“Östlund has a gift for staging scenes of controlled chaos, and the centerpiece dinner sequence is a masterpiece of comic mayhem.”
A.O. Scott
The New York Times

United States"Welcome aboard."
Ruben Östlund's Triangle of Sadness sets sail on a voyage that promises glittering excess and ends in a brutal, hilarious descent into chaos. The film follows Carl, a celebrity model played by Harris Dickinson, and his influencer partner Yaya, brought to life by the late Charlbi Dean, as they accept an invitation to a luxury cruise. This isn't just any cruise; it's a floating paradise for the ultra-wealthy, complete with champagne, haute couture, and a captain, portrayed by Woody Harrelson, who's more interested in philosophical rants and drinking than steering the ship.
The initial atmosphere is one of curated perfection, the kind of aspirational lifestyle content Yaya thrives on. However, as a storm hits and the ship's opulent facade crumbles, the veneer of wealth and privilege dissolves. What follows is a sharp satire on class, beauty, and modern relationships, delivered with Östlund's signature dark humor. The film, which grossed over $24 million worldwide against a $15.6 million budget, earned an R rating for its explicit content and unflinching social commentary, resonating with audiences and critics alike, ultimately securing an Academy Award nomination for Best Picture.
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Carl and Yaya are a young couple whose relationship is defined by a constant power struggle over money and status. Carl, a male model, feels emasculated by Yaya's greater success as an influencer; their arguments over who pays for dinner reveal the fragility beneath their perfect exteriors. When they win an all-expenses-paid luxury cruise, they board a superyacht filled with the world's wealthiest eccentrics.
Among the passengers are Dimitry, a Russian oligarch who made his fortune selling fertilizer; Therese, an elderly German woman carrying her husband's ashes; Clementine and Winston, a British couple who have been cruising so long they've forgotten their destination; and Vera, a demanding socialite. The crew, led by the tyrannical cruise director Paula, maintains a strict hierarchy of service. The captain, Thomas Smith, is a Marxist alcoholic who spends most of the voyage drunk in his quarters, ranting about capitalism.
The central event is the Captain's Dinner, where a violent storm hits the yacht. The wealthy passengers suffer extreme seasickness, with vomit and excrement flooding the dining room in a grotesque sequence of physical comedy. The storm capsizes the ship, leaving a small group of survivors stranded on a deserted island.
On the island, the social order completely inverts. Abigail, a toilet-cleaning crew member who was invisible to the wealthy, becomes the leader because she can catch fish and start fires. The former influencers and oligarchs must barter for food, with Abigail trading fish for sexual favors and power. The film explores how quickly hierarchies based on wealth and beauty collapse when survival is at stake, replaced by a raw order based on utility.
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Critical Consensus
Triangle of Sadness is a wildly uneven but often hilarious satire that skewers the wealthy with Ruben Östlund's trademark acerbic wit, though its three-act structure loses momentum and its commentary occasionally feels as shallow as its targets.
“Östlund has a gift for staging scenes of controlled chaos, and the centerpiece dinner sequence is a masterpiece of comic mayhem.”
A.O. Scott
The New York Times
“The film is at its best when it leans into pure physical comedy, but its intellectual ambitions often outpace its execution.”
David Rooney
The Hollywood Reporter
“A grotesque, queasy, and frequently brilliant satire that leaves you feeling as seasick as its characters.”
Peter Bradshaw
The Guardian
“Östlund's targets are so broad and obvious that the satire lacks the precision of his earlier work, even if the spectacle is undeniably entertaining.”
Brian Tallerico
RogerEbert.com
“A bloated, brilliant mess that's both Östlund's most ambitious film and his most frustrating one.”
David Ehrlich
IndieWire
Director
Ruben Östlund
Writer
Ruben Östlund
Cinematographer
Fredrik Wenzel
Producers
Erik Hemmendorff, Philippe Bober
Academy Awards (2023)
Best Picture: Nominated
Academy Awards (2023)
Best Director: Nominated
Academy Awards (2023)
Best Original Screenplay: Nominated
Cannes Film Festival (2022)
Palme d'Or: Won
Golden Globe Awards (2023)
Best Motion Picture – Musical or Comedy: Nominated
Golden Globe Awards (2023)
Best Supporting Actress: Nominated
BAFTA Awards (2023)
Best Supporting Actress: Won
BAFTA Awards (2023)
Best Original Screenplay: Nominated
BAFTA Awards (2023)
Best Casting: Nominated
BAFTA Awards (2023)
Best Cinematography: Nominated
European Film Awards (2023)
Best European Film: Won
European Film Awards (2023)
Best European Director: Won
European Film Awards (2023)
Best European Screenwriter: Won
Guldbagge Awards (2023)
Best Film: Won
Guldbagge Awards (2023)
Best Director: Won
Guldbagge Awards (2023)
Best Cinematography: Won
Independent Spirit Awards (2023)
Best International Film: Nominated
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