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    Time

    Time

    A pioneering force in Yugoslav progressive rock.

    Zagreb, SR Croatia, SFR Yugoslavia·Est. 1971

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    Time stands as a significant chapter in the history of Yugoslav rock music, particularly known for its progressive and jazz-infused sound. Formed in 1971 by Adolf "Dado" Topić, a vocalist already established through his work with Dinamiti and Korni Grupa, the band quickly distinguished itself with a sophisticated musical approach.

    Their self-titled debut album, released in 1972, is widely regarded as a landmark release in the Yugoslav rock canon. It showcased a blend of hard rock energy with intricate jazz harmonies and complex arrangements, a sound that was quite ambitious for its time and place. The album featured hits like Kralj sam samo kralj and Majko, zemljo moja, cementing their reputation as innovators.

    While the initial lineup, which included Vedran Božić on guitar, Tihomir "Pop" Asanović on keyboards, Mario Mavrin on bass, Ratomir "Ratko" Divjak on drums, and Branislav "Labmert" Živković on piano and flute, was short-lived due to frequent member changes, Topić remained the constant driving force. Despite these shifts, the band continued to release music, including albums like Epopopeja (1973) and Život u dvoje (1974), further exploring their musical boundaries.

    Formation Story

    The genesis of Time can be traced back to 1971 in Zagreb, when Adolf "Dado" Topić, seeking a new musical direction after his stints with Dinamiti and the acclaimed Korni Grupa, decided to form his own band. Topić, already a prominent figure in the Yugoslav music scene, envisioned a group that would push the boundaries of rock music, incorporating elements of progressive rock and jazz fusion.

    He assembled a formidable initial lineup that included guitarist Vedran Božić, keyboardist Tihomir "Pop" Asanović, bassist Mario Mavrin, drummer Ratomir "Ratko" Divjak, and multi-instrumentalist Branislav "Labmert" Živković, who played piano and flute. This ensemble quickly gelled, and their collective talent laid the foundation for their groundbreaking debut.

    The band's early days were marked by intense creative energy and a desire to make a statement. They signed with the prominent Yugoslav label Jugoton and began working on their first album. The recording sessions for their self-titled debut, released in 1972, were pivotal. The album was a bold statement, featuring complex song structures, sophisticated arrangements, and Topić's powerful vocals. Tracks like Kralj sam samo kralj and the epic Za koji život treba da se rodim showcased their ambitious sound, blending hard rock riffs with jazz improvisations and philosophical lyrics. This release not only garnered significant attention but also established Time as a leading force in the burgeoning Yugoslav progressive rock movement.

    Members

    D

    Dado Topić

    Adolf Topić

    Lead Vocals

    Vocalist

    V

    Vedran Božić

    Vedran Božić

    Guitar

    Guitarist

    T

    Tihomir "Pop" Asanović

    Tihomir Asanović

    Keyboards

    Keyboardist

    M

    Mario Mavrin

    Mario Mavrin

    Bass Guitar

    Bassist

    R

    Ratomir "Ratko" Divjak

    Ratomir Divjak

    Drums

    Drummer

    B

    Branislav "Labmert" Živković

    Branislav Živković

    PianoFlute

    Keyboardist

    Musical Style

    Time's musical style was a compelling fusion, primarily rooted in progressive rock but heavily infused with jazz elements. This made them stand out in the Yugoslav music scene of the 1970s. Their sound was characterized by complex song structures, often deviating from standard verse-chorus formats to explore intricate instrumental passages and dynamic shifts.

    Key to their sound was the interplay between Dado Topić's powerful, emotive vocals and the virtuosic musicianship of the band members. Vedran Božić's guitar work often featured melodic solos and driving riffs, while Tihomir "Pop" Asanović's keyboard playing brought in sophisticated jazz harmonies and improvisational flair. The rhythm section, with Mario Mavrin on bass and Ratomir "Ratko" Divjak on drums, provided a solid yet adaptable foundation, capable of handling both hard rock intensity and subtle jazz grooves.

    Lyrical themes often touched upon existential questions, social commentary, and personal introspection, delivered with a poetic depth that resonated with audiences. Their production approach, particularly on their debut album, aimed for a rich, layered sound that captured the complexity of their compositions. Over their career, while the core progressive and jazz influences remained, there were explorations into harder rock sounds and more melodic ballads, showcasing a dynamic range.

    Cultural Impact

    Time's impact on the Yugoslav music scene, particularly in the early to mid-1970s, was substantial. They were among the first bands to successfully integrate progressive rock and jazz fusion into a mainstream rock context, elevating the artistic ambitions of the genre in the region.

    Their debut album, Time, released in 1972, is frequently cited as a foundational work for progressive rock in Yugoslavia. It demonstrated that local artists could produce music of international caliber, with complex arrangements and mature lyrical themes. This set a precedent for subsequent bands exploring more sophisticated musical structures and concepts.

    Beyond musical innovation, the band, led by the influential Dado Topić, also contributed to the evolving cultural landscape. Their willingness to tackle deeper lyrical themes and their sophisticated musicality appealed to a growing segment of the audience looking for more than just simple pop songs. Time's legacy lies in their pioneering spirit, demonstrating the potential for artistic depth and complexity within the Yugoslav rock framework.

    Fandom Culture

    While Time operated in an era before the widespread internet and organized global fandoms, they cultivated a dedicated following within Yugoslavia. Their music, particularly the debut album, resonated deeply with listeners who appreciated their sophisticated sound and thoughtful lyrics.

    The band's fanbase was drawn to their progressive and jazz-infused rock, which offered a more complex listening experience compared to mainstream pop. Fans often discussed the intricate musicianship, Dado Topić's vocal prowess, and the philosophical undertones of their songs. Live performances were significant events, where the band's energy and improvisational skills could be fully appreciated.

    Though a formal fandom name or specific traditions like lightsticks were not part of the culture at the time, the appreciation for Time was evident in album sales, concert attendance, and their enduring presence in Yugoslav music history. Their music continues to be celebrated by rock enthusiasts and historians as a pivotal part of the era's musical heritage.

    Awards & Accolades

    View 3 records, honours and achievements

    Trivia

    The band's name, 'Time,' was inspired by the 1968 film of the same name, starring Albert Finney., Dado Topić, the band's frontman, is often referred to as the 'King of Croatian Rock' for his extensive career and influence., The debut album featured guest appearances from members of the popular Yugoslav band YU Grupa., Keyboardist Tihomir 'Pop' Asanović later went on to form the influential jazz-rock fusion band September.

    Keywords

    Yugoslav rockprogressive rockjazz fusionDado TopićJugoton1970s music

    Sources

    Quick Facts

    Type
    Rock Band
    Formed
    1971
    Origin
    Zagreb, SR Croatia, SFR Yugoslavia
    Label
    Jugoton
    Genres
    Rock, Progressive Rock, Jazz Fusion
    Status
    Disbanded (1977, with reunions)

    Group Info

    Formed
    1971
    Debut
    1972
    Debut Song
    Kralj sam samo kralj
    Origin
    Zagreb, SR Croatia, SFR Yugoslavia
    Label
    Jugoton
    Status
    Disbanded (1977)

    Also Known As

    Time (Yugoslav band)

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