“The movie is a mess, an overstuffed, overlong, and often incoherent jumble of portentous dialogue, murky action sequences and half-baked ideas.”
A.O. Scott
The New York Times
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United States"A clash of titans with the world at stake."

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DC Extended Universe
Zack Snyder's Batman v Superman: Dawn of Justice pits two of DC's most iconic heroes against each other in a clash of ideals. The world is divided over Superman (Henry Cavill), whose godlike powers and destructive battles have sparked fear and debate. Enter Bruce Wayne (Ben Affleck), a hardened Batman who sees the Kryptonian as a threat to humanity. Their conflict sets the stage for a larger war, with Lex Luthor (Jesse Eisenberg) pulling strings behind the scenes. The film also introduces Gal Gadot's Wonder Woman, hinting at a broader universe. With a budget of $250 million and over $874 million at the box office, the movie is a sprawling, dark action spectacle that expands the DC Extended Universe. Critics were divided, reflected in a middling 6.0 rating, but the film's ambition and visual style have drawn a passionate fanbase.
Eighteen months after the Battle of Metropolis, Bruce Wayne personally witnessed the destruction from his office tower, which collapsed around him. That trauma hardened his resolve, turning a weary twenty-year veteran of Gotham's streets into a paranoid vigilante who brands criminals with a bat-shaped mark that gets them killed in prison. Meanwhile, Clark Kent covers Batman's brutal methods for the Daily Planet, disturbed by the fear the Dark Knight inflicts. Lex Luthor, a manic young billionaire, engineers a tragedy at a Senate hearing on Superman's accountability, framing the Man of Steel for a bombing that kills dozens. He also kidnaps Martha Kent to force Clark's hand.
The film's production was as massive as its story. Principal photography began May 21, 2014, in Detroit, with additional locations including Chicago and New Mexico. The Batmobile was built from scratch, weighing 3,500 pounds and accelerating to 60 mph in 3.5 seconds. Ben Affleck trained for six months in martial arts and strength conditioning, performing most of his own stunts, especially the acclaimed warehouse fight sequence. Hans Zimmer initially declined to score the film, feeling he had exhausted superhero music, but agreed to collaborate with Tom Holkenborg (Junkie XL). This turned out to be Zimmer's last superhero score until Dune.
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Eighteen months after General Zod's attack leveled Metropolis, the world remains deeply split over Superman. Some see him as a savior; others, a dangerous alien with unchecked power. Bruce Wayne, who pulled survivors from the rubble of his own building, now operates as a more brutal Batman, branding criminals with a bat symbol that marks them for death in prison. He views Superman as an existential threat.
Clark Kent, reporting for the Daily Planet, covers Batman's vigilante justice in Gotham and grows disturbed by the fear and violence. He sees a reckless lawman who has lost his moral compass. Meanwhile, Lex Luthor, a brilliant but manic billionaire, manipulates events from the shadows. He orchestrates a tragedy at a Senate hearing on Superman's accountability, framing the Man of Steel for a bombing that kills Senator Finch and dozens of others. To force Clark's hand, Luthor kidnaps Martha Kent.
Batman, having stolen Kryptonite from Luthor's facility, builds a specialized armored suit and weapons designed to kill Superman. The two heroes are drawn into a violent confrontation, each believing they are fighting for justice. Diana Prince, a mysterious woman who has been observing both, warns Bruce about a larger looming threat, a coming war that will require them to unite with other metahumans. The story builds toward an explosive clash that will change both heroes forever, while Luthor's true scheme, the creation of a monster from Zod's corpse, threatens to destroy everything.
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Critical Consensus
A visually ambitious but narratively overstuffed superhero clash that struggles under the weight of its grim tone and convoluted plot. Ben Affleck's Batman and Gal Gadot's Wonder Woman earn praise, but muddled storytelling and excessive runtime undermine epic ambitions, leaving many disappointed despite moments of spectacle.
“The movie is a mess, an overstuffed, overlong, and often incoherent jumble of portentous dialogue, murky action sequences and half-baked ideas.”
A.O. Scott
The New York Times
“Zack Snyder's superhero smackdown is a dark, brooding, and exhaustingly overstuffed affair that doesn't leave much room for fun, but does leave plenty of room for Jesse Eisenberg's manic Lex Luthor.”
Justin Chang
Variety
“A ponderous, overlong and ultimately rather silly exercise in superhero myth-making that takes itself far too seriously.”
Todd McCarthy
The Hollywood Reporter
“The movie is a mess, but it's a fascinating mess, one that tries to do something different with the superhero genre even as it stumbles over its own ambitions.”
Matt Zoller Seitz
RogerEbert.com
“It's a joyless, lumbering behemoth of a movie, a grim and self-important superhero slugfest that mistakes darkness for depth.”
Peter Bradshaw
The Guardian
Director
Zack Snyder
Writers
Chris Terrio, David S. Goyer
Composers
Hans Zimmer, Tom Holkenborg
Cinematographer
Larry Fong
Producers
Charles Roven, Deborah Snyder
Academy Awards (2017)
Best Visual Effects: Nominated
Golden Raspberry Awards (2017)
Worst Supporting Actor: Won
Golden Raspberry Awards (2017)
Worst Screenplay: Won
Golden Raspberry Awards (2017)
Worst Prequel, Remake, Rip-off or Sequel: Won
MTV Movie & TV Awards (2017)
Best Hero: Won
Teen Choice Awards (2017)
Choice Movie: Action: Won
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