“A dorm-room thriller that's less scary than a syllabus, 'The Roommate' trades in the kind of recycled frights that make you long for the relative sophistication of a slasher film.”
Manohla Dargis
The New York Times

United States"2,000 colleges. 8 million roommates. Which one will you get?"
Freshman year means new beginnings, but for Sara Matthews, it also means navigating the dangerous waters of roommate dynamics. Minka Kelly plays Sara, a design student from Iowa who lands in Los Angeles with big dreams and a sunny disposition. Her assigned roommate, Rebecca Evans, played by Leighton Meester, is polished, wealthy, and seemingly the perfect guide to campus life. What starts as an eager friendship slowly curdles into something far more sinister as Rebecca's attachment to Sara twists into obsession. Directed by Christian E. Christiansen, this thriller keeps the tension simmering beneath the surface of college parties and dorm-room camaraderie, before boiling over into violence. The film, released on February 4, 2011, was produced by Screen Gems and Vertigo Entertainment on a $16 million budget. It went on to gross over $52 million worldwide, a solid return for a genre picture. With a PG-13 rating, it targets a younger audience, and its cast includes Cam Gigandet as Sara's boyfriend Stephen, Aly Michalka as her friend Tracy, and Frances Fisher as Rebecca's mother. While critics were lukewarm, the film found an audience on home video and streaming, where its cat-and-mouse dynamic continues to attract viewers.
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Sara Matthews arrives at a Los Angeles university from Iowa, ready to dive into design school and the social whirl of freshman year. She's assigned a dorm room with Rebecca Evans, a poised and wealthy student who seems like the ideal roommate. Rebecca knows the campus, introduces Sara to the right people, and even helps her pick out clothes. Sara quickly falls in with a crowd that includes Stephen, a charming upperclassman who becomes her boyfriend, and Tracy, a friendly floormate who becomes a close friend. Professor Roberts, who teaches Sara's art class, also takes an interest in her work.
At first, Rebecca's attentiveness feels flattering. She finishes Sara's sentences, borrows her things, and rearranges her side of the room to match. But small cracks appear. Rebecca bristles when Sara spends time with Stephen, and she grows cold toward Tracy for no clear reason. Sara notices her belongings shifting, her medication disappearing, and her schedule somehow always known. Rebecca's backstory slowly surfaces: she lost a sister years ago, and her grief has twisted into a need to control the people she cares about. Her parents, played by Frances Fisher and Tomas Arana, visit and reveal a family that avoids the obvious signs of trouble.
As the semester progresses, Sara starts to see a pattern. Anyone who gets too close to her, or who threatens her bond with Rebecca, seems to meet with accidents. A rival student slips and injures herself. Stephen's ex-girlfriend gets a threatening visit. Rebecca's interventions grow bolder, and Sara begins to realize that her roommate's attachment is not friendship but possession. The film builds its suspense through a series of charged encounters: dorm-room confrontations, campus parties, and quiet moments where Rebecca's mask slips just enough to show the danger beneath. By the middle of the film, Sara is living with a growing sense of dread, unsure of who to trust or how to get help. The story deliberately holds back the full extent of Rebecca's instability until the final act, letting the audience feel the same slow dawning horror that Sara experiences as she pieces together the truth about the person sleeping in the next bed.
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Critical Consensus
Critics found The Roommate derivative and predictable, failing to generate real suspense. The film borrows heavily from Single White Female without adding anything fresh, and the PG-13 rating undercuts potential menace. Despite a game cast, the shallow script and formulaic plot left reviewers cold, resulting in a near-universal panning.
“A dorm-room thriller that's less scary than a syllabus, 'The Roommate' trades in the kind of recycled frights that make you long for the relative sophistication of a slasher film.”
Manohla Dargis
The New York Times
“A PG-13 psychological thriller that borrows heavily from 'Single White Female' without adding anything new to the formula, 'The Roommate' is a by-the-numbers exercise that never generates genuine tension.”
Peter Debruge
Variety
“Leighton Meester and Minka Kelly do their best with material that gives them little to work with, but 'The Roommate' is a thriller so predictable that even its climactic confrontation feels like an afterthought.”
Kirk Honeycutt
The Hollywood Reporter
“The movie is not so much bad as it is unnecessary, a thriller that goes through the motions without ever convincing us that anything is genuinely at stake.”
Roger Ebert
Chicago Sun-Times
Director
Christian E. Christiansen
Writer
Sonny Mallhi
Composer
John Frizzell
Cinematographer
Phil Parmet
Producers
Doug Davison, Roy Lee
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