“McDonagh's film is a work of savage, hilarious, and heartbreaking genius. Farrell and Gleeson give career-best performances in a film that feels both timeless and urgently contemporary.”
Peter Bradshaw
The Guardian

United States"A friendship ends. The consequences begin."
Set on a remote island off the west coast of Ireland in 1923, The Banshees of Inisherin explores the abrupt end of a long friendship. Pádraic Súilleabháin (Colin Farrell) is a kind but simple dairy farmer whose world is upended when his best friend Colm Doherty (Brendan Gleeson) decides he no longer wants to speak to him. Colm, a folk musician, has grown tired of what he sees as Pádraic's dullness and wants to focus on composing music before he dies. The fallout is both darkly comic and devastating, escalating in ways neither man expects.
Directed and written by Martin McDonagh, the film reunites Farrell and Gleeson after their acclaimed collaboration in In Bruges. The cast also includes Kerry Condon as Pádraic's sharp-witted sister Siobhán and Barry Keoghan as the troubled Dominic Kearney. Shot on location in Ireland with a budget of $20 million, the film earned over $49 million at the box office. Its blend of tragicomedy and philosophical weight earned strong reviews, reflected in a rating of 7.5/10 from critics. A meditation on legacy, loneliness, and the cruelty of sudden change, the movie uses the backdrop of the Irish Civil War as a subtle parallel to the personal conflict on the island.
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On the fictional island of Inisherin, April 1923, Pádraic Súilleabháin walks to his friend Colm Doherty's cottage at 2 PM daily, a ritual they have kept for years. But this day, Colm doesn't answer the door. When Pádraic finds him inside, Colm says, 'I just don't like you no more.' This abrupt rejection sets the central conflict in motion. Colm, a folk musician, has grown deeply dissatisfied with his life. He confides to the local priest that he finds Pádraic dull and wants to spend his remaining years composing music, leaving a legacy, rather than wasting time on trivial conversations about donkey manure.
Pádraic, devastated and confused, cannot accept the end of their friendship. He repeatedly tries to engage Colm, who responds with increasing hostility. The island community watches the feud unfold with a mix of amusement and concern. Pádraic's sharp-witted sister Siobhán lives with him and serves as his voice of reason, encouraging him to move on. Meanwhile, Dominic Kearney, the troubled son of the local police officer Peadar Kearney, seeks friendship with Pádraic and harbors a crush on Siobhán. Dominic is physically and emotionally abused by his father, adding a darker undercurrent to the island's seemingly idyllic life.
The conflict escalates dramatically when Colm makes a chilling ultimatum: every time Pádraic speaks to him, Colm will cut off one of his own fingers with a pair of shears. This shocking declaration transforms a simple friendship breakup into a gruesome test of wills. Pádraic, unable to stop himself from trying to reconcile, inadvertently causes Colm to mutilate himself, beginning with his left hand, the hand he uses to finger the fiddle strings. The film explores the ripple effects of this feud. Siobhán, who dreams of escaping the island's provincialism, receives a job offer on the mainland and must decide whether to leave her brother. The village gossips, including the ominous Mrs. McCormick, who seems to predict death, add an eerie atmosphere. The backdrop of the Irish Civil War, heard as distant cannon fire from the mainland, serves as a constant reminder that larger conflicts mirror the personal one on the island. Pádraic's beloved donkey Jenny becomes a symbolic figure, representing the simple life he cherishes and refuses to abandon.
As the fingers accumulate, Colm eventually sacrifices four, the situation becomes both tragic and absurd. The local priest condemns Colm's self-mutilation as a sin, but Colm remains resolute. Pádraic, meanwhile, becomes increasingly obsessed, neglecting his farm and his relationship with his sister. The film builds toward a confrontation on Easter Sunday, where the boundaries between stubbornness, pride, and genuine malice blur completely. The story takes a devastating turn involving Jenny, pushing Pádraic past the point of no return and setting up a climactic showdown on the beach.
Official UK Trailer
Official Trailer
Critical Consensus
The Banshees of Inisherin is a masterful tragicomedy that reunites Martin McDonagh with Colin Farrell and Brendan Gleeson for a darkly hilarious and devastating exploration of friendship, legacy, and loneliness. The film's exquisite performances, stunning Irish landscapes, and razor-sharp dialogue create an unforgettable meditation on the cruelty of sudden change and the absurdity of human pride.
“McDonagh's film is a work of savage, hilarious, and heartbreaking genius. Farrell and Gleeson give career-best performances in a film that feels both timeless and urgently contemporary.”
Peter Bradshaw
The Guardian
“A superbly acted, exquisitely crafted tragicomedy that finds McDonagh at the peak of his powers, balancing absurdist humor with genuine pathos.”
David Rooney
The Hollywood Reporter
“Colin Farrell gives the performance of his career as a simple soul who doesn't understand why his best friend has dropped him. It's a masterpiece of wounded dignity and growing despair.”
Owen Gleiberman
Variety
“McDonagh has crafted a film that works on multiple levels, as a tart comedy, a devastating drama, and a philosophical meditation on what we owe each other.”
Brian Tallerico
RogerEbert.com
“A film that finds McDonagh at his most controlled and compassionate, using the Irish Civil War as a backdrop for a story about the quiet apocalypse of a friendship falling apart.”
David Ehrlich
IndieWire
Director
Martin McDonagh
Writer
Martin McDonagh
Composer
Carter Burwell
Cinematographer
Ben Davis
Producers
Peter Czernin, Martin McDonagh, Graham Broadbent
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