the evidence straight to him. He rewards them with an invitation to his Hamptons beach house for Labor Day weekend. What they don't know is that the CEO, Bernie Lomax, is the one behind the fraud, and he has just ordered a hit on them. When they arrive at his lavish estate, they find Bernie dead on the couch. Fearing they will be blamed, they decide to prop up his corpse and pretend he is still alive.
Directed by Ted Kotcheff, best known for First Blood, this dark comedy stars Andrew McCarthy and Jonathan Silverman as the hapless employees, with Terry Kiser delivering a remarkably still performance as the titular corpse. The film was shot on location in New York City and the Hamptons during an actual heatwave, which added to the authenticity of the characters' discomfort. Composer Andy Summers of The Police provided the score, blending surf-rock with comedic cues. Produced on a budget of $15 million, the film grossed $30.2 million domestically and has since become a cult classic, spawning a sequel and countless pop culture references.
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Larry Wilson and Richard Parker work at a large insurance corporation in New York City. Larry is a laid-back schemer who often arrives late, while Richard is more responsible and dreams of promotion. During a tedious audit of actuarial reports, Richard discovers a pattern of duplicate payments on the same death claim, totaling $2 million in fraudulent payouts. Excited, they bring the evidence to their charismatic CEO, Bernie Lomax, who congratulates them and invites them to his Hamptons beach house for Labor Day weekend.
Bernie, however, is the mastermind behind the fraud. Panicked, he meets with his mob associate Vito at a restaurant and arranges for Larry and Richard to be killed. But Vito is furious that Bernie has been having an affair with his girlfriend Tina, so he orders his hitman Paulie to kill Bernie instead. When Larry and Richard arrive at Bernie's modernist beach house, they find it empty. They help themselves to champagne and marvel at the opulence, then discover Bernie's body on the living room couch. Before they can call the police, guests begin arriving for Bernie's annual party.
Panicking and fearing they will be blamed, Larry and Richard decide to pretend Bernie is still alive. They prop him up in chairs, move his arms and head, and drag him around the party. Bernie's body suffers various indignities: falling off a dock, being dragged behind a speedboat, and being propped up in compromising positions. Meanwhile, Paulie arrives at the party, confused that his target appears alive, and begins stalking the premises trying to finish the job. The weekend becomes a chaotic balancing act as Larry and Richard keep up the charade, evade the hitman, and enjoy the beach house amenities. Richard develops a romantic interest in Gwen Saunders, a young woman from a neighboring house, while Larry throws himself into the party lifestyle. As the weekend progresses, Bernie's body deteriorates in the summer heat, making the deception increasingly difficult.
Weekend at Bernie's (1989) Original Trailer [FHD]
Critical Consensus
Weekend at Bernie's relies on a single, absurdly dark premise that generates sporadic laughs but feels stretched thin. Terry Kiser's performance as the corpse is surprisingly effective, but the one-joke premise wears thin and supporting characters remain underdeveloped. It remains a cult curiosity of late-80s comedy.
“The film's one-joke premise is stretched to the breaking point, but Mr. Kotcheff and his cast manage to extract a surprising number of laughs from the situation.”
Janet Maslin
The New York Times
“A surprisingly effective black comedy that keeps its gruesome premise afloat through sheer energy and a game cast. Terry Kiser's performance as the deceased Bernie is a comic tour de force of stillness.”
Variety Staff
Variety
“The movie is a one-joke comedy, and the joke is a good one, but it's not enough to sustain an entire film. The performances are likable, but the material is too thin.”
Roger Ebert
Chicago Sun-Times
“Kotcheff and Klane have created a comedy so dark it's almost noir, with a deadpan approach that makes the absurdity work. The film is consistently funny in a way that surprises you.”
Kevin Thomas
Los Angeles Times
“Weekend at Bernie's is a comedy of bad taste that somehow manages to be both offensive and charming. It's the kind of movie that shouldn't work, but does, thanks to its unrelenting commitment to its premise.”
Richard Harrington
The Washington Post
Director
Ted Kotcheff
Writer
Robert Klane
Composer
Andy Summers
Cinematographer
François Protat
Producers
Bruce McNall, Victor Drai
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