“Alicia Silverstone makes an impressively sinister debut as a 14-year-old whose crush on a houseguest turns murderous. The film's real surprise is how effectively she balances innocence and menace.”
Janet Maslin
The New York Times

Alan Shapiro's 1993 psychological thriller The Crush arrives as a study in adolescent obsession wrapped in suburban respectability. Cary Elwes plays Nick Eliot, a journalist who rents a guest house on the Seattle property of the affluent Forrester family. The household's 14-year-old daughter Adrian, portrayed by Alicia Silverstone in her first major film role, develops an infatuation that rapidly curdles into something far more sinister. The film tracks her transformation from flirtatious teenager to calculating sociopath, using the protections afforded to youth as weapons against her target.
Shot in Vancouver standing in for suburban Seattle, the production operated on a $6 million budget and ultimately grossed $13.6 million domestically. Morgan Creek Entertainment produced the picture, which received an R rating for its mature content. Graeme Revell's score underscores the mounting tension, while Bruce Surtees's cinematography captures the deceptive tranquility of the Forrester property. The supporting cast includes Jennifer Rubin as Nick's girlfriend Amy, Kurtwood Smith as Adrian's oblivious father Cliff, and a young Amber Benson as Adrian's friend Cheyenne.
Though critical reception was mixed, the film is remembered primarily for launching Silverstone's career and as a time capsule of the early 90s erotic thriller cycle. It earned the actress nominations at both the MTV Movie Awards and the Young Artist Awards, and the role led directly to her starring part in Clueless two years later.
Availability and pricing can change. Confirm on the provider's site before purchasing.
Nick Eliot, a journalist in his late twenties, relocates from New York City to a quiet Seattle suburb to write for a local magazine. He rents a guest house on the expansive property of the Forrester family: Cliff, a successful businessman; his wife Liv; and their 14-year-old daughter Adrian. The arrangement seems ideal, with the Forresters treating him almost as family.
Adrian is precocious, intelligent, and strikingly mature. She quickly becomes fascinated with Nick, finding excuses to linger near his cottage and asking pointed questions about his life. Nick, committed to his girlfriend Amy, a photographer, remains polite but distant. He treats Adrian with the careful detachment appropriate for an adult interacting with a minor, gently deflecting her advances.
But Adrian's interest is not a passing fancy. She begins inserting herself into Nick's life systematically: showing up uninvited at his writing sessions, leaving gifts, and fabricating stories to gain his sympathy. When Amy visits, Adrian's jealousy becomes overt. She plants seeds of doubt, creating situations that make Amy appear unstable. Cliff dismisses the behavior as typical teenage angst, failing to recognize the danger.
After Nick unequivocally rejects her, Adrian's infatuation curdles into vengeance. She vandalizes Amy's car, spreads rumors at Nick's workplace, and stages incidents designed to ruin his reputation. Her youth and apparent innocence serve as perfect camouflage: no one believes a 14-year-old girl could be so calculating. Nick finds himself trapped, each attempt to extricate himself only deepening his entanglement. Adrian's campaign threatens his career, his relationship, and ultimately his freedom, revealing how a seemingly perfect home can conceal a predator who uses society's protections for children as weapons.
The Crush - Theatrical Trailer
The Crush (1993) Trailer
Critical Consensus
A derivative erotic thriller that relies heavily on Alicia Silverstone's performance to elevate a thin, predictable script. The film's attempts at psychological depth are undermined by melodramatic plotting, though it remains a cult curiosity for fans of 90s thrillers.
“Alicia Silverstone makes an impressively sinister debut as a 14-year-old whose crush on a houseguest turns murderous. The film's real surprise is how effectively she balances innocence and menace.”
Janet Maslin
The New York Times
“A glossy but empty-headed thriller that squanders its promising premise on predictable plot twists and cardboard characterizations. Silverstone shows flashes of talent but is let down by the material.”
Brian Lowry
Variety
“Alicia Silverstone's performance is the only thing that keeps this familiar story from being completely forgettable. She brings a chilling credibility to the role of a sociopathic teenager.”
Kevin Thomas
Los Angeles Times
“The movie is a slick, manipulative piece of work that knows exactly what it's doing. Silverstone is effective in a role that requires her to be both innocent and evil, but the film never rises above its formulaic roots.”
Roger Ebert
Chicago Sun-Times
“A textbook example of how to waste a perfectly good premise. The script is so busy setting up the next scare that it forgets to develop any real characters or suspense.”
Richard Harrington
The Washington Post
Director
Alan Shapiro
Writer
Alan Shapiro
Composer
Graeme Revell
Cinematographer
Bruce Surtees
Producer
James G. Robinson
MTV Movie Awards (1994)
Best Breakthrough Performance: Nominated
MTV Movie Awards (1994)
Best Villain: Nominated
Young Artist Awards (1994)
Best Young Actress in a Motion Picture: Nominated
Join the community
fans discussing