“It's hard to take a movie seriously when the villain is a cyborg with a laser blade, and the plot is so thin you could see through it. It's a disaster.”
Roger Ebert
Chicago Sun-Times

United States"Evil gets an upgrade."
User Score
1,568 votes
Part of a Collection
Friday the 13th Collection
The year is 2455 and Earth has turned into a toxic wasteland known as Old Earth. In this desolate future, a team of elite space marine cadets from the Federal Bureau of Xeno-Biology investigates a distress signal coming from a buried cryogenic facility in Crystal Lake, New Jersey. What they find inside a frozen pod is the remains of Jason Voorhees, preserved since the early 21st century. Despite warnings about reviving unknown biological entities, Dr. Wimmer thaws the killer to study his resistance to toxins, accidentally unleashing a monster that adapts to survive in a vacuum.
After killing several crew members on the derelict surface, Jason escapes aboard the cadets' ship. The film shifts from a claustrophobic slasher to a high-stakes space horror as the survivors try to outrun a killer who begins integrating the ship's technology into his own body. Kane Hodder returns as the iconic villain, now sporting a titanium exoskeleton and laser weapons, while Lexa Doig leads the desperate fight for survival against an enemy that refuses to stay dead.
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In the distant future of 2455, the planet Earth lies in ruins, its atmosphere choked with pollution and its surface uninhabitable. A group of seven cadets from the Federal Bureau of Xeno-Biology arrives at the coordinates of a long-lost cryogenic facility hidden beneath the frozen waters of Crystal Lake. Led by Rowan, the team includes Azrael, Kay-Em 14, Tsunaron, Janessa, Fat Lou, Kicker, and Dr. Wimmer, a scientist with secret motives. They expect to find only debris or automated systems, but instead discover a massive containment unit holding the mummified corpse of Jason Voorhees.
Dr. Wimmer overrides the safety protocols to thaw the subject, hoping to analyze Jason's unique immunity to disease and radiation. As the ice melts, the killer reanimates with supernatural speed and strength. He slaughters the first few cadets with brutal efficiency using a machete before the remaining survivors realize they cannot simply flee the facility. Jason pursues them through the crumbling structures and toxic wilderness, forcing the group to launch their escape vessel with him still onboard.
Once aboard the *Federal Bureau of Xeno-Biology* ship, the dynamic changes completely. The sterile, metallic corridors provide no cover, yet Jason proves impossible to stop. He begins adapting to his new environment, utilizing the ship's machinery to enhance his abilities. The narrative follows the shrinking group of survivors as they attempt to reach a habitable colony while being hunted by a killer who learns to use lasers, gravity manipulation, and jetpacks. Traditional weapons fail to penetrate his defenses, and the tension mounts as the crew discovers Dr. Wimmer's true plan to harness Jason's power rather than destroy him.
The film balances its horror elements with a distinct campy tone, featuring over-the-top kills and futuristic gadgets. The survivors face impossible odds as Jason transforms further, integrating cybernetic parts into his body. The chase structure intensifies as the ship hurtles toward its destination, leaving the remaining cadets with only one option: find a way to eliminate the threat before it reaches civilization. The question of whether Jason can be stopped once he embraces his new form as Uber Jason hangs over every scene as the clock ticks down toward a catastrophic confrontation.
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Teaser Trailer
Behind the Scenes
Critical Consensus
Critics widely panned Jason X for prioritizing campy humor and low-budget sci-fi aesthetics over genuine horror. While some acknowledged the novelty of placing Jason in space, the consensus was that the film failed to balance its B-movie aspirations with effective storytelling. The dialogue and character development were frequently cited as weak points, overshadowing the visual effects and Kane Hodder's performance.
“It's hard to take a movie seriously when the villain is a cyborg with a laser blade, and the plot is so thin you could see through it. It's a disaster.”
Roger Ebert
Chicago Sun-Times
“James Isaac's direction is competent, but the script by Todd Farmer is a mess of clichés and forced jokes. The premise is fun, but the execution is laughable.”
Todd McCarthy
Variety
“While the special effects are impressive for a low-budget sequel, the film lacks the visceral terror of earlier entries. It feels more like a parody than a horror movie.”
Charles Solomon
The Hollywood Reporter
“A misguided attempt to modernize the franchise that results in a tedious, nonsensical mess. The Uber Jason concept is cool, but the movie itself is dead on arrival.”
Ian Nathan
Empire Magazine
“The film tries too hard to be funny and fails to deliver either scares or laughs. It's a forgettable entry in a long-running series that deserves better.”
Steven Rea
Slant Magazine
Director
James Isaac
Writer
Todd Farmer
Composer
Harry Manfredini
Cinematographer
Derick V. Underschultz
Producers
Noel Cunningham, Sean S. Cunningham, Victor Miller
Saturn Awards (2002)
Best Horror Film: Nominated
Saturn Awards (2002)
Best Actress: Nominated
Fangoria Chainsaw Awards (2002)
Best Make-up: Won
Fangoria Chainsaw Awards (2002)
Best Supporting Actor: Nominated
Golden Trailer Awards (2002)
Best Horror/Thriller TV Spot: Nominated
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