“Pollack has made a movie that is not only a thriller but also a commentary on the nature of power and the fragility of democracy in America today.”
Roger Ebert
Chicago Sun-Times

United States"Trust no one. Your own agency wants you dead."
Robert Redford steps into the role of Joseph Turner, a quiet researcher for the Central Intelligence Agency who spends his days buried in Soviet intelligence reports within a windowless Washington D.C. office. The routine shatters when he returns from lunch to find every colleague slaughtered in a brutal, efficient massacre. This event triggers a frantic manhunt across New York City and beyond in Sydney Pollack's Three Days of the Condor. The film blends political thriller tension with a touch of mystery, relying on atmosphere rather than flashy action sequences.
Pollack directed this 1975 release with a budget of nearly eight million dollars, a sum that paid off at the box office where it earned over forty-one million domestically. Faye Dunaway plays Kathy Hale, a woman Turner initially suspects but eventually teams up with to survive. The movie features strong supporting turns from Max von Sydow and John Houseman as well. Critics gave it a solid rating based on audience votes, proving its enduring appeal as a sharp look at government paranoia during the post-Watergate era.
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In the autumn of 1974, Joseph Turner operates under the code name Condor while analyzing intelligence reports for the CIA. His life shifts instantly from mundane research to desperate survival after he walks back from lunch to discover his entire unit murdered. The killers move with terrifying precision, leaving no witnesses and signaling a targeted purge from within the agency itself. Turner realizes he is the sole survivor and immediately flees the scene, navigating the labyrinthine corridors of the headquarters before vanishing into the city streets.
Hunted by assassins who track him with military efficiency, Turner relies on his intellect rather than combat skills to stay alive. He heads to New York City, where he encounters Kathy Hale, a woman who appears to be either another threat or a potential ally. Their relationship begins with suspicion and tension as Turner kidnaps her to use as leverage while she insists she can help him navigate the danger. Together they form an uneasy alliance, moving through safe houses and dodging surveillance teams as the clock ticks down.
The narrative unfolds over a tense three-day period where Turner must decode the motives behind the killings. He discovers that the massacre was orchestrated by a rogue faction known as The Group, which operates outside the control of the Director and the President. This group engages in illegal operations including arms dealing and covert political manipulation that threaten to destabilize the government if exposed. As Turner digs deeper, he faces Joubert, a cold assassin sent by the rogue faction, and Higgins, a high-ranking official playing both sides of the game.
Throughout the ordeal, the atmosphere remains thick with dread and uncertainty. Every phone call could be a trap, every stranger could be an enemy, and every ally could be a double agent. The story builds toward a climax where Turner must decide whether to expose the conspiracy and risk global chaos or let the corruption continue to protect the status quo. The film masterfully blends elements of a detective mystery with a high-stakes political thriller, relying on atmospheric tension and sharp dialogue rather than explosive action sequences.
As the three days tick away, Turner races against time to outmaneuver his pursuers and determine who he can truly trust in a world where everyone is lying. The tension mounts as he uncovers the extent of the betrayal, forcing him to confront the reality that the organization he serves has turned against him. His investigation leads him deep into the heart of the conspiracy, revealing layers of deception that go far beyond a simple murder plot.
Official Trailer
Original Theatrical Trailer
Critical Consensus
Three Days of the Condor stands as a definitive post-Watergate thriller, blending political paranoia with taut suspense. Robert Redford delivers a career-defining performance as a reluctant hero, supported by Sydney Pollack's masterful direction and a screenplay that captures the era's deep distrust of government institutions.
“Pollack has made a movie that is not only a thriller but also a commentary on the nature of power and the fragility of democracy in America today.”
Roger Ebert
Chicago Sun-Times
“A superbly crafted thriller that manages to be both a page-turner and a thoughtful examination of the Cold War's psychological toll.”
Vincent Canby
The New York Times
“Redford is perfect as the intellectual spy, a man who thinks his way out of trouble rather than shooting his way out.”
Pauline Kael
The New Yorker
Director
Sydney Pollack
Writers
Lorenzo Semple Jr., James Grady, David Rayfiel
Composer
Dave Grusin
Cinematographer
Owen Roizman
Producers
Stanley Schneider, Sydney Pollack
Academy Awards (1976)
Best Original Screenplay: Nominated
Golden Globes (1976)
Best Motion Picture – Drama: Nominated
BAFTA Awards (1976)
Best Film: Nominated
Writers Guild of America (1976)
Best Adapted Screenplay: Won
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