“The characters in this movie are spoiled, affluent and unbearably smug. They deserve each other, and they get each other.”
Roger Ebert
Chicago Sun-Times

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Joel Schumacher's 1985 film St. Elmo's Fire follows seven Georgetown University graduates as they face the harsh realities of adult life. The ensemble cast includes Emilio Estevez as lovesick waiter Kirby Keger, Rob Lowe as irresponsible saxophonist Billy Hicks, Andrew McCarthy as struggling journalist Kevin Dolenz, Demi Moore as drama queen Jules, Judd Nelson as young Republican Alec Newbary, and Ally Sheedy as social worker Leslie Hunter. Produced on a $10 million budget, the film earned $37.8 million at the box office, becoming a touchstone for the Brat Pack era. Blending drama, romance, and comedy, it captures the anxiety and excitement of post-college uncertainty. With a middling critical reception but lasting cultural impact, St. Elmo's Fire remains a defining portrait of twentysomething angst.
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The film opens with a jarring car accident that immediately establishes the reckless, uncertain world these characters inhabit. Seven friends have just graduated from Georgetown University in Washington, D.C., and now face the terrifying transition into adult life. They congregate at their beloved hangout, St. Elmo's Bar, a dimly lit establishment that serves as their sanctuary from the pressures of the real world.
The group orbits around ambitious Alec Newbary (Judd Nelson), a former Democrat who has taken a job with a Republican congressman, much to the dismay of his live-in girlfriend Leslie Hunter (Ally Sheedy). Leslie is a thoughtful social worker who wants to become an architect, and she grows increasingly frustrated with Alec's controlling nature and his insistence on marriage before she's ready.
Billy Hicks (Rob Lowe) is the charismatic, irresponsible saxophonist who can't hold down a job and avoids his responsibilities as a husband and father. He's married but acts single, driving drunk, sleeping around, and relying on his friends to bail him out of trouble. His carefree attitude masks a deep fear of commitment and adulthood.
Kirby Keger (Emilio Estevez) is a lovesick law student who becomes obsessed with Dale Biberman (Andie MacDowell), a wealthy young woman he dated briefly in college. His pursuit crosses into disturbing territory as he stalks her, breaks into her vacation home, and refuses to accept that she's moved on. Kirby's desperation is both comic and unsettling.
Kevin Dolenz (Andrew McCarthy) is a cynical, struggling journalist who works at a newspaper and pines after Leslie from afar. He writes her anonymous love letters, unable to express his feelings directly. His sarcastic exterior hides a romantic idealism he's afraid to act on.
Jules (Demi Moore) works at a bank and lives a glamorous but hollow life fueled by cocaine, casual sex, and designer clothes. She projects confidence but is spiraling into debt, addiction, and emotional collapse. Her desperate need for attention and validation drives her toward self-destruction.
Wendy Beamish (Mare Winningham) is a sweet, virginal greeting card heiress who works as a social worker and lives with her overbearing parents. She's hopelessly infatuated with Billy, ignoring his obvious flaws and his marriage. Her father (Martin Balsam) pressures her to give up her career ambitions and settle down.
The central conflict revolves around each character's struggle to define themselves outside the safety of their college friendships. As they face career setbacks, romantic rejections, financial crises, and personal betrayals, the group begins to fracture. Their shared history at Georgetown and late nights at St. Elmo's Bar can no longer shield them from the harsh realities of adult life. The film follows their individual crises as they each reach a breaking point that forces them to confront who they really are and what they truly want.
Theatrical Trailer
St. Elmo's Fire (1985) Original Trailer [FHD]
Critical Consensus
Though St. Elmo's Fire captures the Brat Pack era with a charismatic young cast and a memorable soundtrack, its shallow characterizations, melodramatic plotting, and self-indulgent tone have led many critics to dismiss it as a glossy but empty exercise in 1980s narcissism.
“The characters in this movie are spoiled, affluent and unbearably smug. They deserve each other, and they get each other.”
Roger Ebert
Chicago Sun-Times
“St. Elmo's Fire is a film that takes its characters' problems seriously, but it never quite makes them interesting enough to sustain our attention.”
Janet Maslin
The New York Times
“Joel Schumacher's film is a slick, superficial look at post-college angst that relies heavily on its attractive young cast and a hit soundtrack to carry the day.”
Variety Staff
Variety
“The movie is a series of contrived crises designed to show how much these pretty young people care about each other, but it all feels manufactured and hollow.”
Pauline Kael
The New Yorker
Director
Joel Schumacher
Writers
Joel Schumacher, Carl Kurlander
Composer
David Foster
Cinematographer
Stephen H. Burum
Producer
Lauren Shuler Donner
Grammy Awards (1986)
Best Pop Performance by a Duo or Group with Vocal: Nominated
MTV Video Music Awards (1986)
Best Video from a Film: Nominated
ASCAP Film and Television Music Awards (1986)
Most Performed Songs from Motion Pictures: Won
BMI Film Music Award (1985)
Most Performed Song from a Film: Won
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