“Tom Cruise has made the most sublime and transportive piece of popular entertainment since The Dark Knight, a movie that is the purest distillation of everything he does, and everything we go to the movies for.”
Owen Gleiberman
Variety
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Thirty-six years after Tom Cruise first climbed into an F-14 cockpit, Top Gun: Maverick did something almost unheard of: it improved on the original. The 2022 sequel grossed $1.49 billion worldwide, becoming Cruise's highest-grossing film and the biggest domestic release of the year. But the numbers only tell part of the story.
Director Joseph Kosinski and a squadron of writers, including Christopher McQuarrie and Ehren Kruger, built a film that works on two levels simultaneously. For those who grew up with the 1986 classic, it's a heartfelt meditation on aging, legacy, and the cost of heroism. For newcomers, it's a standalone adrenaline rush, with aerial sequences shot practically in real F/A-18 Super Hornets flown by actual Navy pilots. The actors trained for months to handle the g-forces, and it shows in every frame of the canyon runs and dogfights.
At its core, though, the film is about a man who has spent decades running from the past. Maverick still flies because the alternative, sitting behind a desk, confronting his grief over Goose, facing the fact that he's no longer young, is unbearable. The mission to train a dozen hotshot pilots for an impossible strike forces him to finally reckon with all of it. The result is a blockbuster that moves as easily through emotional beats as it does through Mach 10.
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Captain Pete Mitchell, call sign Maverick, is still pushing the limits. Decades after the events of the original film, he works as a test pilot for the Navy's hypersonic program, flying an experimental aircraft to Mach 10.4 before the plane disintegrates around him. His refusal to accept promotions that would ground him has made him a legend, but also a liability in the eyes of his superiors.
Summoned by his old friend Admiral Tom Iceman Kazansky, Maverick learns he is being assigned to the Top Gun school at Naval Air Station Fallon, Nevada. His task: train twelve of the Navy's best graduates for a highly classified strike mission. The target is an unsanctioned uranium enrichment facility built deep inside a canyon in an unnamed hostile country. The location is protected by advanced surface-to-air missile systems, 5th-generation enemy fighters, and terrain so tight that the pilots must fly their F/A-18E/F Super Hornets at extreme low altitude through a narrow canyon, deliver precision weapons, and escape before the defenses can react.
Among the trainees, Maverick immediately recognizes one name: Lieutenant Bradley Rooster Bradshaw, the son of his deceased RIO, Nick Goose Bradshaw. The tension between them is instant and corrosive. Rooster resents Maverick for pulling his application to the Naval Academy years earlier, a decision that set his career back by four years. What Rooster does not know is that Maverick made that promise to Rooster's mother, Carole, who was terrified of losing her son to the same skies that took her husband.
The training program is a pressure cooker of egos and skill. Lieutenant Jake Hangman Seresin, a cocky, gifted pilot, constantly needles Rooster and competes with him for the top slot. Lieutenant Natasha Phoenix Trace and her quiet but brilliant WSO, Lieutenant Robert Bob Floyd, form the most disciplined crew in the class. Lieutenant Reuben Payback Fitch and Lieutenant Mickey Fanboy Garcia round out the core strike team. Overseeing the operation are Admiral Beau Cyclone Simpson, a by-the-book officer who views Maverick as a dangerous relic, and Admiral Solomon Warlock Bates, who is more sympathetic.
Maverick's unorthodox training methods clash immediately with Cyclone's rigid protocols. He pushes the pilots beyond their limits, forcing them to fly at altitudes so low that their radar altimeters scream warnings. He teaches them to trust their instincts and their wingmen, not just their instruments. The central conflict is whether Maverick can overcome his personal history with Rooster, earn the trust of the pilots, and prepare them for a mission that even the most experienced aviators call suicide.
Outside the base, Maverick reconnects with Penny Benjamin, the owner of a local bar and a woman from his past. Their relationship provides a rare glimpse of the man behind the aviator sunglasses, someone who has spent his entire life avoiding the very connections that might save him. Penny's daughter Amelia sees through his charm immediately, and Penny herself is not easily impressed. She grounds him in a way that the cockpit never could.
