“Levinson's film is a desperate attempt to push buttons, a work that feels more like a monologue than a dialogue, despite the presence of two lead actors.”
Richard Brody
The New Yorker

Sam Levinson directs a tense, black-and-white drama where two people navigate the wreckage of a relationship after a high-stakes night out. John David Washington plays Malcolm, an exhausted film director, while Zendaya stars as his girlfriend Marie, who arrives with her own set of expectations for the evening. Their return to a secluded California home becomes a pressure cooker for unresolved anger and deep-seated insecurities.
The film strips away all visual distractions to focus entirely on the raw performance of its two leads. Shot almost entirely within a single location over one night, the story peels back layers of power dynamics and communication breakdowns that define their bond. What starts as a quiet celebration quickly devolves into a brutal confrontation about race, gender roles, and the nature of artistic creation.
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The narrative begins on the night of January 29, 2021, immediately following the world premiere of Malcolm's latest film, The Last Days, at an unspecified festival. Malcolm, played by John David Washington, returns home with his girlfriend Marie, portrayed by Zendaya, expecting a celebratory evening filled with champagne, dinner, and quiet reflection. The atmosphere is immediately strained because Marie arrived late to the premiere; she felt ignored by Malcolm during the event when he focused so intently on industry elites that he failed to acknowledge her presence or introduce her as his partner. This initial slight sets the stage for a volatile confrontation that will consume the entire narrative.
Upon returning to their empty house, the couple attempts to navigate the wreckage of the evening. Malcolm is defensive and dismissive, while Marie is hurt, angry, and feeling invisible. What begins as a conversation about the premiere quickly devolves into a series of escalating arguments that peel back layers of their relationship's history. The central conflict revolves around power dynamics, communication breakdowns, and deep-seated insecurities. Malcolm accuses Marie of being overly sensitive and dramatic, often gaslighting her by twisting her words or dismissing her valid grievances as attention-seeking behavior. Conversely, Marie feels emotionally neglected and unappreciated, arguing that Malcolm treats her more like a prop in his life rather than an equal partner.
As the night progresses, the dialogue becomes increasingly brutal and revealing. They revisit past conflicts, including instances where Malcolm prioritized his career over Marie's emotional needs and moments where Marie felt she had to suppress her own identity to support his ego. The film utilizes a black-and-white aesthetic to heighten the starkness of their emotions, stripping away any visual distraction and focusing entirely on the raw performance of the two leads. The setting itself, a pristine, isolated mansion, acts as a pressure cooker, trapping them together with no escape from the truth they are forced to confront.
Throughout the long night, the couple cycles through phases of anger, vulnerability, manipulation, and fleeting reconciliation. Malcolm struggles to admit fault, often deflecting blame onto Marie's reactions or external factors. Marie, initially seeking validation, becomes increasingly frustrated by his inability to truly see her. The narrative is driven by their verbal sparring, which oscillates between intellectual posturing and deeply personal attacks. They discuss themes of race, gender roles, and the nature of artistic creation, often using these topics as weapons to wound one another. Despite the toxicity, there are moments of genuine connection and shared pain, suggesting that their bond is complex and enduring, even if it is currently broken.
The story builds toward a climax of emotional intensity without resolving the fundamental issues between them. By the end of the night, they have laid bare every secret, insecurity, and resentment they hold against one another. The film leaves the audience questioning whether this relationship can survive such a thorough dismantling of trust and affection. It explores the question of whether love is enough to overcome deep-seated dysfunction or if some relationships are destined to destroy each other in the process. The tension remains high until the very last scene, leaving the resolution of their future ambiguous yet undeniably poignant.
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Critical Consensus
Malcolm & Marie features powerhouse performances from Zendaya and John David Washington that elevate a script often criticized for its circular arguments and self-referential nature. While the black-and-white cinematography and intense acting draw praise, the film's reliance on repetitive dialogue and perceived lack of narrative progression divides audiences and critics alike, resulting in a polarizing experience that is as frustrating as it is captivating.
“Levinson's film is a desperate attempt to push buttons, a work that feels more like a monologue than a dialogue, despite the presence of two lead actors.”
Richard Brody
The New Yorker
“Zendaya is magnificent, bringing a ferocity and vulnerability to Marie that anchors the film in a sea of pretension.”
Peter Travers
Rolling Stone
“A fascinatingly awful movie that manages to be both exhausting and mesmerizing, thanks largely to the chemistry between its two stars.”
David Ehrlich
IndieWire
“The film is a masterclass in bad behavior, a study in how two people who love each other can still manage to make each other miserable.”
Owen Gleiberman
Variety
Director
Sam Levinson
Writer
Sam Levinson
Composer
Labrinth
Cinematographer
Marcell Rév
Producers
Ashley Levinson, Kevin Turen, John David Washington, Zendaya, Sam Levinson
NAACP Image Awards (2022)
Outstanding Actress in a Motion Picture: Won
Black Reel Awards (2022)
Outstanding Actress: Won
NAACP Image Awards (2022)
Outstanding Motion Picture: Nominated
Critics' Choice Movie Awards (2022)
Best Actress in a Comedy: Nominated
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