“Jackson has made a movie that is at once beautiful and disturbing, a work of art that refuses to look away from the ugliness of the world.”
A.O. Scott
The New York Times

United States"She watched over them from a place beyond the grave."
Peter Jackson brings Alice Sebold's haunting novel to the screen in a film that blends the warmth of family drama with the surreal mechanics of the afterlife. Released in late 2009, The Lovely Bones follows fourteen-year-old Susie Salmon as she watches her life and death from a personal heaven above. Saoirse Ronan anchors the story as the ghostly observer, while Mark Wahlberg and Rachel Weisz portray her grieving parents struggling to rebuild their lives without her. Stanley Tucci plays the neighbor who harbors a dark secret, serving as the human anchor for the tragedy below.
The production carried a $65 million budget and grossed roughly $93.6 million worldwide, proving audiences were hungry for stories that tackled heavy themes with visual flair. Jackson balances the melancholy tone of the source material with fantasy elements, creating a unique atmosphere where the mundane pain of loss meets the wonder of a spiritual realm. Critics gave the film a solid rating around seven out of ten, acknowledging its emotional weight even if some found the supernatural plot twists uneven.
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In the quiet suburb of Perkiomenville, Pennsylvania, during the early 1970s, the Salmon family enjoys an idyllic life before everything shatters. The narrative centers on fourteen-year-old Susie Salmon, a bright teenager with artistic dreams and a budding romance with her neighbor Ray Singh. Her world turns upside down when she is lured into the basement of her home by George Harvey, a seemingly friendly neighbor who hides a terrifying secret as a serial killer. After a brutal assault and murder, Susie's body disappears into a makeshift grave within Harvey's hidden room, leaving her family in a state of shock and denial.
Susie finds herself in a surreal, personalized version of purgatory known as "the in-between." From this vantage point, she observes her family unraveling under the weight of grief. Her father, Jack, descends into a desperate, obsessive search for justice that threatens to destroy his marriage and sanity. Her mother, Abigail, unable to cope with the crushing sorrow, leaves the family to find solace elsewhere, while Susie's younger sister, Lindsey, begins to suspect Harvey's guilt and investigates the basement on her own. Meanwhile, Susie's little brother, Buckley, grows up believing his sister is still alive, finding comfort in a magical tree in the backyard.
The story unfolds through Susie's unique perspective as she interacts with other souls who have passed away prematurely, including a young boy named Billy who teaches her about the nature of existence. As time passes, the police investigation stalls due to a lack of evidence, and the community moves on, leaving the Salmon family isolated in their trauma. The central conflict revolves around the tension between Susie's desire for vengeance against Harvey and her growing realization that holding onto anger will prevent her from moving on to true peace. Simultaneously, the human characters struggle to rebuild their fractured lives; Jack becomes increasingly unstable, Lindsay fights to expose the truth, and Buckley clings to the hope of a reunion.
As the years tick by, the film explores the lingering effects of grief and the different ways people process loss. Susie witnesses the slow deterioration of her father's mental state and the eventual reconciliation between her parents. The narrative builds toward a climax where the boundaries between the living and the dead blur, forcing Susie to make a pivotal choice regarding her fate and the fate of those she loves. The story serves as a poignant meditation on the beauty of life amidst tragedy, the complexity of forgiveness, and the enduring power of love even after death. It stops short of revealing how the killer meets his end or the final resolution of Susie's spiritual journey, focusing instead on the emotional arc of the family left behind and the ghostly observer trying to let go.
Theatrical Trailer
Critical Consensus
Critics were divided on the film's ambitious blend of supernatural fantasy and gritty crime drama. While many praised the visual creativity of the afterlife sequences and the performances of the cast, particularly Saoirse Ronan and Stanley Tucci, others found the tonal shifts jarring and the pacing uneven. The film was often described as visually stunning but emotionally disjointed, struggling to balance its heavy subject matter with whimsical elements.
“Jackson has made a movie that is at once beautiful and disturbing, a work of art that refuses to look away from the ugliness of the world.”
A.O. Scott
The New York Times
“It's a brave film, and it's a film that tries to do something very difficult: to show us the afterlife without making it either too scary or too sweet.”
Roger Ebert
Chicago Sun-Times
“Peter Jackson's adaptation of Alice Sebold's novel is a visually sumptuous but narratively uneven effort that struggles to find its footing between the macabre and the magical.”
Todd McCarthy
Variety
“Ronan gives a performance of such depth and nuance that she carries the weight of the entire film on her shoulders.”
Peter Travers
Rolling Stone
Director
Peter Jackson
Writers
Fran Walsh, Peter Jackson, Alice Sebold, Philippa Boyens
Composer
Brian Eno
Cinematographer
Andrew Lesnie
Producers
Carolynne Cunningham, Anne Bruning, Marc Ashton, Aimée Peyronnet, Philippa Boyens
Golden Globe Awards (2010)
Best Original Score: Nominated
BAFTA Awards (2010)
Best Special Visual Effects: Nominated
Saturn Awards (2010)
Best Fantasy Film: Won
Saturn Awards (2010)
Best Actress: Nominated
Teen Choice Awards (2010)
Choice Movie Drama: Won
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