“It's a movie that feels like it was made by someone who has seen every Nicolas Cage movie ever made and decided to make one more, but without the benefit of a script.”
A.O. Scott
The New York Times
Nicolas Cage steps into the role of John Milton, a man who breaks out of Hell to hunt down the cultists who murdered his daughter and stole her baby. Patrick Lussier directs this visceral blend of supernatural horror and grindhouse action where a father's rage becomes a force of nature. The story kicks off with Milton arriving in the American Southwest, armed with nothing but a shotgun and a divine mandate to stop an apocalypse.
He teams up with Piper, a waitress cursed by the same satanic group that killed his family. Together they race against a three-day clock while navigating roadblocks, demonic minions, and the relentless pursuit of Jonah King. Despite a $50 million budget and native 3D production, the film struggled at the box office, grossing only about $41 million worldwide. Critics found the narrative disjointed, though many praised the visual style and Cage's unhinged performance.
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John Milton wakes up in Hell after dying years ago, only to be told he must return to Earth immediately. A satanic cult led by Jonah King has murdered his daughter and kidnapped her infant granddaughter to use as a sacrifice for opening the gates of Hell. Milton refuses to accept this fate. He breaks free from the fiery pit, returns to the mortal realm, and demands a weapon and a car from a mysterious figure known as the Accountant. His mission is clear: kill everyone involved before the ritual begins.
Milton tracks down Piper, a woman living on the run who carries a curse from the cult. She lost her own family to their dark magic and wants revenge. Initially suspicious of each other, the two form a reluctant alliance as they drive across the desert landscape. They face constant threats from cult members, corrupt police officers, and local lawmen who don't understand the supernatural threat looming over them. The journey is brutal, featuring high-speed chases and hand-to-hand combat that highlights Milton's superhuman durability.
The trio moves toward a secluded compound where Jonah King waits to perform the final rite. Time is running out, and the stakes are cosmic. If the baby is sacrificed at the appointed hour, the Devil will walk the earth. Milton and Piper must infiltrate the heavily guarded stronghold, fight through waves of enemies, and confront King himself. Along the way, they uncover more about the cult's history and the depth of their evil plans. The tension builds with every mile driven and every enemy defeated.
As they close in on the compound, the dynamic between Milton and Piper shifts from mistrust to a bond forged in shared trauma. Milton reveals pieces of his past, showing the grief that fuels his rage. Piper learns to trust him despite his violent methods. The film maintains a relentless pace, focusing on the visceral action and the emotional weight of Milton's quest to save his granddaughter before it is too late. The climax approaches as the duo reaches the cult's stronghold, where the final confrontation looms large.
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Critical Consensus
While Drive Angry boasts a star-studded cast and a visually striking aesthetic, its chaotic narrative and reliance on excessive violence often overshadow its potential. Critics noted that the film's attempt to blend supernatural horror with grindhouse action resulted in a disjointed experience that prioritized style over substance, leaving audiences entertained but unsatisfied by its lack of depth.
“It's a movie that feels like it was made by someone who has seen every Nicolas Cage movie ever made and decided to make one more, but without the benefit of a script.”
A.O. Scott
The New York Times
“Cage is in full-on maniac mode, but the movie itself is a mess of bad ideas and worse execution, a film that should have stayed in hell.”
Peter Travers
Rolling Stone
“Drive Angry is a fever dream of a movie, a wild ride that never quite knows where it's going, but at least it's entertaining enough to keep you guessing until the end.”
Owen Gleiberman
Entertainment Weekly
Director
Patrick Lussier
Writers
Patrick Lussier, Todd Farmer
Composer
Michael Wandmacher
Cinematographer
Brian Pearson
Producers
Michael De Luca, René Besson, Adam Fields
Saturn Awards (2012)
Best Horror Film: Nominated
Saturn Awards (2012)
Best Actor: Nominated
Fangoria Chainsaw Awards (2011)
Best Makeup Effects: Won
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