“A brassy, beautiful, and bizarre musical that captures the essence of Fosse's genius.”
Variety Staff
Variety
Bob Fosse brought his signature jagged choreography to the big screen with this 1969 musical adaptation of Neil Simon's stage hit. The story follows Charity Hope Valentine, a taxi dancer in New York City who maintains an unshakeable belief in true love despite a relentless series of romantic disasters. Shirley MacLaine anchors the film with a performance that balances physical comedy and deep vulnerability, navigating a world of seedy dance halls and wealthy frauds.
The production stands as a unique blend of American musical theater and Italian neorealism, tracing its roots back to Federico Fellini's Nights of Cabiria. While the source material was dark and gritty, the film transforms the narrative into a vibrant showcase for Cy Coleman's score and Dorothy Fields' lyrics. It captures the specific energy of late 1960s New York while exploring universal themes of loneliness and the desperate need for connection.
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Charity Hope Valentine spends her nights at the Pompeii Club, a dimly lit dance hall where men pay for the privilege of dancing with her. She treats every interaction like a potential fairy tale, convinced that one of these strangers will sweep her off her feet into a life of stability and affection. Her best friends Nickie and Helene try to ground her in reality, warning her about the men she meets, but Charity remains undeterred in her optimism. The neon lights of the city reflect her own internal glow, even as she navigates the rough edges of urban life.
Her first major hope arrives in the form of Oscar Lindquist, a man who claims to be a wealthy playboy from Europe. Charity falls hard for his sophisticated mannerisms and promises of a better life, imagining herself as his partner in high society. The relationship quickly sours when Oscar reveals he is actually a penniless con artist who used her money and affection just to pass the time. He leaves her stranded and embarrassed, yet she refuses to let cynicism take hold.
Not long after, Vittorio Vidal enters the picture, presenting himself as a charming Italian count looking for a bride. He takes Charity on a whirlwind tour of Rome, showering her with gifts and attention that make her feel like royalty. For a brief moment, she believes her dreams are finally coming true. The illusion shatters when Vittorio admits he only wanted her for her money and status, leaving her once again heartbroken and alone on the streets of a foreign city.
Back in New York, Charity encounters Big Daddy, a charismatic cult leader who runs a self-help group called The Church of the Higher Power. He offers her spiritual guidance and a sense of community, but his methods prove to be manipulative and financially draining. As she faces rejection from suitors and exploitation from opportunists, Charity finds herself at a crossroads. She must decide whether to close her heart forever or continue to believe in the possibility of happiness despite the evidence against it.
Throughout these trials, the film highlights the resilience required to keep going when the world seems determined to crush your spirit. Charity interacts with a colorful cast of characters including the bumbling Herman and the sharp-tongued Ursula, each adding their own flavor to her chaotic journey. The narrative builds tension as she loses her savings and her dignity, forcing her to confront the harsh reality of her situation without losing the core of who she is.
Original Trailer
Critical Consensus
Critics praised Bob Fosse's dynamic direction and Shirley MacLaine's heartfelt portrayal of Charity, noting the film's visual flair and iconic dance numbers. However, many felt the script struggled to balance comedy and tragedy, resulting in a tonal inconsistency that detracted from the overall impact. Despite these flaws, the film remains a celebrated example of 1960s musical cinema.
“A brassy, beautiful, and bizarre musical that captures the essence of Fosse's genius.”
Variety Staff
Variety
“Shirley MacLaine gives a performance of such warmth and vulnerability that she elevates the material beyond its flaws.”
Bosley Crowther
The New York Times
“Fosse's choreography is nothing short of spectacular, turning the mundane into the magical.”
Todd McCarthy
The Hollywood Reporter
“MacLaine's Charity is a character for the ages, embodying the hopelessness and hopefulness of the human condition.”
Peter Bradshaw
The Guardian
Director
Bob Fosse
Writers
Peter Stone, Neil Simon, Federico Fellini, Tullio Pinelli, Ennio Flaiano
Composer
Cy Coleman
Cinematographer
Robert Surtees
Producer
Robert Arthur
Academy Awards (1970)
Best Costume Design: Nominated
Golden Globe Awards (1970)
Best Motion Picture – Musical or Comedy: Nominated
Golden Globe Awards (1970)
Best Actress – Motion Picture Musical or Comedy: Nominated
BAFTA Awards (1970)
Best Film Music: Nominated
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