“Leone's film is not about crime but about time, and about the way that the past lives on in the present. It is a great, sad, ambitious film.”
Roger Ebert
Chicago Sun-Times
Part of the America trilogy series
Series communitySergio Leone's final film, Once Upon a Time in America, is a sprawling, elegiac crime drama that spans five decades in the lives of Jewish gangsters in New York City. The film stars Robert De Niro as Noodles, a man haunted by his past, and James Woods as his charismatic and ruthless friend Max. With a budget of $30 million, it was a lavish production, but its box office return of just $5.5 million made it a commercial failure upon release. Despite this, the film has been reassessed as a masterpiece, earning a rating of 8.373/10 from over 6,000 votes. The movie blends drama and crime with a tone that is both nostalgic and brutal, set against the backdrop of Prohibition-era New York and the rise of organized crime. Leone's meticulous direction, Ennio Morricone's haunting score, and Tonino Delli Colli's cinematography create an immersive experience that explores themes of friendship, betrayal, and the passage of time.
Behind the scenes, the production was as turbulent as the story it tells. Leone spent fifteen years trying to get the film made, facing repeated rejections from studios who found the material too dark and complex. When it finally came together, the shoot spanned 112 days across New York and Rome, with De Niro famously gaining and losing 30 pounds to play Noodles across different ages. Morricone composed the score before a single frame was shot, and Leone played the music on set to set the mood. The original cut ran over four hours, but the American distributor forced a 139-minute version that removed the non-linear structure, a decision that nearly sank the film. Only with the 2012 restoration did the full 229-minute director's cut reach audiences, allowing the film to be seen as Leone intended.
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The film opens in 1933 with an aging Noodles (Robert De Niro) hiding out in a Chinese opium den after a phone call tips him off that his friends have been killed. As he smokes, his mind drifts back to his youth in the Jewish ghetto of Manhattan's Lower East Side. There, young Noodles (Scott Schutzman Tiler) leads a small gang of street kids: Max (Rusty Jacobs), Patsy (James Hayden), Cockeye (William Forsythe), and Dominic. They run petty scams, steal from drunks, and dream of something bigger. Noodles has a crush on Deborah (Jennifer Connelly as a girl, later Elizabeth McGovern), a bookish girl who practices ballet and aspires to a life of culture. He watches her through a crack in the wall of a back room, a moment that becomes a recurring motif.
As the boys grow into men, they move into bootlegging during Prohibition. Max (James Woods) emerges as the driving force, ambitious and cold, while Noodles remains more sentimental and cautious. They build a successful operation, but tensions simmer as Max pushes for riskier ventures. The narrative weaves between the 1920s, when they are kids, the 1930s, when they are powerful criminals, and the 1960s, when an older Noodles returns to New York after decades in exile. In the 1960s, Noodles receives a mysterious invitation that forces him to confront his past. He revisits old haunts, and the memories come flooding back, blurring the line between what really happened and what he has imagined.
Key supporting characters populate this world: Frankie (Joe Pesci), a mob boss who backs their ventures; Carol (Tuesday Weld), a woman who gets caught up with the gang; and Jimmy O'Donnell (Treat Williams), a union official who becomes a partner. The story builds to a climactic betrayal in 1933 when Noodles, trying to save Max from a suicidal heist, tips off the police. The result is a shootout that leaves his friends dead, and Noodles flees, believing Max is among the casualties. The film's structure deliberately obscures the boundaries between memory and reality, as Noodles' opium-induced visions blur across decades, suggesting that memory itself is unreliable.
ONCE UPON A TIME IN AMERICA: (Extended Director's Cut) - Trailer - Sergio Leone, Robert De Niro
Once Upon A Time in America ≣ 1984 ≣ Trailer
Once Upon a Time in America (1984) Official Trailer #1 - Robert De Niro, James Woods Gangster Drama
Critical Consensus
Critics regard Once Upon a Time in America as Sergio Leone's crowning achievement, a melancholic and operatic meditation on friendship, betrayal, and the American Dream that transcends the gangster genre. Though dismissed upon its initial truncated release, the restored version has been recognized as one of the greatest crime films ever made, with De Niro's performance and Morricone's score singled out for particular praise.
“Leone's film is not about crime but about time, and about the way that the past lives on in the present. It is a great, sad, ambitious film.”
Roger Ebert
Chicago Sun-Times
“Once Upon a Time in America is a magnificent, elegiac film, a work of such beauty and intelligence that it makes most other American movies look like television commercials.”
Vincent Canby
The New York Times
“Leone's final film is a sprawling, ambitious epic that uses the gangster genre to explore the corruption of American innocence, with De Niro giving one of his most interior performances.”
Variety Staff
Variety
“A film of extraordinary formal beauty and emotional depth, Once Upon a Time in America rewards patient viewing with a profound meditation on memory, guilt, and the impossibility of escaping one's past.”
Peter Bradshaw
The Guardian
“Leone has made a movie that is both a lament for lost youth and a savage indictment of American capitalism, with a performance by De Niro that is all quiet devastation.”
Pauline Kael
The New Yorker
Director
Sergio Leone
Writers
Sergio Leone, Franco Arcalli, Leonardo Benvenuti, Enrico Medioli, Piero De Bernardi
Composer
Ennio Morricone
Cinematographer
Tonino Delli Colli
Producer
Arnon Milchan
David di Donatello Awards (1985)
Best Director: Won
David di Donatello Awards (1985)
Best Score: Won
Nastro d'Argento (1985)
Best Director: Won
Nastro d'Argento (1985)
Best Score: Won
BAFTA Awards (1985)
Best Score: Nominated
BAFTA Awards (1985)
Best Costume Design: Nominated
Golden Globe Awards (1985)
Best Director: Nominated
Golden Globe Awards (1985)
Best Original Score: Nominated
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