“A romantic comedy with zombies, or maybe a zombie movie with a romantic comedy inside it. A giddy, gory, entirely delightful surprise.”
A.O. Scott
The New York Times

Part of a Collection
The Three Flavours Cornetto trilogy began as an inside joke. In Shaun of the Dead, a character asks for a Cornetto and gets the line, "It's the three flavors: strawberry, vanilla, and chocolate." Edgar Wright and Simon Pegg later retrofitted that throwaway gag into a brand for their loose anthology of British genre comedies. Each film gets a color-coded flavor: strawberry (red) for the zombie horror of Shaun of the Dead, vanilla (blue) for the buddy-cop action of Hot Fuzz, and chocolate (green) for the alien-invasion sci-fi of The World's End.
All three films share the same writer-director team, the same producing hand in Nira Park, and the same core duo: Pegg as the hapless protagonist, Nick Frost as his foil. They were made on a combined budget of $38 million and grossed $156 million worldwide. But the trilogy's real currency is cultural. Each film uses its genre as a trampoline to bounce into something deeper, stalled adulthood, male friendship, the terror of settling down. They are comedies that earn their emotions, action sequences that double as character beats, and homages that never feel like theft.
The name also winks at Krzysztof Kieślowski's Three Colours trilogy, replacing high art with cheap ice cream. That's the Wright-Pegg signature: treat the silly with the same seriousness as the sublime, and never let the audience forget that growing up is the scariest genre of all.
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Shaun of the Dead introduces Shaun, a 29-year-old London electronics salesman stuck in a loop of dead-end job, pub nights with slacker flatmate Ed, and a crumbling relationship with girlfriend Liz. After she dumps him, Shaun wakes up hungover to a zombie apocalypse he barely notices. The film follows his mission to rescue his mother Barbara, stepfather Philip, and Liz, then lead them all to the safety of the Winchester, their local pub. Armed with cricket bats and shovels, Shaun and Ed navigate a city gone feral, picking up survivors along the way. The siege at the Winchester becomes a test of Shaun's newfound resolve, and a brutal lesson in loss.
Hot Fuzz shifts gears to the English countryside. Sergeant Nicholas Angel is the most decorated officer in the Metropolitan Police, with an arrest record 400% higher than any colleague. His superiors, feeling shown up, transfer him to Sandford, a picture-perfect Gloucestershire village that has won Village of the Year multiple times. Paired with Danny Butterman, an action-movie-obsessed constable, Angel notices a suspicious number of accidental deaths. His investigation uncovers a conspiracy led by the Neighborhood Watch Alliance, a group of respectable citizens who murder anyone they deem undesirable to preserve Sandford's pristine image. The film builds toward a massive shootout at the village fête, where Angel and Danny finally get to live out their action-movie fantasies.
The World's End closes the trilogy with a pub crawl. Twenty years after a failed attempt, Gary King drags his four estranged friends back to their hometown of Newton Haven to complete the Golden Mile, a 12-pub crawl. Gary is a manipulative alcoholic still clinging to his teenage glory days; his friends have grown up into careers and families. The reunion turns strange when they discover the town has been infiltrated by alien replicants called Blanks, robotic doppelgängers that have replaced most residents. Gary refuses to stop drinking, even as the Blanks grow more hostile. The crawl becomes a running battle through pubs, with the group shrinking and the stakes rising. The final stop, The World's End, holds the answer to why the aliens came, and what Gary's stubborn refusal to grow up really means.
Critical Consensus
The Three Flavours Cornetto trilogy is a remarkably consistent run of genre comedies that balance sharp parody, kinetic action, and genuine emotional stakes. Edgar Wright's direction and Simon Pegg's scripts ensure each film stands alone while contributing to a larger meditation on friendship and growing up.
“A romantic comedy with zombies, or maybe a zombie movie with a romantic comedy inside it. A giddy, gory, entirely delightful surprise.”
A.O. Scott
The New York Times
“A deliriously entertaining buddy-cop movie that sends up the genre while also delivering the action goods with style and wit.”
Manohla Dargis
The New York Times
“A smart, funny and unexpectedly poignant conclusion that balances apocalyptic sci-fi with a bittersweet meditation on friendship and aging.”
Todd McCarthy
The Hollywood Reporter
“Wright and Pegg bring the trilogy to a close with a film that is simultaneously their most ambitious and their most personal.”
Guy Lodge
Variety
Director
Edgar Wright
Writers
Edgar Wright, Simon Pegg
Composers
Pete Woodhead, Daniel Mudford, David Arnold, Steven Price
Cinematographers
David M. Dunlap, Jess Hall, Bill Pope
Producers
Nira Park, Tim Bevan, Eric Fellner
Empire Award for Best British Film (2005)
Best British Film: Won
Empire Award for Best Comedy (2005)
Best Comedy: Won
BAFTA Award for Best British Film (2005)
Best British Film: Nominated
Empire Award for Best British Film (2008)
Best British Film: Won
Empire Award for Best Comedy (2008)
Best Comedy: Won
Empire Award for Best British Film (2014)
Best British Film: Won
Empire Award for Best Comedy (2014)
Best Comedy: Won
BAFTA Award for Best British Film (2014)
Best British Film: Nominated
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