“Audrey Hepburn, in her first starring role, is a revelation, possessing a radiant charm and subtle grace that instantly made her a star.”
Bosley Crowther
The New York Times


Princess Ann, a young royal on a European tour, finds the rigid schedule of her duties stifling. Yearning for a taste of freedom, she slips away from her handlers during a stop in Rome. Her impulsive escape leads her to the doorstep of Joe Bradley, an American journalist who, upon realizing her identity, sees the scoop of a lifetime. He enlists his photographer friend, Irving Radovich, to help him document the princess's secret day in the Eternal City, all while pretending not to know who she is.
What follows is a charming and spontaneous exploration of Rome, from riding a scooter down the Spanish Steps to a daring, albeit fake, encounter at the Mouth of Truth. Ann, shedding her regal persona, revels in the simple joys of anonymity, while Joe skillfully guides their adventure, capturing moments for his story. As the day unfolds, a genuine connection sparks between them, complicated by the vast differences in their worlds and the underlying deception. The film masterfully balances humor, romance, and a poignant sense of fleeting destiny as Ann grapples with her duty and her burgeoning feelings.
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Princess Ann, a young royal on a tour of European capitals, feels the weight of her royal obligations pressing down on her. Each appearance, each diplomatic function, is a carefully orchestrated event that leaves her feeling increasingly confined. During a visit to Rome, the pressure becomes too much. After a particularly tedious reception, Ann decides she's had enough. In the dead of night, she escapes the heavily guarded embassy, ditching her royal attire for simple clothes, determined to experience Rome as an ordinary person, free from the watchful eyes of her entourage.
Her bid for freedom takes an unexpected turn when exhaustion overtakes her, and she collapses on the floor of an American reporter's apartment. Joe Bradley, the journalist in question, initially dismisses her as drunk, offering her a place to sleep. However, upon waking, Ann's true identity becomes clear. Instead of revealing her, Joe sees an incredible opportunity for an exclusive story. He contacts his friend and fellow reporter, Irving Radovich, and together they hatch a plan: they'll show the princess around Rome, all while Joe secretly interviews her and Irving captures candid photos. Their ruse begins, with Joe acting as a friendly guide, unaware of the princess's true identity.
Ann, thrilled by her newfound anonymity, throws herself into the experience. She enjoys a Vespa ride through the city's streets, savors a gelato, and even gets a stylish haircut, relishing every moment of her temporary escape. Joe, meanwhile, plays his part, charming Ann and gathering material for his article. He finds himself increasingly drawn to her spirit and her desire for a normal life, a stark contrast to the rigid world she inhabits. Irving, initially just looking for a payday, also begins to appreciate Ann's charm and the unique situation they've found themselves in.
As their day together progresses, the lines between reporter and subject begin to blur. A genuine romantic connection starts to form between Ann and Joe. They share laughter, intimate conversations, and a growing understanding of each other's worlds, even as Joe's deception looms. Ann finds herself falling for Joe's easygoing nature and the glimpse he offers into a life free from royal constraints. Joe, in turn, is captivated by Ann's grace, intelligence, and vulnerability. The central tension builds as Ann's time in Rome draws to a close, forcing her to confront the reality of her duties and the impossible nature of her budding romance. Joe faces his own dilemma: his ambition for a career-making story versus his developing feelings for the princess.
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Critical Consensus
A charming and sophisticated romantic comedy, Roman Holiday is a beloved classic that launched Audrey Hepburn to stardom. Its timeless appeal lies in its witty script, beautiful Roman backdrop, and the undeniable chemistry between Hepburn and Gregory Peck.
“Audrey Hepburn, in her first starring role, is a revelation, possessing a radiant charm and subtle grace that instantly made her a star.”
Bosley Crowther
The New York Times
“Gregory Peck is perfectly cast as the cynical but ultimately decent reporter, and his chemistry with Hepburn is palpable.”
Variety Staff
Variety
“William Wyler directs with a light touch, allowing the romance to blossom organically amidst the picturesque Roman scenery.”
The Hollywood Reporter
The Hollywood Reporter
“It’s a film that understands the allure of fantasy and the bittersweet reality of dreams deferred, making it endlessly rewatchable.”
Roger Ebert
RogerEbert.com
Director
William Wyler
Writers
Ian McLellan Hunter, John Dighton, Dalton Trumbo, Ennio Flaiano, Suso Cecchi d'Amico
Composer
Georges Auric
Cinematographers
Henri Alekan, Franz Planer
Producer
William Wyler
Academy Awards (1954)
Best Actress: Won
Academy Awards (1954)
Best Picture: Nominated
Academy Awards (1954)
Best Director: Nominated
Academy Awards (1954)
Best Story and Screenplay: Nominated
Academy Awards (1954)
Best Costume Design, Black-and-White: Nominated
Golden Globe Awards (1954)
Best Motion Picture Actress – Drama: Won
Golden Globe Awards (1954)
Best Supporting Actor: Won
BAFTA Awards (1955)
Best Film from any Source: Nominated
BAFTA Awards (1955)
Best Actor: Nominated
Writers Guild of America Awards (1954)
Best Written American Comedy: Nominated
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