“Spirited Away is a wonderful film, a fantasy that is completely convincing, and one of the year's best movies. It is not a film that will be outgrown.”
Roger Ebert
RogerEbert.com
Hayao Miyazaki's Spirited Away is a landmark of animation and one of the most celebrated films of the 21st century. Released in 2001, it became the first non-English language film to win the Academy Award for Best Animated Feature and remains the highest-grossing film in Japanese history for nearly two decades. The story follows ten-year-old Chihiro Ogino, who stumbles into a spirit world ruled by the witch Yubaba and must work in a bathhouse to save her transformed parents.
Miyazaki drew inspiration from the daughter of his producer, Toshio Suzuki, whom he felt lacked curiosity and independence. He wanted to create a story for young girls that would encourage resilience and self-discovery. The film was famously made without a traditional script, with Miyazaki writing the story as production progressed. Over 90 percent of the animation was hand-drawn, with computer graphics used sparingly for effects like the Stink Spirit's movement and the bathhouse's lighting.
Spirited Away premiered at the Berlin International Film Festival, where it won the Golden Bear, the first animated film to do so. Critics universally praised its imaginative world-building, emotional depth, and stunning visuals. The film grossed over $274 million worldwide on a modest budget of $19 million, and its influence extends across global pop culture, inspiring countless artists and filmmakers.
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Chihiro Ogino is a sullen ten-year-old girl who is unhappy about moving to a new neighborhood. On the drive there, her father takes a shortcut down a narrow dirt road, leading the family to what appears to be an abandoned amusement park. Despite Chihiro's protests, her parents begin eating food from an unattended stall, greedily consuming the delicious spread. As night falls, they transform into pigs, and Chihiro finds herself trapped in a strange, twilight world where spirits and gods emerge from the shadows.
Panicked and alone, Chihiro encounters Haku, a mysterious boy who explains that this is the spirit world and that she must find work at the enormous bathhouse, a grand establishment where spirits come to cleanse themselves. Haku guides her to Kamaji, a six-armed boiler man who initially refuses to help but eventually sends her to the bathhouse's head of labor, Lin. With their assistance, Chihiro secures an audience with Yubaba, the formidable witch who rules the bathhouse. Yubaba forces Chihiro to sign a contract, renaming her Sen and binding her to servitude. The contract steals her name, and if she forgets it, she will be trapped in the spirit world forever.
Chihiro begins working as a menial laborer in the bathhouse, cleaning floors and scrubbing enormous bathtubs. She is clumsy and overwhelmed, but gradually learns the rhythms of the spirit world. Her first major challenge comes when a putrid, sludge-covered spirit arrives, the Stink Spirit. While other workers recoil, Chihiro dutifully cleans the creature, discovering a bicycle handlebar lodged in its side. She and the other workers pull out a torrent of trash and debris, revealing the spirit to be a powerful River God who rewards her with a magical dumpling.
A lonely, masked spirit called No-Face begins appearing at the bathhouse. Chihiro, feeling sympathy, lets him inside during a rainstorm. No-Face soon begins offering gold to the bathhouse workers, who eagerly serve him food and attention. The creature grows increasingly gluttonous and violent, consuming several workers who succumb to greed.
Meanwhile, Haku is wounded while stealing a magical seal from Yubaba's twin sister, Zeniba. Chihiro nurses him back to health and learns that he is being controlled by Yubaba. She feeds him part of the River God's dumpling, which causes him to vomit the seal and a dark slug-like creature, Yubaba's curse. Chihiro decides to return the stolen seal to Zeniba and apologize, embarking on a train journey across the sea with No-Face and Yubaba's giant baby, Boh.
The story builds toward Chihiro's final confrontation with Yubaba, where she must pass a test to free herself, her parents, and Haku. The central conflict revolves around Chihiro's transformation from a frightened, selfish child into a courageous, selfless young girl who must navigate a world of spirits, greed, and magic to save those she loves.
Official Trailer [Subtitled]
Ghibli Fest 2023 Trailer
Official Trailer
Critical Consensus
Spirited Away is a dazzling, enchanting masterpiece that seamlessly blends breathtaking hand-drawn animation with a deeply moving coming-of-age story. Miyazaki creates a richly imagined spirit world that serves as both a thrilling adventure and a profound meditation on greed, identity, and courage, cementing its status as one of the greatest animated films ever made.
“Spirited Away is a wonderful film, a fantasy that is completely convincing, and one of the year's best movies. It is not a film that will be outgrown.”
Roger Ebert
RogerEbert.com
“The film is a magical-realist fairy tale that leaves most other animated films in the dust. It's a feast for the eyes and the imagination.”
Manohla Dargis
The New York Times
“Spirited Away is a film of such visual and emotional splendor that it makes you forget what the word 'animation' even means.”
Kenneth Turan
Los Angeles Times
“Miyazaki has created a masterpiece of animation that is both a thrilling adventure and a deeply affecting story about growing up. It is quite simply one of the greatest films ever made.”
Peter Bradshaw
The Guardian
“Spirited Away is a work of pure, unadulterated imagination. It's a movie that doesn't just tell a story; it creates an entire world, and you never want to leave.”
Owen Gleiberman
Entertainment Weekly
Director
Hayao Miyazaki
Writer
Hayao Miyazaki
Composer
Joe Hisaishi
Cinematographer
Atsushi Okui
Producer
Toshio Suzuki
Academy Award for Best Animated Feature (2003)
Best Animated Feature: Won
Berlin International Film Festival Golden Bear (2002)
Golden Bear: Won
BAFTA Award for Best Film Not in the English Language (2003)
Best Film Not in the English Language: Nominated
Golden Globe Award for Best Foreign Language Film (2003)
Best Foreign Language Film: Nominated
Annie Award for Best Animated Feature (2002)
Best Animated Feature: Won
Japanese Academy Award for Best Picture (2002)
Best Picture: Won
Mainichi Film Award for Best Film (2002)
Best Film: Won
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