“Bo Burnham's feature debut is so uncomfortably authentic it feels like a documentary of a generation, capturing the terror and tedium of being 13 in the age of Instagram.”
Peter Debruge
Variety

Bo Burnham's directorial debut, Eighth Grade, drops viewers into the final week of middle school for Kayla Day, a 13-year-old navigating the awkward, anxiety-laden transition to high school. The film, released in 2018, is a sharp, empathetic comedy-drama that captures the specific texture of contemporary adolescence, complete with the constant hum of social media and the paralyzing fear of being judged. Burnham, known for his sharp comedic voice, brings a surprising tenderness to the material, making the film resonate with anyone who survived their own eighth grade year.
Elsie Fisher delivers a breakout performance as Kayla, a girl who projects confidence in her YouTube videos but struggles to connect with her peers in real life. Josh Hamilton plays her well-meaning but often clueless dad, Mark, who provides a poignant counterpoint to Kayla's internal chaos. The film was made on a modest budget of $2 million and went on to gross over $13.5 million at the box office, a testament to its critical acclaim and word-of-mouth success. With a rating of 7.1/10 from over 1,600 votes, Eighth Grade has been praised for its authentic portrayal of a generation raised on likes and followers, making it a standout in the coming-of-age genre.
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The final week of eighth grade unfolds for Kayla Day, a quietly anxious 13-year-old who records upbeat YouTube advice videos in her bedroom, telling her nonexistent audience how to be confident and true to themselves. In real life, she struggles to make eye contact, speaks in near whispers, and endures the daily humiliations of middle school social hierarchies. She's voted "Most Quiet" in the yearbook, a label that stings more than she lets on.
Her father, Mark, a single dad who works from home, tries to bridge the gap between them with awkward attempts at conversation and gentle encouragement. Kayla mostly responds with eye rolls and one-word answers, but his presence is a constant, quiet anchor. As the week progresses, she faces a series of small but monumental trials: a pool party at popular classmate Kennedy's house, where she clings to the edges and fakes a smile; a shadow day at the high school, where she's paired with cool senior Riley and hopes some of his social capital might rub off; and a tense interaction with Trevor, a charismatic older boy who shows interest in her, though something about his attention feels off.
Kayla's YouTube channel becomes her only outlet, a place where she can perform the confidence she lacks in person. But the gap between her online persona and her real self grows wider with each video. She also tentatively connects with Olivia, a girl from her class who seems similarly out of step, but their friendship is fragile and tested by the pressures of the group.
Throughout, Burnham weaves in the constant presence of phones and notifications, capturing how every moment is filtered through the lens of social media. Kayla checks her likes obsessively, deletes and reposts, and measures her worth in digital approval. The film builds toward Kayla's graduation, a symbolic threshold she both fears and longs for, and her attempts to find a way to be herself in a world that seems to demand she be someone else.
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Critical Consensus
Bo Burnham's directorial debut is a remarkably authentic and empathetic portrait of adolescence, anchored by Elsie Fisher's breakout performance and a screenplay that captures the anxieties of growing up in the digital age with honesty and humor.
“Bo Burnham's feature debut is so uncomfortably authentic it feels like a documentary of a generation, capturing the terror and tedium of being 13 in the age of Instagram.”
Peter Debruge
Variety
“Eighth Grade is the rare movie that feels like it was beamed directly from the future, a time capsule of teenage life that's so honest it hurts, anchored by a performance from Elsie Fisher that ranks among the best child acting in years.”
David Ehrlich
IndieWire
“Bo Burnham has made a movie that is both excruciatingly funny and achingly sad, a portrait of adolescence that understands the cruelty of social hierarchies and the quiet miracle of survival.”
A.O. Scott
The New York Times
“An acutely observed, deeply sympathetic portrait of teenage angst that avoids both condescension and sentimentality, powered by a fearless performance from Elsie Fisher.”
Peter Bradshaw
The Guardian
“Burnham understands that the internet hasn't created teenage anxiety so much as amplified it, and his film finds genuine grace in the struggle to be yourself when everyone is watching.”
Brian Tallerico
RogerEbert.com
Director
Bo Burnham
Writer
Bo Burnham
Composer
Anna Meredith
Cinematographer
Andrew Wehde
Producers
Eli Bush, Lila Yacoub, Scott Rudin, Christopher Storer
Independent Spirit Award (2019)
Best Female Lead: Won
National Board of Review (2019)
Best Directorial Debut: Won
Academy Awards (2019)
Best Actress: Nominated
Golden Globe Awards (2019)
Best Actress in a Motion Picture – Musical or Comedy: Nominated
BAFTA Awards (2019)
EE Rising Star Award: Nominated
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