“Boots Riley's directorial debut is a wild, imaginative and thoroughly entertaining satire that takes aim at corporate culture and racial politics with a sledgehammer.”
Peter Debruge
Variety

United States"Destiny is calling."
User Score
1770 votes
Boots Riley's directorial debut, Sorry to Bother You, is a wild, satirical sci-fi comedy set in an alternate Oakland. The film follows Cassius Green (LaKeith Stanfield), a struggling telemarketer who discovers that using his "white voice" unlocks career success. Tessa Thompson co-stars as Detroit, his activist girlfriend, with Jermaine Fowler, Omari Hardwick, and Terry Crews rounding out the cast. Produced on a modest $3.2 million budget, the film grossed over $18 million worldwide, earning strong reviews for its bold, surreal critique of capitalism and race. Riley, also a musician and activist, infuses the movie with a punk-rock energy that defies easy categorization.
The film premiered at the 2018 Sundance Film Festival, where it won a Special Jury Award for Vision and Craft. Its soundtrack, composed by Merrill Garbus of tUnE-yArDs and Boots Riley, blends funk, hip-hop, and experimental electronics. The visual style mixes practical effects and CGI, notably in the Equisapien horse-men, which were created using prosthetic headpieces and stilts. Riley spent over a decade developing the script, originally conceived as a novel, and cast David Cross as the uncredited voice of Cash's "white voice."
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Cassius Green lives in his uncle's garage in Oakland, desperate for cash. He lands a job at RegalView, a telemarketing firm, but flounders until veteran coworker Langston reveals the secret: use a generic, friendly "white voice" that makes clients comfortable. Cash adopts this voice, his sales skyrocket, and he quickly rises through the ranks.
His success strains his relationship with Detroit, a politically conscious artist who protests corporate exploitation with the group Left Eye. Meanwhile, Cash's best friend Salvador joins a unionization effort led by Squeeze. Cash is promoted to the secretive top floor, where he meets Steve Lift, the charismatic CEO of WorryFree, a company that offers voluntary slavery with food and shelter. Lift invites Cash to a bizarre party at his mansion, where Cash discovers WorryFree's plan to create Equisapiens, half-human, half-horse hybrids designed as compliant workers. Cash must decide whether to join Lift's exploitation or resist with the workers and activists.
Red Band Trailer
Official Trailer
Critical Consensus
A wildly inventive, savagely funny debut from writer-director Boots Riley, Sorry to Bother You uses its surrealist satire to land telling blows on corporate capitalism and modern race relations.
“Boots Riley's directorial debut is a wild, imaginative and thoroughly entertaining satire that takes aim at corporate culture and racial politics with a sledgehammer.”
Peter Debruge
Variety
“It's a film that wants to provoke, to anger, to amuse and to inspire all at once, and it succeeds on all fronts.”
David Ehrlich
IndieWire
“The film is a hilarious, angry, and deeply weird work of political art that feels both timely and timeless.”
A.O. Scott
The New York Times
“Riley's film is a call to arms, a manifesto, and a party all at once. It's messy, loud, and absolutely unforgettable.”
Brian Tallerico
RogerEbert.com
“A film that is so audacious, so inventive, and so angry that it feels like a Molotov cocktail thrown at the screen.”
Todd McCarthy
The Hollywood Reporter
Director
Boots Riley
Writer
Boots Riley
Composers
Boots Riley, Merrill Garbus
Cinematographer
Doug Emmett
Producers
Jonathan Duffy, George Rush, Kelly Williams, Nina Yang Bongiovi, Forest Whitaker
Sundance Film Festival Special Jury Award for Vision and Craft (2018)
U.S. Dramatic Competition: Won
Gotham Independent Film Award for Best Feature (2018)
Best Feature: Nominated
Independent Spirit Award for Best First Feature (2019)
Best First Feature: Nominated
Writers Guild of America Award for Best Original Screenplay (2019)
Best Original Screenplay: Nominated
NAACP Image Award for Outstanding Independent Motion Picture (2019)
Outstanding Independent Motion Picture: Nominated
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