“Spring Breakers is a movie of striking images and hypnotic rhythms, a hallucinated meditation on youth, violence, and the American appetite for sensation.”
A.O. Scott
The New York Times
Part of a Collection
Spring Breakers Collection
Four college girls, desperate for the ultimate spring break, knock over a chicken shack to finance their trip to St. Petersburg, Florida. What starts as a wild week of sun, booze, and parties takes a dark turn when a police bust lands them in jail, only to be bailed out by Alien, a wannabe gangster rapper with gold teeth and a trunk full of guns. Directed by Harmony Korine, the film is a hallucinatory blend of neon colors, repetitive beats, and moral chaos, starring Selena Gomez, Vanessa Hudgens, Ashley Benson, and Rachel Simon as the girls, with James Franco delivering a career-defining performance as the unhinged Alien. Made on a modest $5 million budget, it grossed over $32 million worldwide, proving that audiences were drawn to its provocative style. With music by Skrillex and Cliff Martinez, and cinematography by Benoît Debie, Spring Breakers is a fever dream that critiques materialism and hedonism while indulging in them. It's a polarizing film, with some praising its bold vision and others finding it empty, but its impact on pop culture is undeniable.
Availability and pricing can change. Confirm on the provider's site before purchasing.
Faith, Candy, Brit, and Cotty are four college friends stuck in a dreary routine at a small southern school. They watch their classmates head to Florida for spring break with envy, but they can't afford the trip. So they make a split-second decision: rob a local chicken shack with a hammer and a fake gun. The heist works, and they're off to St. Petersburg, ready for sun, sand, and total abandon.
Once there, they plunge into the chaotic party scene, fueled by alcohol, drugs, and the constant pulse of electronic music. Their wild week hits a wall when police raid a massive beach bash, and the four are thrown in jail. That's where Alien enters. A gold-toothed, cornrowed rapper wannabe with a taste for the criminal life, Alien bails them out and pulls them into his orbit. He's flashy, dangerous, and utterly seductive. Candy and Brit are hooked, but Faith grows uneasy as Alien's world reveals its violent underbelly. Cotty, meanwhile, gets caught in the crossfire of a turf war when Alien's rival, Archie, comes calling.
The film unfolds in a dreamlike, non-linear haze, with Harmony Korine repeating images and sounds until they feel like a trance. The girls' transformation from naive students to hardened criminals is the heart of the story, but it's never clear whether they're victims or willing participants. Faith's moral compass points her toward escape, but the others dive deeper into the chaos. As tensions with Archie escalate, the group is forced to make a stand, leading to a violent confrontation that will change them forever.
Red Band Trailer
Official Australian Trailer
UK Theatrical Trailer
Critical Consensus
Spring Breakers is a polarizing, hallucinatory fever dream that divides audiences. Korine's neon-soaked critique of American hedonism is visually stunning and features a career-best Franco, but its repetitive structure and nihilistic tone leave many cold. Embrace its avant-garde style and you'll find a provocative, unforgettable experience; resist it and you'll see only emptiness.
“Spring Breakers is a movie of striking images and hypnotic rhythms, a hallucinated meditation on youth, violence, and the American appetite for sensation.”
A.O. Scott
The New York Times
“Korine has made a genuine art film, one that both celebrates and condemns the debauchery it depicts, with James Franco delivering a gonzo supporting turn that nearly steals the movie.”
Peter Debruge
Variety
“A wild, provocative and stylistically audacious ride that plunges viewers into the heart of American youth culture's most decadent excesses, anchored by Franco's fearless, transformative performance.”
Todd McCarthy
The Hollywood Reporter
“Spring Breakers is a movie of ideas disguised as a movie of sensations, a critique of American materialism that's as seductive as it is repulsive, and all the more powerful for being both.”
Matt Zoller Seitz
RogerEbert.com
“It's a gonzo, garish, deliberately irritating pop-art nightmare, a movie that wants to be hated and loved in equal measure, and Franco's Alien is a genuinely iconic creation.”
Peter Bradshaw
The Guardian
Director
Harmony Korine
Writer
Harmony Korine
Composers
Cliff Martinez, Skrillex
Cinematographer
Benoît Debie
Producers
Jordan Gertner, David Zander, Charles-Marie Anthonioz, Chris Hanley
Venice Film Festival (2013)
Golden Lion: Nominated
Gotham Awards (2013)
Best Feature: Nominated
Independent Spirit Awards (2013)
Best Supporting Male: Nominated
MTV Movie Awards (2013)
Best WTF Moment: Nominated
Golden Trailer Awards (2013)
Best Red Band Trailer: Won
Join the community
fans discussing