“The End of the F***ing World is a rare TV series that earns its nihilism, then transcends it with genuine emotion.”
Judy Berman
Time Magazine

United Kingdom"A road trip to the end of the world."
Jonathan Entwistle's television adaptation of Charles Forsman's minicomics landed on Channel 4 in October 2017 with an eight-episode first season. The show follows James (Alex Lawther), a 17-year-old who believes he is a psychopath, and Alyssa (Jessica Barden), a furious teenager desperate to escape her fractured home life. Their decision to run away together sets off a road trip that slides from petty crime into far darker territory. Graham Coxon of Blur composed the score, and the soundtrack draws from vintage rock and jazz to underscore the show's offbeat tone.
What began as a limited series found a much larger audience when Netflix released it internationally in January 2018. A second season followed in November 2019, bringing the total to sixteen episodes. The series earned consistent critical praise for its deadpan humour, tight writing, and the chemistry between its two leads. It received multiple BAFTA nominations, including Best Drama Series and acting nods for both Lawther and Barden.
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James has spent years killing small animals and cataloguing his lack of emotional response. He is convinced he is a psychopath and begins to consider murdering a human. When Alyssa, a new girl at school with a foul mouth and a deep anger, decides they should run away together, James sees an opportunity to act on his impulses. Alyssa's home life is intolerable: her mother is emotionally absent and her stepfather Tony is increasingly predatory. She wants to find her biological father, Leslie, who left when she was a child.
The pair set out in a stolen car, crossing the English countryside. They break into houses, steal food and money, and encounter a series of unsettling adults. A major turn comes when they enter the home of Professor Clive Koch, a man with a hidden life. The situation escalates and James kills Koch to protect Alyssa. That murder transforms their aimless journey into a flight from justice. Detectives Eunice Noon and Teri Donoghue, who have their own complicated history, begin tracking the teenagers.
Across the first season, James struggles with his self-diagnosed condition. He expects to feel nothing toward Alyssa but instead finds himself confused by unfamiliar emotions, protectiveness, concern, something like affection. Alyssa, meanwhile, must confront the fact that the freedom she wanted comes with consequences she never anticipated. The season builds toward a confrontation on a beach where James makes a decision that changes everything.
Season 2 opens two years later. James survived the events of the first season and has been in recovery and on probation. Alyssa has tried to build a normal life, getting engaged to a local boy named Todd and working at a café. But a new antagonist emerges: Bonnie, a former student who was in love with Professor Koch. She is on a mission of revenge, tracking down James and Alyssa to make them pay for Koch's death. The season interweaves Bonnie's backstory, her troubled childhood and failed exams, which led her to work at the university library where she met Koch, with the story of James and Alyssa trying to reconnect. The central question becomes whether two broken people can heal and find each other again while a dangerous woman with a gun hunts them.
THE END OF THE F***ING WORLD (2017) Official Trailer HD Netflix
Critical Consensus
A darkly comic coming-of-age story that earns its nihilism and then transcends it with genuine emotion. The chemistry between Alex Lawther and Jessica Barden, combined with tight writing and brief episode lengths, makes this a standout British series of the 2010s.
“The End of the F***ing World is a rare TV series that earns its nihilism, then transcends it with genuine emotion.”
Judy Berman
Time Magazine
“Alex Lawther and Jessica Barden are so perfectly matched that their chemistry makes the show's darkness feel like a warm hug.”
Daniel Fienberg
The Hollywood Reporter
“It's dark, it's funny, it's unsettling, and it's surprisingly touching, a coming-of-age story that doesn't pull its punches.”
Lucy Mangan
The Guardian
“The show's second season proves that the first wasn't a fluke, deepening its characters while maintaining the same offbeat tone.”
Ben Travers
IndieWire
“A road-trip romance that feels like a punk-rock Bonnie and Clyde for the Netflix age, with a surprisingly tender heart.”
Emily Nussbaum
The New Yorker
Composer
Graham Coxon
Producers
Charlie Covell, Dominic Buchanan, Murray Ferguson, Ed MacDonald, Andy Baker
BAFTA TV Awards (2018)
Best Drama Series: Nominated
BAFTA TV Awards (2018)
Best Leading Actor (Alex Lawther): Nominated
BAFTA TV Awards (2018)
Best Leading Actress (Jessica Barden): Nominated
BAFTA TV Awards (2018)
Best Director (Jonathan Entwistle): Nominated
NME Awards (2018)
Best TV Show: Won
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