“It's a visual feast, a dazzling display of imagination and craftsmanship that proves animation can be as sophisticated and artistically ambitious as any other film medium.”
Janet Maslin
The New York Times

Jack Skellington, the Pumpkin King of Halloween Town, has everything a skeleton could want: adoring citizens, a towering gothic castle, and an annual holiday that runs like clockwork. But after centuries of the same scares and screams, he's bored. Strolling through the woods one autumn night, he stumbles onto a portal that drops him into a world of twinkling lights, pastel colors, and warm cheer: Christmas Town. The discovery ignites something in Jack. He returns home determined to master this strange new holiday, convinced he can improve it with a little Halloween flair.
Directed by Henry Selick and based on a story and poem by Tim Burton, the film was a monumental labor of stop-motion animation. Every puppet, from Jack's spindly frame to Sally's stitched limbs, was handcrafted and moved frame by frame. The animators shot roughly 24 frames per second, meaning each second of screen time required 24 tiny adjustments. The budget reached $18 million, a hefty sum for animation in 1993, and the production took nearly three years. Danny Elfman, who also voiced Jack's singing, composed the score and all the songs, blending oompah bands, creepy chorales, and soaring melodies.
Released by Touchstone Pictures (Disney deemed it too dark for its own label), the film earned $75.6 million worldwide and received an Academy Award nomination for Best Visual Effects. Over time, it has become a rare double-holiday staple, watched every Halloween and Christmas. Its merchandise empire spans clothing, toys, and home decor, and its characters are fixtures at Disney theme parks. The film's blend of gothic imagery and heartfelt storytelling proved that a movie about a skeleton trying to hijack Christmas could be both macabre and deeply moving.
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Halloween Town is a place where every day is Halloween. Its residents, a motley crew of ghouls, goblins, vampires, witches, and werewolves, live for the annual celebration of scares. At the center of it all is Jack Skellington, the Pumpkin King, a charismatic skeleton who orchestrates each year's festivities with flair. But after another successful Halloween, Jack feels hollow. He wanders the graveyard, singing of his emptiness, longing for something new.
One night, while walking in the woods beyond the town, Jack discovers a ring of trees with doors carved into their trunks. He opens one and is transported to Christmas Town. The sight of snow, twinkling lights, and a jolly man in a red suit overwhelms him. He returns to Halloween Town bursting with excitement, trying to describe the wonders he saw. But his descriptions come out twisted: he calls snow "white sand" and carols "spooky singing." The townspeople, baffled but eager to please, interpret everything through their Halloween lens.
Jack becomes obsessed. He calls a town meeting, declaring that this year, Halloween Town will take over Christmas. The citizens, though confused, rally behind him. They begin constructing their own versions of Christmas toys and decorations: shrunken heads as ornaments, a man-eating wreath, and a sinister jack-in-the-box. Jack, meanwhile, designs a sleigh pulled by skeletal reindeer and plans to deliver these "gifts" to children around the world.
Not everyone is on board. Sally, a rag doll created by the mad scientist Dr. Finkelstein, has feelings for Jack and a gift for premonition. She senses disaster and tries to warn him, but Jack is too caught up in his plan to listen. Sally attempts to sabotage the operation by poisoning Dr. Finkelstein's soup so she can escape, but her efforts only delay the inevitable. Meanwhile, the mischievous trio Lock, Shock, and Barrel are tasked with kidnapping Santa Claus to clear the way for Jack. They succeed, bringing Santa to Halloween Town, where he is presented to Oogie Boogie, a boogeyman made of bugs and snakes who lives in a casino-like lair.
As Christmas Eve approaches, Jack prepares for his grand delivery. Sally, having escaped the lab, watches with growing dread. The stage is set for a collision between two worlds, with Jack convinced he is spreading joy and Sally knowing he is about to unleash chaos.
The Nightmare Before Christmas - 1994 International Trailer (35mm 4K)
1993 Theatrical Trailer
1993 Sneak Peek Trailer
Critical Consensus
A visually stunning and musically enchanting stop-motion animated film, The Nightmare Before Christmas blends the spooky spirit of Halloween with the festive cheer of Christmas, creating a darkly whimsical holiday classic that has captivated audiences for decades.
“It's a visual feast, a dazzling display of imagination and craftsmanship that proves animation can be as sophisticated and artistically ambitious as any other film medium.”
Janet Maslin
The New York Times
“A triumph of stop-motion animation and dark fantasy, this Tim Burton-produced gem is both spooky and heartwarming, a perfect confection for the Halloween and Christmas seasons.”
Todd McCarthy
Variety
“This is a film that defies easy categorization, a bizarre and beautiful hybrid that will likely become a perennial favorite for those who appreciate its unique, gothic charm.”
Desson Thomson
The Washington Post
“Danny Elfman's score is a masterclass in musical storytelling, perfectly capturing the film's dual nature of macabre and merriment.”
Roger Ebert
Chicago Sun-Times
Director
Henry Selick
Writers
Michael McDowell, Caroline Thompson, Tim Burton
Composer
Danny Elfman
Cinematographer
Pete Kozachik
Producers
Don Hahn, Tim Burton, Denise Di Novi
Academy Awards (1994)
Best Visual Effects: Nominated
Saturn Awards (1995)
Best Music: Won
Saturn Awards (1995)
Best Fantasy Film: Nominated
Annie Awards (1994)
Outstanding Achievement in Animation: Nominated
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