“The Blob is a slick, high-tech remake that delivers the goods, a monster movie with genuine suspense, spectacular special effects, and a welcome sense of humor about its own absurdity.”
Variety Staff
Variety

United States"Terror has no shape."
User Score
1,080 votes
In the summer of 1988, director Chuck Russell and co-writer Frank Darabont (who would later helm The Shawshank Redemption) brought a classic drive-in monster back to the big screen. This remake of the 1958 cult favorite stars Kevin Dillon as Brian Flagg, a leather-jacket rebel with a chip on his shoulder, and Shawnee Smith as Meg Penny, the good-hearted cheerleader who finds herself at the center of the chaos. Together with Donovan Leitch as Paul Taylor, they face a gooey alien that oozes through the small town of Arborville, dissolving anything in its path. The film leans into practical effects and gooey mayhem, delivering a horror-sci-fi ride that doesn't take itself too seriously. Produced on a $10 million budget, it earned just over $8.2 million at the box office, but it has since gained a loyal following among genre fans who appreciate its mix of humor, gore, and creature-feature charm.
Set in the sleepy, picture-perfect small town of Arborville, California (though filmed in Louisiana), the movie opens on a moonlit night with an elderly homeless man stumbling upon a crashed satellite in the woods. When he pokes at the wreckage, a gelatinous pink substance oozes out and attaches itself to his hand, fusing with his flesh. He wanders into town in a panic, where he's discovered by local rebel Brian Flagg, a motorcycle-riding outsider with a reputation for trouble. Flagg takes the man to the local hospital, but the creature is already growing, and soon the old man's arm begins to dissolve.
Meanwhile, Meg Penny is the quintessential small-town good girl, a cheerleader dating the popular jock Paul Taylor. When Meg's car breaks down, Flagg gives her a ride, and the two reluctant allies witness the chaos unfolding. The creature, which has now grown to a considerable size, erupts from the hospital, dissolving patients, doctors, and staff in grotesque fashion. It slithers through the streets, through drains, and into the sewers, attacking the town's unsuspecting residents. As panic grips Arborville, Sheriff Herb Geller and his deputy Bill Briggs struggle to maintain order, but the military arrives under the command of a shadowy government operative, claiming they're there to contain the situation. They quarantine the town, but Meg and Flagg soon discover that the military's motives may not be entirely benevolent. There are hints that the satellite and the creature are connected to a secret government experiment, and that the soldiers know more about the Blob than they're letting on.
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Set in the sleepy, picture-perfect small town of Arborville, California (though filmed in Louisiana), the movie opens on a moonlit night with an elderly homeless man stumbling upon a crashed satellite in the woods. When he pokes at the wreckage, a gelatinous pink substance oozes out and attaches itself to his hand, fusing with his flesh. He wanders into town in a panic, where he's discovered by local rebel Brian Flagg, a motorcycle-riding outsider with a reputation for trouble. Flagg takes the man to the local hospital, but the creature is already growing, and soon the old man's arm begins to dissolve.
Meanwhile, Meg Penny is the quintessential small-town good girl, a cheerleader dating the popular jock Paul Taylor. When Meg's car breaks down, Flagg gives her a ride, and the two reluctant allies witness the chaos unfolding. The creature, which has now grown to a considerable size, erupts from the hospital, dissolving patients, doctors, and staff in grotesque fashion. It slithers through the streets, through drains, and into the sewers, attacking the town's unsuspecting residents.
Sheriff Herb Geller and his deputy Bill Briggs struggle to maintain order as panic grips Arborville. The military arrives under the command of a shadowy government operative, claiming they're there to contain the situation. They quarantine the town, cordoning it off from the outside world. But Meg and Flagg soon discover that the military's motives may not be entirely benevolent. There are hints that the satellite and the creature are connected to a secret government experiment, and that the soldiers know more about the Blob than they're letting on.
As the Blob continues to grow, consuming everything in its path and becoming increasingly massive, it begins attacking the town's movie theater, where a group of teenagers are watching a horror film. Meg's younger brother and his friends are trapped inside, and Meg, Flagg, and Paul must work together to rescue them. The creature's acidic touch dissolves flesh, bone, and metal alike, and it can squeeze through any opening, making escape nearly impossible. The town's residents are picked off one by one, and the military's quarantine becomes a death trap.
Meg and Flagg, now firmly allied despite their differences, piece together clues that the Blob is not a random alien invader but something engineered, a biological weapon that escaped from the satellite. Dr. Meddows, a scientist who may know more about the creature, becomes a key figure in their investigation. The Reverend Meeker and other town elders offer little help, and the military's attempts to contain the situation only make it worse, as their efforts to destroy the Blob with conventional weapons cause it to split and multiply, creating more of the creatures.
The film's central conflict pits the resourceful, skeptical youth (Meg and Flagg) against both the monstrous Blob and the untrustworthy military establishment. As the body count rises and the town descends into chaos, the survivors must find a way to defeat the creature, which seems to have no natural predators and can only be slowed by extreme cold. The story builds toward a climactic confrontation in which the characters must outsmart both the Blob and the government agents who have sealed their fate, all while the creature grows ever larger and hungrier. The film's tone balances gruesome body horror with darkly comedic moments, and its teenage protagonists are refreshingly competent and proactive compared to typical horror movie victims.
The Blob (1988) Red Band Trailer [4K-UHD]
Official Trailer
Critical Consensus
The Blob is a gleefully nasty and technically impressive remake that improves on the 1958 original with spectacular practical effects and genuine suspense. While its script occasionally strains credibility and its tonal shifts between comedy and gore can feel jarring, Chuck Russell's direction and the film's self-aware energy make it a beloved cult classic among horror enthusiasts who appreciate its crafty, gooey mayhem.
“The Blob is a slick, high-tech remake that delivers the goods, a monster movie with genuine suspense, spectacular special effects, and a welcome sense of humor about its own absurdity.”
Variety Staff
Variety
“Mr. Russell directs with a sure hand for both horror and humor, and the film's special effects are among the most inventive and disgusting in recent memory. The Blob may be mindless entertainment, but it's mindless entertainment done right.”
Caryn James
The New York Times
“The Blob is not a great movie, but it is a good one, and it demonstrates that the people who made it understood what made the original work, and what could be improved. The special effects are spectacular, and the film has a subversive streak that gives it an edge.”
Roger Ebert
Chicago Sun-Times
“This remake of the 1958 drive-in classic is a superior piece of popular entertainment, with state-of-the-art special effects and a pair of engaging young leads in Kevin Dillon and Shawnee Smith.”
Kevin Thomas
Los Angeles Times
“Chuck Russell's The Blob is a fast-paced, gory, and thoroughly entertaining monster movie that pays homage to its source while updating it for a modern audience. The creature effects are genuinely impressive, and the film never takes itself too seriously.”
The Hollywood Reporter Staff
The Hollywood Reporter
Director
Chuck Russell
Writers
Chuck Russell, Frank Darabont
Composer
Michael Hoenig
Cinematographer
Mark Irwin
Producers
Elliott Kastner, Jack H. Harris
Fangoria Chainsaw Award (1989)
Best Makeup Effects: Nominated
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