“Brizé delivers another unflinching portrait of the working class, but here he turns his lens on the white-collar elite, revealing the same brutal machinery beneath the suits.”
Peter Debruge
Variety
Carla Moretti is a forty-three-year-old executive who has built an impressive career in the French corporate world, known for her sharp intellect and unwavering efficiency. Her professional success comes at a steep personal cost; her relentless drive has eroded her relationships with her husband and children, leaving her isolated and emotionally detached. When she is recruited by a major French insurance company to serve as their new Human Resources Director, she sees it as the ultimate challenge.
The company faces a severe reputational crisis due to scandals involving unethical practices and poor customer treatment. The board wants to rebuild the brand image from the ground up, presenting a facade of benevolence to the public. Carla accepts the position, bringing a team of consultants and a rigid strategy focused on damage control. She soon discovers that the crumbling reputation is rooted in systemic issues: a culture of exploitation where employees are pressured to meet impossible targets, leading to burnout, mental health crises, and even suicides among staff members.
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Carla arrives at the insurance firm with a clear mandate to fix the mess left by previous management. She brings in a team of consultants and implements a strict plan to manage the fallout of recent tragedies while simultaneously crafting a narrative that hides the truth. The central conflict arises as she navigates a labyrinth of corporate politics. She deals with cynical executives who prioritize profit over people and resistant middle management who refuse to change their ways. One of her key colleagues, Arnaud Boronat, serves as a foil to her ambition. A veteran of the industry, Arnaud understands the grim realities of the corporate machine and often warns Carla that true reform is impossible within such a toxic system.
To support the rebranding effort, the company hires Etienne, a coach specializing in happiness and well-being. He is brought in to train employees in resilience, a move that Carla initially embraces as part of her strategy but soon recognizes as a hollow gesture masking deep-seated misery. As the film progresses, Carla finds herself torn between her professional duty to deliver results and her growing empathy for the suffering workers she encounters. She witnesses firsthand the human cost of the company's policies, including the tragic story of an employee who was pushed to the brink.
The tension escalates as the company prepares for a high-profile public launch intended to signal a new era of ethical business. Carla must decide whether to fully commit to the charade, ensuring her own career advancement and the company's survival, or to risk everything by exposing the truth. The narrative builds toward a critical moment where Carla's loyalty to the corporate hierarchy clashes with her emerging conscience. The story explores themes of maternal sacrifice, the dehumanizing nature of capitalism, and the difficulty of maintaining integrity in a world that rewards ruthlessness. Every interaction with the staff reveals cracks in the facade of the happy workplace, forcing Carla to confront the question of what it truly means to be a good soldier in a corrupt system.
A GOOD LITTLE SOLDIER - Official Trailer
A GOOD LITTLE SOLDIER - Teaser
Behind the Scenes
Critical Consensus
A Good Little Soldier offers a tense, realistic look at modern corporate cruelty, anchored by Alba Rohrwacher's nuanced performance. While some critics find the pacing deliberate and the resolution predictable, the film succeeds in dissecting the moral compromises required to survive in today's capitalist landscape.
“Brizé delivers another unflinching portrait of the working class, but here he turns his lens on the white-collar elite, revealing the same brutal machinery beneath the suits.”
Peter Debruge
Variety
“This is cinema that hurts because it feels so true. Rohrwacher's Carla is a character we both despise and pity, trapped in a system she helped build.”
Eric Kohn
IndieWire
“A Tense French Workplace Drama About a Woman Caught Between Motherhood and Corporate Hell. Brizé delivers another unflinching portrait of the working class.”
A.O. Scott
The Hollywood Reporter
Director
Stéphane Brizé
Writers
Stéphane Brizé, Coralie Amédéo, Olivier Gorce
Composer
Bertrand Blessing
Cinematographer
Antoine Héberlé
Producer
Sidonie Dumas
Venice Film Festival (2026)
Best Actress: Won
Venice Film Festival (2026)
Golden Lion: Nominated
Toronto International Film Festival (2026)
Special Presentation: Official Selection
César Awards (2027)
Best Film: Nominated
César Awards (2027)
Best Actress: Nominated
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