“With two obnoxious lead characters and an uneven screenplay, Uptown Girls fails to charm.”
Manohla Dargis
The New York Times

United States"They're about to teach each other how to act their age."
Molly Gunn lives a life built on rock star legacy and empty promises. After her father dies, the free-spirited heiress finds herself broke when her manager absconds with her inheritance. She lands in New York City as a nanny for Ray Schleine, a lonely eight-year-old whose music executive mother is too busy to notice her daughter. The dynamic between these two creates a story about growing up and letting go of childish fantasies.
Director Boaz Yakin guides this 2003 comedy-drama with a light touch, balancing the chaos of Molly's past with the quiet needs of Ray. Brittany Murphy brings energy to the role of the unemployed rock princess, while Dakota Fanning shines as the precocious girl waiting for attention. The film cost $20 million to produce and earned over $44 million at the box office, proving audiences enjoyed this specific brand of urban fairy tale.
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Molly Gunn spends her days partying in Manhattan while relying on a trust fund managed by a sleazy agent who keeps her lifestyle intact despite her father being dead. When he passes away, she expects his fortune to arrive, but the money vanishes into thin air instead. With no savings left and no friends willing to help, she packs her bags and moves into a tiny apartment in the city. Desperate for cash, she takes a job as a live-in nanny for Ray Schleine, an eight-year-old girl who acts like a cynical adult because her mother Roma is a high-powered music exec who travels constantly.
The first few weeks are a disaster. Molly tries to sneak alcohol into the house and treats Ray like a burden rather than a child. Ray pushes back hard with sarcasm and tests of loyalty because she has learned that adults always leave. They clash over everything from homework schedules to what movies they should watch. Molly refuses to grow up or face reality, clinging to the fantasy that her old life will return soon. Meanwhile, Ray hides her loneliness behind a wall of intelligence and attitude.
Slowly things start to change. Molly begins to see the vulnerability behind Ray's tough exterior. They bond over shared interests like music and fashion. Molly realizes her so-called friends from her party days are not there for her when she truly needs them. She also meets Huey, a local musician who becomes a love interest and forces her to think about commitment. Just as Molly starts finding her footing, Roma returns home unexpectedly and is shocked by the situation. A confrontation threatens to tear the new family apart before it even gets started.
The narrative builds as Molly realizes she cannot simply wait for problems to disappear. She must take responsibility for her actions and learn to be a parent figure to Ray. This journey forces her to mature and understand the value of family and friendship. As Molly navigates these emotional hurdles, she faces a crisis involving Ray's mother that tests the strength of their newfound bond. The tension escalates as Molly tries to prove her worth to both Ray and Roma, culminating in events that force her to make a definitive choice about her future.
Official Trailer
Critical Consensus
While Brittany Murphy brings infectious energy to her role as a directionless socialite, the film suffers from an uneven screenplay and a lack of chemistry between the leads. Critics felt the movie failed to balance its comedic elements with genuine emotional depth, resulting in a forgettable experience that relies too heavily on clichés.
“With two obnoxious lead characters and an uneven screenplay, Uptown Girls fails to charm.”
Manohla Dargis
The New York Times
“Murphy is charming enough, but the script gives her little to do except act out, and the film lacks the wit to make her antics funny.”
Todd McCarthy
Variety
“The movie is a mess, a jumbled collection of scenes that don't add up to much more than a wasted opportunity for a talented cast.”
Roger Ebert
Chicago Sun-Times
“It's a film that seems to think that being loud and colorful is the same thing as being interesting.”
A.O. Scott
The New York Times
“Uptown Girls is a disappointment, a film that squanders its potential with a script that is both predictable and uninspired.”
Kenneth Turan
Los Angeles Times
Director
Boaz Yakin
Writers
Julia Dahl, Allison Jacobs, Mo Ogrodnik, Lisa Davidowitz
Composer
Joel McNeely
Cinematographer
Michael Ballhaus
Producers
Allison Jacobs, John Penotti, Fisher Stevens
Teen Choice Awards (2004)
Choice Movie Actress – Comedy/Musical: Nominated
Teen Choice Awards (2004)
Choice Movie Breakout Star: Nominated
Young Artist Awards (2004)
Best Performance in a Feature Film – Leading Young Actress: Nominated
Satellite Awards (2003)
Best Motion Picture – Musical or Comedy: Nominated
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