As the training progresses, Rooster's resentment simmers. He refuses to take Maverick's advice, flying dangerously aggressive patterns that nearly get him killed. Hangman exploits every opening to humiliate Rooster, and the team's cohesion frays. Cyclone, fed up with Maverick's methods, removes him from the training role and plans to lead the mission himself. But the pilots, having learned to trust Maverick, refuse to fly without him. Maverick makes a final, desperate gamble: he will lead the strike team himself, flying as mission commander alongside Rooster, Phoenix and Bob, Payback and Fanboy, with Hangman in a support role. Cyclone reluctantly agrees, and the team launches from the aircraft carrier USS Theodore Roosevelt.
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Critical Consensus
Top Gun: Maverick is a rare sequel that surpasses its predecessor, delivering breathtaking aerial action, genuine emotional depth, and a career-defining performance from Tom Cruise. The film balances nostalgia with innovation, creating a thrilling, heartfelt, and visually stunning experience that honors the original while standing entirely on its own.
“Tom Cruise has made the most sublime and transportive piece of popular entertainment since The Dark Knight, a movie that is the purest distillation of everything he does, and everything we go to the movies for.”
Owen Gleiberman
Variety
“This is a movie that knows exactly what it is and delivers on its promise with exhilarating, often breathtaking skill, never losing sight of the emotional through-line that gives the spectacle meaning.”
David Rooney
The Hollywood Reporter
“It's a rare blockbuster that feels both like a perfect summer movie and a genuinely moving story about legacy, mortality, and the cost of heroism.”
Brian Tallerico
RogerEbert.com
“It's a supremely slick, enjoyable, and often jaw-droppingly spectacular movie that delivers the goods with a confidence that borders on arrogance, and earns every second of it.”
Peter Bradshaw
The Guardian
“The rare legacy sequel that doesn't just coast on nostalgia but actually uses it as fuel for something new, Top Gun: Maverick is a stunning achievement in blockbuster filmmaking.”
David Ehrlich
IndieWire
Director
Joseph Kosinski
Writers
Eric Warren Singer, Justin Marks, Ehren Kruger, Christopher McQuarrie, Peter Craig
Composers
Lady Gaga, Harold Faltermeyer, Hans Zimmer
Cinematographer
Claudio Miranda
Producers
Christopher McQuarrie, Jerry Bruckheimer, David Ellison, Tom Cruise
Academy Awards (2023)
Best Sound: Won
Academy Awards (2023)
Best Film Editing: Won
Academy Awards (2023)
Best Picture: Nominated
Academy Awards (2023)
Best Adapted Screenplay: Nominated
Academy Awards (2023)
Best Original Song: Nominated
Academy Awards (2023)
Best Visual Effects: Nominated
Golden Globe Awards (2023)
Best Motion Picture – Drama: Nominated
Golden Globe Awards (2023)
Best Original Song: Nominated
BAFTA Awards (2023)
Best Sound: Won
BAFTA Awards (2023)
Best Cinematography: Nominated
BAFTA Awards (2023)
Best Editing: Nominated
BAFTA Awards (2023)
Best Special Visual Effects: Nominated
Screen Actors Guild Awards (2023)
Outstanding Performance by a Stunt Ensemble: Won
Screen Actors Guild Awards (2023)
Outstanding Performance by a Cast: Nominated
Critics Choice Awards (2023)
Best Action Movie: Won
Critics Choice Awards (2023)
Best Editing: Won
Critics Choice Awards (2023)
Best Song: Won
Critics Choice Awards (2023)
Best Picture: Nominated
Critics Choice Awards (2023)
Best Cinematography: Nominated
Critics Choice Awards (2023)
Best Visual Effects: Nominated
Grammy Awards (2023)
Best Song Written for Visual Media: Nominated
MTV Movie & TV Awards (2023)
Best Movie: Won
MTV Movie & TV Awards (2023)
Best Duo: Won
People's Choice Awards (2022)
The Movie: Won
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