“Theron makes you want to dig into the meaning of a film whose amped-up '80s soundtrack announces 'Atomic Blonde' as a knowing act of role-playing.”
Tim Grierson
Screen International

United States"Just because she's a woman doesn't mean she's not dangerous."
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November 1989. Berlin is a city of crumbling walls and shifting allegiances, a playground for spies where a single misstep means a bullet to the back of the head. MI6 sends their most hardened operative, Lorraine Broughton, into this chaos with one objective: retrieve a list of every active intelligence agent in Berlin before it falls into Soviet hands. The list, hidden inside a dead agent's wristwatch, has already cost several lives.
Charlize Theron plays Lorraine as a woman carved from ice and steel. She arrives in a city where trust is a liability and every ally has a hidden agenda. Her contact, David Percival (James McAvoy), is the MI6 station chief who has gone native in the anarchic nightlife of pre-reunification Berlin. He operates like a rock star, which makes him impossible to pin down. Lorraine must navigate a maze of Stasi operatives, KGB assassins, and a rogue British spy known only as Satchel.
Director David Leitch, making his solo directorial debut after co-directing John Wick, brings a visceral physicality to every frame. The film's neon-drenched aesthetic, pulsing with New Order and David Bowie on the soundtrack, turns Berlin into a character of its own. This is a spy thriller that trusts its audience to keep up with the twists, rewarding patience with a final act that redefines everything you thought you knew.
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Lorraine Broughton sits in a sterile London interrogation room, her face a roadmap of bruises and cuts. Across the table, MI6 chief Eric Gray (Toby Jones) and CIA officer Emmett Kurzfeld (John Goodman) want to hear her version of what happened in Berlin. She tells them everything, starting with her arrival in the divided city four days earlier.
The mission seemed straightforward: recover a wristwatch containing a microfilm list of every active intelligence agent in Berlin. The watch belonged to James Gascoigne, an MI6 agent murdered by KGB assassin Yuri Bakhtin. But nothing in Berlin is straightforward. David Percival, the MI6 station chief, meets Lorraine at the border crossing with a smirk and a bottle of whiskey. He is charming, unpredictable, and clearly playing his own game. He gives her a key to a safe house and warns her that the Stasi are hunting the same prize.
Lorraine's first night in Berlin ends in blood. A team of Stasi agents ambushes her at the safe house, forcing her into a brutal, extended fight that leaves three men dead and Lorraine battered but alive. She escapes into the city's underground, where she meets Delphine Lasalle (Sofia Boutella), a young French intelligence officer who becomes both an asset and a liability. Delphine feeds Lorraine information about the Stasi's involvement in the watch's disappearance, but her presence also puts Lorraine at risk.
Percival proves unreliable at every turn. He sends Lorraine into a trap at a nightclub, where she barely escapes a KGB hit squad. He claims to be hunting Satchel, the MI6 mole who has been selling secrets to the Soviets, but his actions suggest he may be the mole himself. Lorraine tracks down Bakhtin and interrogates him in a tense standoff, learning that Gascoigne's death was more complicated than anyone in London let on.
The list changes hands multiple times. A Stasi informant named Spyglass (Eddie Marsan) claims to have memorized its contents, making him a target for every faction in the city. Percival kills him to retrieve the information, but the watch itself remains missing. Lorraine discovers that Gascoigne had hidden it in a Stasi safe house, and she orchestrates a dangerous raid to recover it. The operation succeeds, but not without cost: Delphine is captured and killed by the Stasi, a loss that Lorraine buries beneath her professional mask.
With the watch in hand, Lorraine arranges a meeting with Percival to exchange it for safe passage out of Berlin. But Percival has his own plans. He reveals that he knows Lorraine is hiding something, and the confrontation escalates into a final, bloody showdown. The film cuts back to the London interrogation room, where Lorraine finishes her story. Gray and Kurzfeld seem satisfied with her account. But the audience has already glimpsed moments that do not add up, a brief flash of Lorraine meeting with a KGB agent, a file handed over with a nod, a whispered promise of freedom.
Official Trailer
Critical Consensus
Atomic Blonde gets enough mileage out of its stylish action sequences and ever-magnetic star to make up for a narrative that's somewhat less hard-hitting than its protagonist. The film's neon-drenched, punk-infused aesthetic and brutal fight choreography impress, but the convoluted plot and emotional detachment prevent it from achieving the genre-defining status of its John Wick cousins.
“Theron makes you want to dig into the meaning of a film whose amped-up '80s soundtrack announces 'Atomic Blonde' as a knowing act of role-playing.”
Tim Grierson
Screen International
“It boasts some outrageously good fight scenes, John Wick: Chapter 2 has set the bar too high for any 2017 film to beat it, but this is a hugely gratifying first runner-up.”
Tim Brayton
Alternate Ending
“The costumes in Atomic Blonde are fucking fantastic, they place in not just a specific time and place, but a specific mindset and attitude about that place.”
Peter Debruge
Variety
“The heroine announces, in thuddingly obvious dialogue, that she's cool, and is only making connections to get ahead, but she's actually a mix of fire and ice.”
Brian Tallerico
RogerEbert.com
“The film's relatively small number of fight scenes counting for an awful lot, we get just enough of a sense of Lorraine as a profoundly capable, dangerous human being.”
Todd McCarthy
The Hollywood Reporter
Director
David Leitch
Writer
Kurt Johnstad
Composer
Tyler Bates
Cinematographer
Jonathan Sela
Producers
Charlize Theron, Kelly McCormick, A.J. Dix, Beth Kono, Eric Gitter, Peter Schwerin
Hollywood Film Awards (2017)
Hollywood Stunt Award: Won
Empire Awards (2018)
Best Thriller: Nominated
Saturn Awards (2018)
Best Action/Adventure Film: Nominated
Saturn Awards (2018)
Best Actress: Nominated
Screen Actors Guild Awards (2018)
Outstanding Performance by a Stunt Ensemble in a Motion Picture: Nominated
Golden Trailer Awards (2018)
Best Action TV Spot: Nominated
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