“Friedkin's direction is competent, but the script lacks the depth needed to elevate this familiar story about a tracker hunting a former soldier.”
Roger Ebert
Chicago Sun-Times
William Friedkin returned to the director's chair in 2003 with a gritty survival thriller that pitted two elite killers against each other. The story centers on L.T. Bonham, a retired Special Operations instructor living off the grid in British Columbia, who is pulled back into the world of violence by FBI agent Abby Durrell. She needs his unique tracking skills to catch Aaron Hallam, a former soldier under Bonham's command who has descended into madness after serving in the Kosovo War.
The film explores the psychological toll of combat and how trauma can transform a protector into a predator. As Bonham tracks Hallam through dense forests and treacherous terrain, the dynamic shifts from a standard manhunt to a brutal duel between mentor and student. Released on March 11, 2003, the movie featured a $55 million budget but earned only $34.2 million at the global box office.
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The narrative opens in the remote wilderness of British Columbia where three deer hunters have been found dead in a display of ritualistic brutality. Local law enforcement struggles to make sense of the scene as they realize the killer possesses military-grade training. Abby Durrell, an FBI agent, identifies the pattern and seeks out L.T. Bonham, a recluse known for his unmatched ability to track prey. Bonham initially refuses to get involved in another person's hunt, preferring his quiet life on a ranch far from civilization.
Durrell persuades him by revealing the profile of the suspect: Aaron Hallam. Once a promising soldier in Bonham's unit during the Balkan conflicts, Hallam suffered a severe psychological break after being forced to commit atrocities. Now drifting through society, he hunts humans for sport, viewing them as nothing more than targets. Bonham recognizes the signs immediately because he knows exactly what kind of mind created such a monster. He agrees to help, driven by a need to stop the slaughter before more innocent people die.
The chase begins as Bonham and Durrell follow Hallam's trail deeper into the woods. The environment becomes a character itself, with foggy mornings and thick undergrowth providing cover for the elusive killer. Hallam leaves cryptic messages and sets traps designed to test the tracker's limits. He taunts Bonham, forcing the older man to confront his own past and the violence he once taught. The tension escalates as Bonham realizes he must think like Hallam to stay alive. He uses primitive tools and ancient tracking methods while relying on modern technology that Hallam can easily evade.
As the days pass, the line between hunter and hunted blurs. Hallam begins to target Durrell directly, using her presence to lure Bonham into dangerous situations. The film builds toward a series of intense confrontations where physical endurance and mental fortitude are just as important as weapons. Bonham navigates freezing rivers and steep cliffs, constantly one step ahead or barely surviving. The story focuses heavily on the psychological warfare between the two men, questioning whether the trauma of war can ever truly be escaped or if it inevitably consumes the survivor.
The final act brings the duo to a secluded cabin deep in the forest. Hallam has set a trap there, expecting to kill both pursuers. Bonham anticipates the move and turns the tables, leading to a visceral hand-to-hand fight that reflects their shared history. The confrontation is brutal and personal, stripping away all pretense until only raw survival remains. In the end, Bonham stops the killing spree, but the victory feels hollow. The film closes with Bonham alone in the silence of the woods, carrying the weight of having destroyed a part of himself to save others.
The Hunted - Trailer
Critical Consensus
William Friedkin delivers a tense and atmospheric thriller that relies heavily on its lead performances. While the script follows familiar beats and lacks the depth needed to elevate the story, the chemistry between Tommy Lee Jones and Benicio del Toro keeps viewers engaged. The film succeeds as a solid entry in the genre despite some predictable pacing.
“Friedkin's direction is competent, but the script lacks the depth needed to elevate this familiar story about a tracker hunting a former soldier.”
Roger Ebert
Chicago Sun-Times
“While the action sequences are well-executed, the film's reliance on clichés prevents it from reaching the heights of Friedkin's earlier work.”
A.O. Scott
The New York Times
“The movie is a solid entry in the thriller genre, though it doesn't quite break new ground in terms of originality or surprise.”
Peter Travers
Rolling Stone
Director
William Friedkin
Writers
Peter Griffiths, Art Monterastelli, David Griffiths
Composer
Brian Tyler
Cinematographer
Caleb Deschanel
Producers
James Jacks, Ricardo Mestres
Saturn Awards (2004)
Best Action/Adventure/Thriller Film: Nominated
Teen Choice Awards (2003)
Choice Movie: Action Adventure: Nominated
MTV Movie Awards (2004)
Best Fight: Nominated
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