“A masterpiece of Indonesian horror that combines the visceral with the poetic, delivering a terrifying narrative that stands out in the global horror landscape.”
Scott Foundas
Variety

United States"Blood runs deeper than you think."
Joko Anwar returns with a visceral horror film that blends Indonesian folklore with supernatural dread. Impetigore follows Maya, played by Tara Basro, as she inherits a crumbling estate in her ancestral village only to discover the locals view her presence as a death sentence. The community believes she carries a curse that must be purged through violence. Marissa Anita and Asmara Abigail join Basro as fellow villagers caught in the web of superstition, while Christine Hakim delivers a chilling performance as the matriarch Misni. The production features a mix of Javanese and Indonesian dialogue, grounding the story in specific cultural soil rather than generic tropes.
Released in late October 2019, this co-production between Indonesia, South Korea, and the United States showcases the growing ambition of Southeast Asian cinema. Ivanhoe Pictures and Rapi Films spearheaded the project alongside CJ Entertainment, bringing a polished aesthetic to a story heavy on gore and black magic. The film explores themes of inherited trauma and the brutality of cult mentality. With a runtime of one hour and forty-six minutes, the movie moves at a relentless pace, building tension through atmosphere before unleashing its graphic violence. Critics and audiences have noted the film's unique blend of mystery and body horror, earning it a solid rating of 6.7 out of 10.
Stream
Availability and pricing can change. Confirm on the provider's site before purchasing.
Maya works as a toll booth operator in Jakarta until she receives word that her mother has died under mysterious circumstances in Wonosari, a remote village in Java where her family originated. Despite having little memory of the place and a strained relationship with her late mother, Maya travels to claim her inheritance: a dilapidated estate known as the Rumah Putih or White House. Her arrival is met with immediate hostility from the villagers, who treat her presence as an omen of impending doom. The community views her not as a grieving daughter but as a harbinger of death, often referring to her in local lore as a perempuan tanah jahanam or woman of the damned land.
Upon arriving at the estate, Maya is taken in by Misni, her grandmother, a stern matriarch who rules over the household with an iron grip. Misni is guarded and cryptic, offering Maya little warmth or explanation regarding her mother's death or the village's strange behavior. The atmosphere inside the house is thick with tension; the architecture itself seems oppressive, filled with hidden rooms, eerie artifacts, and a pervasive sense of dread. Maya begins to experience disturbing visions and physical ailments, including severe nosebleeds and hallucinations, which she struggles to rationalize. She suspects foul play but finds herself isolated, unable to trust the locals or even the few allies she might make within the household.
The central conflict escalates when Maya discovers that the villagers are actively plotting against her. They believe that her existence is tied to a dark curse that must be purged through violence. A shadowy figure stalks her, leading to a series of violent encounters that blur the line between supernatural forces and human malice. Maya forms a tentative alliance with Dini and Ratih, two other women in the village who also seem to be victims of the same oppressive system, though their motivations remain ambiguous. As Maya digs deeper into her family's history, she uncovers fragments of a tragic past involving black magic, ritualistic sacrifice, and a secret society dedicated to maintaining the village's twisted balance.
The narrative builds toward a terrifying climax as the veil between the living and the dead begins to thin. Maya learns that the curse she carries is not merely a myth but a biological and spiritual reality rooted in generations of incestuous abuse and ritualistic experimentation. The village elders, led by the formidable Misni, have been orchestrating a cycle of death and rebirth to appease ancient deities and ensure the village's prosperity. Maya becomes the focal point of this macabre ritual, forced to confront the horrifying truth about her lineage and the role she was destined to play. As the night unfolds, the boundaries of sanity dissolve, and the true nature of the Impetigore is revealed in a visceral display of body horror and psychological terror. The film masterfully weaves themes of inherited trauma, cultural suppression, and the brutality of patriarchal control into a relentless nightmare that challenges the viewer's perception of reality.
Impetigore - Official Trailer [HD] | A Shudder Original
IMPETIGORE Official Int'l Main Trailer
Critical Consensus
Critics praised Impetigore for its unflinching exploration of generational trauma and its unique blend of folk horror and body gore. Director Joko Anwar was lauded for creating a visually stunning and deeply unsettling atmosphere that transcends language barriers. The film was noted for its strong performances, particularly by Tara Basro and Christine Hakim, and its bold departure from conventional Western horror tropes.
“A masterpiece of Indonesian horror that combines the visceral with the poetic, delivering a terrifying narrative that stands out in the global horror landscape.”
Scott Foundas
Variety
“Joko Anwar delivers a film that is both a tribute to Javanese folklore and a scathing critique of patriarchal violence, anchored by powerhouse performances.”
Scott Feinberg
The Hollywood Reporter
“Visceral, disturbing, and utterly unforgettable. A triumph of the genre that lingers long after the credits roll due to its haunting imagery.”
Matt Zoller Seitz
RogerEbert.com
Director
Joko Anwar
Writer
Joko Anwar
Composer
Rian Pratama
Cinematographer
Ical Tanjung
Producers
Shanty Harmayn, Tia Hasibuan, Aoura Lovenson Chandra
Fantasia International Film Festival (2020)
Best Film: Won
Sundance Film Festival (2020)
World Cinema Dramatic Competition: Official Selection
Oscars (2021)
Best International Feature Film: Nominated (Submission)
Join the community
fans discussing