“The film is a mess of a movie, a jumble of ideas that never quite coalesce into a coherent whole. It's a shame, because the actors are clearly trying their best.”
Roger Ebert
Chicago Sun-Times

United States"They come from different worlds. They fight for different causes. Now, two men from opposite sides of the law are about to go to war."
Harrison Ford stars as a New York City police officer whose quiet life shatters when he welcomes an Irish guest into his home. That guest is Rory Devaney, played by Brad Pitt, a man hiding a deadly secret as a former assassin for the IRA. Director Alan J. Pakula guides this tense crime thriller with a steady hand, balancing domestic warmth against the looming threat of violence. The film explores how two men from opposite sides of the law form an unlikely bond before political realities tear them apart.
Released in March 1997 by Columbia Pictures, the project marked a significant turning point for Pitt, who aimed to shed his heartthrob image for a grittier role. The production faced internal friction on set, with reports surfacing years later that Ford and Pitt clashed over their approaches to the material. Despite these behind-the-scenes tensions, the film delivered a visually striking narrative shot by legendary cinematographer Gordon Willis, known for his work on The Godfather.
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Tom O'Meara lives a structured life in Queens, New York, where he works as a dedicated police officer alongside his wife Sheila and their two children. His routine changes when an old college friend named Edwin Diaz introduces him to Rory Devaney, a young Irishman claiming to be a refugee fleeing the conflict in Northern Ireland. Rory presents himself as a gentle student seeking shelter while he sorts out his papers. Tom, trusting Edwin and moved by Rory's apparent plight, invites the stranger to stay in his spare room. For a time, Rory fits perfectly into the family dynamic, charming everyone with his wit and humility while helping around the house.
Subtle signs soon suggest that Rory is not who he claims to be. Tom notices strange late-night phone calls and an intense energy that does not match the story of a simple academic. The situation turns dangerous when Tom discovers that "Rory" is actually Frankie McGuire, a high-ranking member of the IRA and a feared assassin. He has returned to New York not for asylum but to execute a revenge plot against a corrupt NYPD captain named Billy Burke, who betrayed his father during a British military operation in Ireland.
Rory begins manipulating Tom, exploiting their growing friendship to access police resources and information needed for his attack. The psychological toll on Tom becomes immense as he struggles to reconcile the man he thought he knew with the cold-blooded killer he now suspects. The O'Meara household transforms from a sanctuary into a fortress of secrets, placing the entire family in grave danger. As Rory prepares for his assassination, the narrative builds a relentless sense of dread. Tom finds himself trapped between his loyalty to his new friend and his oath to uphold the law. The film navigates the thin line between justice and vengeance, showing how deeply personal grievances can override societal laws. The bond between the two men becomes the battlefield where their conflicting ideologies collide, leading to a confrontation that will test the very foundations of their lives.
The Devil's Own (1997) Trailer
The Devils Own trailer
Critical Consensus
While visually polished and anchored by strong performances from Harrison Ford and Brad Pitt, the film suffers from a convoluted script that fails to fully explore its complex themes. The attempt to balance domestic drama with high-stakes action results in tonal inconsistency that undermines its potential impact. Despite technical merits, the movie feels like a missed opportunity to deliver a truly gripping political thriller.
“The film is a mess of a movie, a jumble of ideas that never quite coalesce into a coherent whole. It's a shame, because the actors are clearly trying their best.”
Roger Ebert
Chicago Sun-Times
“Pakula's direction is competent, but the script is a muddle of clichés and contradictions. The result is a film that feels more like a TV movie than a major motion picture.”
Janet Maslin
The New York Times
“Ford and Pitt have chemistry, but the story they're stuck in is so predictable and poorly written that it's hard to care about their fate. A disappointing effort from a director of Pakula's caliber.”
Peter Travers
Rolling Stone
Director
Alan J. Pakula
Writers
David Aaron Cohen, Kevin Jarre, Vincent Patrick
Composer
James Horner
Cinematographer
Gordon Willis
Producers
Robert F. Colesberry, Lawrence Gordon
MTV Movie Awards (1998)
Best Breakthrough Performance – Male: Nominated
Teen Choice Awards (1997)
Choice Movie – Action Adventure: Nominated
Saturn Awards (1998)
Best Action/Adventure/Thriller Film: Nominated
BMI Film & TV Awards (1998)
BMI Film Music Award: Won
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