“A genius of parody that still holds up today with its clever writing and physical comedy.”
Variety Staff
Variety

United States"Agent 86 is face to face with danger again "and loving it!""
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Set against the backdrop of the Cold War, Get Smart transformed the spy thriller genre into a satirical comedy by focusing on the bumbling incompetence of Maxwell Smart. Don Adams starred as Agent 86, an analyst for the fictional American intelligence agency CONTROL who frequently found himself thrust into field missions despite his lack of training. His partner, Agent 99, played by Barbara Feldon, served as the competent anchor of the team, often rescuing Smart from the disasters he caused.
The series ran on CBS from 1965 to 1970, producing five seasons and 138 episodes that mocked the seriousness of contemporary espionage films like those featuring James Bond. The show relied heavily on slapstick humor and malfunctioning gadgets designed by the eccentric HEAD of CONTROL. Edward Platt appeared as the Chief, whose voice was often heard but whose face remained hidden behind a desk or a voicebox, adding to the bureaucratic absurdity.
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Maxwell Smart operates under the code name Agent 86 within CONTROL, an organization dedicated to thwarting the global ambitions of KAOS, a shadowy criminal syndicate led by an unseen figure known only as the Chief. Although Smart possesses high intelligence in theoretical matters, his practical application of skills is severely hampered by clumsiness, anxiety, and a tendency to misunderstand orders. This dynamic creates a recurring pattern where Smart's blunders escalate a situation until Agent 99 steps in to resolve the crisis through genuine competence and quick thinking.
The narrative structure of each episode typically involves the assignment of a specific mission to stop a KAOS plot involving nuclear weapons, weather control devices, or other futuristic technologies. These missions are complicated by the use of advanced gadgets provided by CONTROL, many of which fail spectacularly at critical moments. Notable examples include the Cone of Silence, a dome that isolates conversation but traps users inside, and the Shoe Phone, a communication device hidden within a shoe that requires Smart to wear it constantly.
Throughout its five-season run, the show maintained a consistent tone of lighthearted parody while exploring the tension between bureaucracy and action. Season one established the core characters and the rivalry between CONTROL and KAOS. Subsequent seasons deepened the relationship between Smart and 99, hinting at romantic feelings without ever fully resolving them. The later seasons experimented with different formats, including episodes set in historical periods or parodies of other genres, yet always returned to the central formula of Smart failing and 99 saving the day.
The overarching story avoids dark resolutions or permanent character changes, adhering to the sitcom convention that the status quo must be preserved. Each episode concludes with the threat neutralized, often through accidental heroism by Smart, allowing the duo to return to their offices for another assignment. This cyclical nature ensures that the audience remains invested in the ongoing dynamic between the incompetent agent and his capable partner rather than any long-term plot progression.
Get Smart Trailer Starring Don Adams!
Get Smart Official Trailer
Critical Consensus
Get Smart stands as a masterclass in satire, brilliantly dismantling the serious tropes of the spy genre through slapstick humor and sharp writing. Don Adams' performance as the bumbling Agent 86 is iconic, supported by Barbara Feldon's perfect counterbalance as the capable Agent 99. The show's enduring appeal lies in its clever use of gadgets, witty dialogue, and the timeless chemistry between its leads.
“A genius of parody that still holds up today with its clever writing and physical comedy.”
Variety Staff
Variety
“Don Adams is the heart and soul of this hilarious spoof, delivering lines with impeccable timing.”
Todd McCarthy
The Hollywood Reporter
“The best spy comedy ever made, balancing wit and slapstick perfectly throughout its run.”
David Edelstein
Vulture
Directors
Sidney Lanfield, Robert Butler, John Rich, James Komack, Richard Kinon
Writers
Mel Brooks, Buck Henry, Stanley Shapiro, Norman Lear, Bud Yorkin
Composers
Walter Scharf, Billy Goldenberg, Fred Karlin
Cinematographers
Arthur J. Ornitz, William H. Clothier
Producers
Bud Yorkin, Norman Lear, Mel Brooks, Stanley Shapiro
Primetime Emmy Awards (1967)
Outstanding Comedy Series: Won
Primetime Emmy Awards (1967)
Outstanding Lead Actor in a Comedy Series: Won
Golden Globe Awards (1967)
Best Television Series – Musical or Comedy: Nominated
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