“It's a show that understands the specific agony of being thirteen better than almost anything else on TV, largely because it's made by people who remember exactly what it felt like.”
Alison Willmore
Vulture

United States"Adults playing thirteen-year-olds in the most painful middle school ever."
User Score
31,000 votes
Maya Erskine and Anna Konkle step into the shoes of thirteen-year-olds for Hulu's PEN15, a sharp comedy that captures the awkward chaos of middle school in the year 2000. The series runs for two seasons and twenty-five episodes between February 2019 and December 2021, earning an impressive 8.3 rating from its audience. Created by Erskine, Konkle, and Sam Zvibleman, the show features the duo playing fictionalized versions of themselves alongside actual children in key supporting roles. Their real-life friendship drives the narrative as they navigate the brutal social hierarchies of junior high while trying to survive seventh grade without losing their minds.
The tone balances whimsical nostalgia with painful cringe, offering a raw look at puberty through the lens of adults who remember exactly how it felt. Viewers appreciate the honest portrayal of childhood struggles, from bad haircuts to first crushes, all set against a backdrop of early 2000s pop culture. The cast includes Mutsuko Erskine as Maya's mother and Melora Walters as Anna's mom, adding depth to the family dynamics. This unique approach makes PEN15 stand out among teen comedies by refusing to sugarcoat the experience.
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In the summer of 2000, Maya Ishii-Peters and Anna Kone are inseparable best friends living in San Francisco. They share a bedroom connected by a secret passage and face the world as a single unit until the start of seventh grade shatters their bubble. Maya, half-Japanese and half-white, wrestles with her identity while trying to fit into the mainstream cool crowd. Anna, an only child raised by eccentric parents, seeks validation outside her chaotic home life. The series opens with the pair navigating the terrifying landscape of middle school, where social status is everything and fashion choices can define your entire existence. They wear baggy jeans, listen to Britney Spears, and attempt to master the art of the flip phone while dealing with the agonizing reality of puberty.
Season One focuses on the immediate aftermath of the new school year. Maya becomes obsessed with Sam Zablowski, a boy she meets at band practice, leading to a series of misadventures involving school dances and awkward confessions. Anna struggles with her mother Kathy, whose unconventional parenting often results in public embarrassment. The season builds tension as the girls realize their shared history does not guarantee a shared future. A pivotal moment threatens to drive a wedge between them as they begin to outgrow each other's interests and needs. The narrative explores the pain of drifting apart while highlighting the resilience of their bond.
Season Two picks up shortly after the events of the first, diving deeper into the emotional complexities of the girls' relationship. With the initial shock of seventh grade worn off, the stakes feel higher as they face eighth grade, which looms as the final year of middle school. The season explores themes of identity, self-worth, and the painful process of individuation. Maya continues to grapple with her cultural identity and her feelings for Sam, while Anna faces new challenges at home and in her social circle, including a complicated friendship with a girl named Miranda. The narrative expands to include more nuanced storylines about family trauma, peer pressure, and the loss of innocence. The tone shifts slightly from pure slapstick to a more poignant exploration of how children cope with adult-sized problems. Throughout the season, the girls attempt to hold onto their childhood magic while acknowledging that they are changing. The season arc follows their journey through various trials, including school projects, family crises, and the gradual realization that their friendship will look different as they move forward. The season concludes without resolving every thread, leaving the audience with a bittersweet sense of closure regarding their middle school chapter, emphasizing that growing up is a messy, non-linear process.
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Critical Consensus
PEN15 stands out as a uniquely authentic and painfully funny portrayal of middle school, anchored by the brilliant chemistry between its leads. By having adults play teenagers, the show captures the visceral awkwardness of puberty with a level of honesty that few comedies achieve, balancing cringe humor with genuine heart and nostalgia.
“It's a show that understands the specific agony of being thirteen better than almost anything else on TV, largely because it's made by people who remember exactly what it felt like.”
Alison Willmore
Vulture
“Erskine and Konkle bring a vulnerability to their roles that makes the absurdity of the situation feel completely real, turning a simple comedy into a profound commentary on growing up.”
Hannah Giorgis
The Atlantic
“The genius of PEN15 lies in its refusal to sanitize the experience of middle school, presenting a world that is as cruel as it is hilarious.”
Matt Zoller Seitz
New York Magazine/Vulture
“A masterclass in comedic timing and emotional resonance, PEN15 proves that the best stories about youth come from those who have lived through them.”
Caroline Framke
Variety
“This isn't just a nostalgic trip down memory lane; it's a sharp, unflinching look at the pain and joy of adolescence that resonates with audiences of all ages.”
Brian Lowry
CNN
Directors
Amy Poehler, Ben Karlin
Writers
Josh Levine, Maya Erskine, Anna Konkle, Sam Zvibleman, Emily Halpern, Sarah Haskins
Composer
Leo Birenberg
Producers
Akiva Schaffer, Andy Samberg, Vera Santamaria, Becky Sloviter, Maya Erskine, Anna Konkle
Emmy Awards (2020)
Outstanding Writing for a Comedy Series: Nominated
Emmy Awards (2020)
Outstanding Lead Actress in a Comedy Series: Nominated
Critics' Choice Television Awards (2020)
Best Comedy Series: Nominated
Golden Globe Awards (2020)
Best Television Series – Musical or Comedy: Nominated
Peabody Award (2020)
Entertainment: Won
Writers Guild of America (WGA) (2020)
Comedy Series: Nominated
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