“The movie is a lumbering, clumsy, overheated melodrama that plays like a parody of a bad erotic thriller.”
Roger Ebert
Chicago Sun-Times
Original Sin is a 2001 erotic thriller directed by Michael Cristofer, based on Cornell Woolrich's 1947 novel Waltz into Darkness. The film stars Antonio Banderas as Luis Antonio Vargas, a wealthy coffee plantation owner in 19th-century Cuba, and Angelina Jolie as Julia Russell, the American woman he marries by correspondence. Their passionate romance takes a dark turn when Julia vanishes with Luis's fortune, leading him into a web of deceit and murder. The supporting cast includes Thomas Jane in a dual role as a detective and a shadowy figure, along with Gregory Itzin and Jack Thompson.
Produced by Michelle Pfeiffer's Via Rosa Productions and distributed by MGM, the film had a troubled production history. Originally slated for a late 2000 release, it was delayed twice before opening in August 2001. Shot in Mexico doubling for Cuba, the film features cinematography by Rodrigo Prieto, later known for his work with Martin Scorsese, and a score by jazz trumpeter Terence Blanchard. With a budget estimated between $26 million and $42 million, the film grossed just over $35 million worldwide, making it a financial disappointment.
Critical reception was overwhelmingly negative. Reviewers panned the convoluted plot, overwrought melodrama, and lack of genuine erotic tension, despite praising the lead actors' chemistry and the lush visuals. The film holds a 13% approval rating on Rotten Tomatoes and a Metacritic score of 28 out of 100. It was nominated for two Golden Raspberry Awards, including Worst Actress for Jolie. Over time, Original Sin has gained a modest cult following as a camp classic, often cited as a low point in the erotic thriller genre and in Jolie's early career arc.
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In late 19th-century Cuba, Luis Antonio Vargas, a wealthy coffee plantation owner, has arranged to marry an American woman named Julia Russell through an exchange of letters and photographs. The picture Julia sent shows a plain, modest woman, but when she arrives by ship, Luis is astonished to find her stunningly beautiful. Julia explains she sent an unflattering photo to ensure Luis married her for her character rather than her looks. Despite this deception, they marry quickly, and Luis falls deeply in love, granting her full access to his finances and business affairs.
Their idyllic life shatters when Julia disappears one day, and Luis discovers his bank accounts have been drained. Detective Walter Downs arrives, revealing that the real Julia Russell was murdered before the imposter assumed her identity. Luis, devastated and enraged, begins a desperate search for the woman he loved, unsure whether she was a cold-hearted con artist or a victim herself. As he follows clues across Cuba, he encounters a violent man named Billy, who seems connected to the conspiracy.
The narrative is framed by Julia's confession to a priest as she awaits execution, adding layers of mystery and unreliable storytelling. Luis's investigation uncovers a pattern of seduction and robbery orchestrated by a criminal duo, but his feelings for Julia remain conflicted. The story builds to a confrontation that tests loyalties and reveals hidden identities, leading to a courtroom trial and Julia's death sentence. The film weaves themes of trust, temptation, and the nature of sin, leaving the audience to question who is truly guilty and what love can forgive.
Official Trailer
Critical Consensus
Original Sin is a turgid erotic thriller that fails to generate heat or suspense despite its talented leads. The convoluted plot twists feel contrived rather than clever, and director Michael Cristofer lacks the style to elevate Cornell Woolrich's pulpy source material. Banderas and Jolie have chemistry, but it is wasted in a melodrama that is more laughable than lurid.
“The movie is a lumbering, clumsy, overheated melodrama that plays like a parody of a bad erotic thriller.”
Roger Ebert
Chicago Sun-Times
“The movie is so earnestly, so extravagantly bad that it almost achieves a kind of grandeur. Almost.”
A.O. Scott
The New York Times
“A laughably overwrought erotic thriller that squanders the talents of its two leads and the lush Cuban setting.”
Robert Koehler
Variety
“Despite the best efforts of its attractive stars, the film fails to deliver the erotic charge or the narrative tension it promises.”
David Hunter
The Hollywood Reporter
Director
Michael Cristofer
Writers
Michael Cristofer, Cornell Woolrich
Composer
Terence Blanchard
Cinematographer
Rodrigo Prieto
Producers
Denise Di Novi, Kate Guinzburg, Carol Lees, Michelle Pfeiffer
Golden Raspberry Awards (2002)
Worst Actress: Nominated
Golden Raspberry Awards (2002)
Worst Screen Couple: Nominated
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