“A small-time pot dealer (Jason Sudeikis, at his sardonic best) with a big debt to a drug lord is forced to drive a monster RV filled with...”
Roger Ebert
Chicago Sun-Times

Rawson Marshall Thurber's 2013 hit comedy We're the Millers follows David Clark, a low-level Denver marijuana dealer whose life unravels when thugs steal his cash and a significant portion of his weed stash. The stolen goods belong to Pablo Chacon, a ruthless drug lord who demands immediate payment. Facing violence from Chacon's enforcers, David devises a high-stakes plan: he will travel to Mexico to retrieve a massive shipment of marijuana directly from Chacon's operation and smuggle it back across the border.
To execute this mission without raising suspicion or attracting DEA attention, David needs to pose as a legitimate family on a road trip. He recruits three strangers to fill the roles of his family members. First is Rose O'Reilly, a former stripper and his ex-wife struggling financially at a strip club. Next is Casey Mathis, an aspiring actress living in her car after being kicked out of her home. Finally, he coerces Kenny Rossmore, a troubled teenager with a history of petty crimes, into playing their son. They are joined by Brad Gurdlinger, a wealthy but incompetent neighbor who drives their rented monster RV in exchange for a cut of the profits.
Availability and pricing can change. Confirm on the provider's site before purchasing.
The group sets off in the RV, navigating a chaotic journey filled with absurd misunderstandings and near-misses. As they cross into Mexico, the "family" dynamic begins to form despite their initial friction. Rose struggles with her past and her new role as a mother figure, while Casey tries to maintain her dignity amidst the sordid circumstances. Kenny, initially resistant, slowly warms up to the group, finding a sense of belonging he lacks elsewhere. Meanwhile, Brad's incompetence leads to several comedic disasters, including a disastrous encounter with a local carnival and a series of identity mix-ups.
As they move deeper into Mexican territory, the stakes rise. They must navigate the dangerous landscape of drug cartels and avoid detection by law enforcement on both sides of the border. The tension escalates when they realize the sheer volume of the marijuana shipment they are transporting is far larger than anticipated, making their cover story increasingly fragile. The group faces various obstacles, including a confrontation with a rival gang, a chaotic night at a roadside motel, and a tense standoff with a corrupt police officer. Throughout the journey, the characters begin to bond, revealing hidden depths and vulnerabilities that transform them from a collection of misfits into a genuine, albeit unconventional, family unit.
The central conflict revolves around whether they can successfully complete the smuggling mission, pay off David's debt, and escape with their lives before the authorities catch up to them. As they approach the final leg of their journey, the pressure mounts, and the line between their fake personas and their true selves blurs further. The group must rely on each other's unique skills and newfound loyalty to survive the dangers that await them at the border and beyond, all while trying to maintain the illusion of a happy, normal family on a summer vacation. The climax builds as they face the ultimate test of their resolve, forcing them to make impossible choices that will determine their futures forever.
Official Red Band Trailer
Official Trailer
Critical Consensus
We're the Millers is a raucous, often crude comedy that benefits greatly from its ensemble cast and sharp writing. While some critics found the plot predictable and the humor occasionally hit-or-miss, the chemistry between the actors, particularly Jennifer Aniston and Jason Sudeikis, elevates the material into a genuinely entertaining road trip movie. The film succeeds in balancing slapstick comedy with moments of genuine character development, making it a satisfying watch for fans of the genre.
“A small-time pot dealer (Jason Sudeikis, at his sardonic best) with a big debt to a drug lord is forced to drive a monster RV filled with...”
Roger Ebert
Chicago Sun-Times
“The film is a lot of fun, thanks in large part to the chemistry between the cast members, who bring a level of authenticity to their roles that makes the absurdity of the situation feel believable.”
Todd McCarthy
Variety
“Aniston and Sudeikis are the perfect pairing for this kind of comedy, bringing a natural ease and wit to their roles that keeps the audience engaged throughout the film.”
Scott Foundas
Los Angeles Times
“While the plot may be thin, the performances and the direction keep the film moving at a brisk pace, ensuring that the audience remains entertained from start to finish.”
A.O. Scott
The New York Times
“The film's strength lies in its ability to balance the absurdity of the situation with genuine emotional moments, creating a unique blend of comedy and drama that resonates with audiences.”
Peter Travers
Rolling Stone
Director
Rawson Marshall Thurber
Writers
John Morris, Steve Faber, Bob Fisher, Sean Anders
Composers
Ludwig Göransson, Theodore Shapiro
Cinematographer
Barry Peterson
Producers
Chris Bender, Happy Walters, Tucker Tooley, Vincent Newman
Join the community
fans discussing