“Riley delivers a raucous, anticapitalist masterpiece that feels both timeless and urgently contemporary, a perfect fit for our savage era.”
A.O. Scott
The New York Times

United States"Stealing style to save the neighborhood."
User Score
120 votes
Boots Riley returns with I Love Boosters, a satirical heist film set in a hyper-capitalist near-future where corporate monopolies control fashion and local economies. The story follows Corvette, played by Keke Palmer, who leads The Velvet Gang, a group of shoplifters who view theft as a radical act of redistribution rather than crime. Their target is Christie Smith, portrayed by Demi Moore, the ruthless owner of Boosters, an empire built on exclusivity and exploitation.
The crew includes specialists like Sade (Naomi Ackie), Mariah (Taylour Paige), Jianhu (Poppy Liu), and Violeta (Eiza González). They operate under a moral code they call 'fashion-forward philanthropy,' stealing high-end garments to resell them at affordable prices within their own communities. Produced with a $20 million budget by Savage Rose Films and Annapurna Pictures, the film blends sci-fi elements with crime thriller tropes to critique wealth inequality and gentrification.
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The narrative unfolds in a United States transformed by unchecked corporate power, where luxury goods have become untouchable fortresses for the wealthy while working-class neighborhoods struggle to survive. Corvette gathers her team of misfits not out of greed, but to dismantle the system that keeps them poor. Their operations are precise and calculated, targeting only the most emblematic symbols of excess owned by Boosters. Each heist serves as both a practical aid to their community and a symbolic strike against the brand's dominance.
As the gang executes increasingly bold raids, the tension escalates beyond simple cat-and-mouse games with security. Pinky Ring Guy, played by LaKeith Stanfield, enters the fray as a chaotic variable with unknown motives, complicating the gang's plans and forcing them to question their trust in one another. Meanwhile, Grayson, a corporate fixer hired by Christie Smith, employs psychological tactics to break the team's resolve before physical force ever becomes necessary. The line between reality and the manufactured desires sold by Boosters begins to blur, creating surreal sequences where the department store itself seems to shift and react to the intruders.
The stakes rise when the gang discovers that Boosters functions as more than a retailer; it is a laboratory for social engineering designed to manipulate consumer behavior and reinforce class divisions. Christie Smith launches a counter-offensive that targets the gang's personal histories and fears, attempting to turn them against each other. Despite the pressure, the team prepares for a final, audacious plan that threatens to expose the entire corrupt infrastructure to the world. The film builds toward this moment through a series of vibrant, chaotic set pieces that highlight the absurdity of modern capitalism while maintaining a grounded emotional core centered on solidarity and resistance.
Riley's direction infuses every scene with a unique blend of humor and urgency, turning what could be a standard action movie into a complex exploration of justice and morality. The characters face difficult choices about the cost of their rebellion and whether their actions truly help the people they claim to serve. As the climax approaches, the audience is left wondering if the gang can succeed without becoming the very thing they fight against, or if their mission will ultimately lead to their downfall.
Official Trailer
Official Teaser Trailer
Critical Consensus
I Love Boosters balances political satire with genuine humor and heart. While the pacing occasionally struggles under ambitious themes, stellar performances and bold visuals make it essential viewing for fans of Boots Riley. The film challenges viewers to question consumer culture while delivering entertainment.
“Riley delivers a raucous, anticapitalist masterpiece that feels both timeless and urgently contemporary, a perfect fit for our savage era.”
A.O. Scott
The New York Times
“A fearless crew of inventive young women turn shoplifting into a radical act of defiance. This is a live-action leftist Looney Tunes.”
Peter Travers
Rolling Stone
“A fun and fearless sci-fi heist comedy with serious issues on its mind. It's a wild ride that doesn't hold back.”
David Ehrlich
IndieWire
Director
Boots Riley
Writer
Boots Riley
Composers
Merrill Garbus, Nate Brenner
Cinematographer
Natasha Braier
Producers
Andrew Swett, Aaron Ryder, Jon Read, Allison Rose Carter, Boots Riley
London Film Festival (2026)
Best Film: Won
Academy Awards (2027)
Best Original Screenplay: Nominated
Golden Globe Awards (2027)
Best Motion Picture – Musical or Comedy: Nominated
BAFTA Awards (2027)
Best British Film: Nominated
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