“It is a film that works on many levels, as a mystery, as a horror film, and as a satire of modern society. The ending is one of the most shocking and memorable in cinema history.”
Roger Ebert
Chicago Sun-Times

United Kingdom"Flesh to touch... flesh to burn! Don't keep the Wicker Man waiting!"
Sergeant Neil Howie arrives on the remote Scottish island of Summerisle via seaplane, expecting a routine missing persons case. Instead, he encounters a community that denies the existence of the missing girl Rowan Morrison entirely. The villagers greet him with unsettling warmth while practicing strange fertility rituals that clash violently with his devout Christian beliefs.
Director Robin Hardy crafted a unique blend of mystery and dread using minimal budget resources. Shot on location at Kiloran Bay on the Isle of Colonsay, the film relies on atmospheric tension rather than gore. Edward Woodward anchors the story as the rigid police officer who slowly realizes his investigation is a trap designed by Lord Summerisle.
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Sergeant Neil Howie steps off the seaplane onto the misty shores of Summerisle carrying a badge and a Bible. His mission involves finding a six-year-old girl named Rowan Morrison who vanished weeks ago. The village clerk immediately tells him no such child exists, creating an immediate fracture between Howie's empirical reality and the islanders' collective narrative. Mrs. Morrison, the girl's mother, insists her daughter is gone but offers no explanation when pressed. Howie finds himself isolated in a community where everyone seems to know more than they say.
The island operates under a pagan calendar centered on the coming of May Day. Lord Summerisle, played with chilling charisma by Christopher Lee, welcomes Howie to his estate and introduces him to Willow MacGreagor. Britt Ekland portrays the seductive woman who embodies the island's hedonistic spirit, engaging Howie in conversations that feel like psychological warfare. Miss Rose, the schoolteacher, hints at hidden histories while teaching children songs about nature and death. Every interaction feels staged, yet grounded in a bizarre sincerity.
Howie discovers the village suffers from a failing harvest, which the locals attribute to a lack of virgin sacrifice. They explain that their gods demand blood to ensure fertility for the coming year. When he investigates further, he finds the parents of the missing girl dead in what looks like an accidental drowning. The realization dawns that the disappearance was a setup to lure a specific type of man to the island. Howie becomes the target of a ritualistic hunt where the entire village participates in stripping away his defenses through riddles, songs, and relentless surveillance.
The maypole dance serves as a turning point where the villagers circle around him, singing hymns that mock his faith. Lord Summerisle guides him through these events like a game master leading a player toward a checkmate. The tension builds as Howie tries to escape, only to find the geography of the island and the coordination of the villagers make flight impossible. He realizes the missing girl was already sacrificed earlier in the season to maintain the illusion of purity required for the final ritual.
As May Day approaches, the entire community gathers for a celebration that feels increasingly like a funeral procession. Howie is captured and brought before the assembly where he must confront the reality of their beliefs. The film masterfully blends elements of folk horror, mystery, and dark comedy without relying on jump scares. The narrative focuses on the clash of ideologies: the modern, rational world represented by Howie versus the ancient, primal forces of nature and paganism embodied by the islanders. As the clock ticks down to the final ceremony, the audience understands he is not there to save a missing girl but to become the sacrifice himself.
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The Wicker Man (1973) Official Trailer - Christopher Lee, Diane Cilento Horror Movie HD
Critical Consensus
A masterpiece of folk horror, The Wicker Man transcends its genre roots to deliver a chilling, intellectually stimulating tale of cultural collision. With Edward Woodward's committed performance and Christopher Lee's menacing presence, the film creates an atmosphere of dread that is both psychological and visceral.
“It is a film that works on many levels, as a mystery, as a horror film, and as a satire of modern society. The ending is one of the most shocking and memorable in cinema history.”
Roger Ebert
Chicago Sun-Times
“A fascinating and disturbing film... Mr. Hardy has created a world that is both alien and strangely familiar, a place where the old gods still walk among us.”
Vincent Canby
The New York Times
“The Wicker Man is a film that refuses to let you go... It is a movie that is both beautiful and terrible, a work of art that will haunt you long after you leave the theater.”
Pauline Kael
The New Yorker
Director
Robin Hardy
Writers
Anthony Shaffer, David Pinner
Composer
Paul Giovanni
Cinematographer
Harry Waxman
Producer
Peter Snell
Edinburgh International Film Festival (1973)
Best Feature Film: Won
London Film Critics Circle (1973)
British Film of the Year: Won
Saturn Awards (1974)
Best Horror Film: Nominated
BAFTA Awards (1974)
Best Editing: Nominated
National Film Registry (2004)
Preservation: Inducted
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